"The Black Panther Returns" by David Yarrow, Dinokeng, South Africa, 2019. Black and white photograph.

David Yarrow

The Black Panther Returns

Dinokeng, South Africa, 2019

Nikon makes some excellent prime lenses, and the newly released 105mm is now a favorite of mine. After the 58mm, it is the second-most useful lens in my bag when I go to Africa. It is fast and its optical quality is quite magnificent.

This photograph of a black panther required precision in all I could do and then precision in all the camera could do. I shot with 1/1600th of a second, as this cat was moving so quickly toward my cage that I worried any longer shutter speed would risk blurring—and what a picture to screw up by making a lazy setting. I opened the lens wide up to F2.8m to make everything in front of and behind the panther’s face out of focus. I think I had three inches of depth of field—just enough. The 45-degree early morning backlight left me with a balancing ISO of 500, which on the D850 is fine. I chose the D850 over the beast that is the D5, as I was happy to sacrifice frames per second for resolution.

That is quite a technical narrative for this photograph, but the reality is that after the word emotion, I think the next most important word for a photographer is math. Photography may be an art long before it is a science, but math does matter.

I look at this photograph with the dust, the composition, the backlight, and the energy and I recognize that my skills as a photographer have improved with age. I make pictures rather than take them, and through failure I havea more refined understanding of what I need to do when I go to work. I am not sure I could have made this image in 2010 or even 2016.

David Yarrow’s signature

Artwork Details


Archival Pigment PrintEdition of 12, 3 APs, 1 EPLarge: 56” x 75” unframed · 71” x 90” framed

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