
In the 16th century, the Apache migrated south to the Texas Panhandle from what is now Canada. There they eventually encountered Mexicans; Western settlers and of course the Comanche - the most feared of the native American tribes. The Apache wars with the US army spanned three decades of the 19th century, but it was ultimately the Comanche who pushed them further south towards the border with Mexico. Consequentially, the Apache settled the furthest south of all Native American tribes. In my search for the setting for this portrait, I looked for features that would readily locate the elder and his horse. There needed to be a sense of place to lend weight to the narrative. We found this escarpment rising above cactus rich scrubland only about 40 miles north of the Rio Grande in West Texas. The photograph was taken just a few minutes after sunrise. Out there in South West Texas the light can get a little too harsh before most folk are out of bed. As it was, we were back home by 10 am. We want to thank our new friend Mo Brings Plenty for his help in this project.
Artwork Details
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Daylight Robbery (B&W)
The Last Supper in Fort Worth
The Girl with the Cigar (B&W)
Being John McEnroe (Colour)
Saturday Night Live (Colour)
The River Wild (Colour)
Twilight (Colour)
Texas
The Train Robbery (Colour)
Cara and the Robbers
Any Given Sunday
Off the Rails (B&W)
The Girl with the Cigar (Colour)
Don’t Mess with Texas (B&W)
Ride the Bull
1895
Blackfeet Nation
I’m an Oil Man
Bison, Oil and Gas (B&W)
The Lost Horse Saloon
The Gusher Age (B&W)
Zero Tolerance
Frontier Town (Colour)
Cattle Drive