
Spring is Aspen’s forgotten season: summer has perfect warm weather, winter has snow, and fall has the colours. But spring is short in Aspen and many businesses close to give their staff a break and the premises some maintenance. It is the off-season, and for many locals it is their favourite time of year; some serenity and peace return to the town. This makes it an ideal time to film - roads are quiet, hotels are less busy and restaurants are easier to book. From a visual perspective, spring also offers great opportunity as there will be snow at a higher elevation and fresh greens in the valleys below. If the intent is to look for a wide tonal range in a photograph, spring is a good choice. Ansel Adams loved the diffused light of spring and the rich tonal range it offered. He often chose this period to film in Yosemite; melting snow can be used to the photographer’s advantage - it is not always about mud. We have filmed on this road before but never looking back down the valley and past Aspen itself. The 1966 Cadillac is a strong addition to any set and Kate Bock is styled perfectly for that era. It is a timeless picture which was, of course, the intent.
Artwork Details


We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Bad Intentions
Turnberry (B&W)
Turnberry (Colour)
The Girl on the Vespa (B&W)
The Girl on the Vespa (Colour)
Saturday Night Live (B&W)
Saturday Night Live (Colour)
Eternity (B&W)
Eternity (Colour)
Deuce (B&W)
Deuce (Colour)
El Rancho
Bison DeChambeau (B&W)
Bison DeChambeau (Colour)
Hook ‘Em Horns (B&W)
Hook ’em Horns (Colour)
Riders (B&W)
Riders (Colour)
The Fall (B&W)
The Fall (Colour)
I Walk the Line
Kochevars, Crested Butte
The Robbers
The Vortex (B&W)