
The modern and enlightened narrative on post-Civil War meetings between cowboys and native Americans homes in on communication as opposed to conflict. Of course, the truth was somewhere between the two and the Comanche in particular were not renowned for holding summits with those travelling west.
The work of Charlie Russell, the celebrated American painter of the wild west, has certainly influenced me as he understood how the grandeur of the American West added an extra character for free into his frontier storytelling. He also was sympathetic to the depiction of Native Americans and his work more often embodied a sense of peace not aggression. Given the amount of time he spent living with The Blackfeet Nation in Montana in the late 1880s, this is instructive.
There could be no more jaw dropping backdrop for this meeting than Monument Valley; it is the beating heart of the South West. But to take this photograph was a big logistical exercise and we wonder whether we may have broken new ground here. The route up the escarpment to the south is just too steep for most horsemen. I can’t find anything quite like it and that is always a good moment.
It was a cold morning at that altitude, even in October and the light snow cover adds an additional layer to the story. It is very much my kind of photograph.
Artwork Details
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The New Testament (Monochromatic)
The Border
The Daily News
1953 (B&W)
1953 (Colour)
South by Southwest (2023)
The Rookie
Drovers
Tennessee Whiskey
Untamed
The Last Supper In Chicago
Indecent Proposal
Ford
All Nighter in Cowtown
Bonnie
Roy’s
The Unusual Suspects II
The Outlaws
Chief (B&W)
Wellington (B&W)
Wellington (Colour)
There Will be Oil
The Old Man and The Sea
Django