Audrey Hepburn and William Wyler in London, 1966

Audrey Hepburn William Wyler photograph by Terry O’Neill depicts legendary actress Audrey Hepburn with three-time Academy Award–winning director William Wyler in Paris. The image documents one of the most important professional relationships of Hepburn’s career. O’Neill captures the pair in a composed yet informal moment, reflecting familiarity rather than performance.

Audrey Hepburn and William Wyler first worked together on Roman Holiday in 1953. The film marked Hepburn’s first major starring role. Her performance earned her the Academy Award for Best Actress and established her as an international star. Wyler’s disciplined direction played a central role in shaping her early screen presence.

Following the success of Roman Holiday, Hepburn and Wyler collaborated again on Funny Face in 1957. The musical presented Hepburn in a lighter role while reinforcing her cultural visibility and cinematic appeal. Their collaboration continued with The Children’s Hour in 1961, a dramatic film that demonstrated Hepburn’s range and willingness to take on complex subject matter.

This Audrey Hepburn William Wyler photograph reflects the trust developed through years of collaboration. The image emphasizes professional respect rather than celebrity. O’Neill’s approach avoids theatrical staging and instead focuses on presence, posture, and proximity. The photograph aligns with his broader body of work documenting figures from film, music, and politics in unscripted moments.

As a document of mid-20th-century cinema, this Audrey Hepburn William Wyler photograph unites two figures whose work shaped Hollywood’s postwar era. It stands as a record of artistic partnership and creative discipline. The photograph also highlights Terry O’Neill’s ability to distill cultural history into a single frame.

This work remains a significant example of O’Neill’s photographic legacy and of the enduring collaboration between Audrey Hepburn and William Wyler.