
I had this photograph in my mind for a good year or two before I took it. Mountain roads with snow tunnels this high are not easy to find and even then, filming on them can be a logistical challenge as there are always going to be other cars on the road.
Our research led us to a mountain area near Lake Tahoe that always has high accumulation of snow throughout the winter. But my ambition of bringing in a 1953 Ferrari and a wolf to the set took the production effort to a challenging level. The car was worth around $12m and we certainly didn’t need any accidents, but we simply had to use it; it is so beautiful.
My default position is to make my work as attention grabbing as possible - and since I tend to make photographs rather than take them - the key is always in the preparation. As I saw the frame develop in my head, I knew that if there was a bend in the road, we could use that to make the backdrop as uniform as possible.
I guess this photograph has a fairytale vibe and that was my intent. She is simply driving home for Christmas.
Brooks Nader is so good to work with; she is family to us and smashes every role we give her.
Artwork Details


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Driving Home for Christmas (Colour)
Persons of Interest
The Red Dog Saloon
It’s Closing Time
The Lonesome Cowboy
The Last Supper
Empire of the Summer Moon
The White Elephant Saloon
Mama Don’t Let Your Children Grow Up to be Cowboys
The Girl and the Wolf
Pretty Woman
Game of Pistols
The Bribe
I’m an Oil Man
A Dallas Cowboy
The Goats of St. Moritz
Tommy Tommy Tommy
Living Without Borders
A Street Car Named Desire II
The Brotherhood of Thieves
The Final Frontier
Leadville
True Grit (B&W)
True Grit (Colour)