No one is remembered for playing it safe. On the surface, the idea of placing a couple of exceptional women in front of an abandoned train in a ghost town high up in the mountains of Montana, and styling them in a way that exposes their curves as well as their personalities, is a risky concept in 2018. There is every chance that this work could be seen as gratuitous objectification and not art. It will irk many but equally, their coats were positioned very carefully.
But I will go with it and when I saw the print for the first time in large scale, I knew there was something and others have reinforced this belief. It just works and the more I review the intricacy of the train’s facade, I do think that there is a little magic – the icicles, the expression of the mountain lion, the textural beauty of the wood. The girls both rock and that was not easy for them – it was 15 degrees below zero that morning.
But what I am trying to say? Nothing – nothing at all – I am just playing with visual double takes and remembering that the wild west was exactly that. Let’s just catch the last train home.
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