Hello (Colour)

Alaska, USA 2015
This image was run in the British Press a few days after my encounter on Barter Island. It is a special picture and I guess it will become a well-known picture. It is something of a platitude to say that the bigger an image is printed, the greater the detail, but on this occasion it is very pertinent for two reasons.
Firstly, a polar bear is a huge animal. If possible, any portrait should reflect this and – in this case – given that it is a head on shot, that is easy. The bear’s head in the image should be at least life size – if not more.
Secondly the bear is pin sharp around its eyes. I think that I must have been closer than just about anyone has ever been to a polar bear in the wild and lived to tell the tale. I was also using Nikon’s flagship 58m lens – which captures every hair at the assigned focal point. When the first large print of the image came off the drum in LA, one of the team turned to me and said “David, look at the eyes – you are in them!”. He was right; I inadvertently took a selfie through the eyes of a polar bear. That surely is groundbreaking.
AVAILABLE SIZES:
LARGE: Edition of 12, 3 APs, 1 EP
- Image: 56 x 91” in (143 cm x 231 cm)
- Framed: 67" x 102" in (171 cm x 259 cm)
STANDARD: Edition of 12, 3 APs, 1 EP
- Image: 37" x 60" in (93.98 cm × 152.4 cm)
- Framed: 52" x 75" in (132.08 cm × 190.5 cm)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
No Time to Kill

Alaskan North Slope – 2025
“Almost all my decent work with polar bears has been taken in flat or low light. When we travel to the extreme locations where bear encounters are likely, there
is an acceptance that we must simply work with whatever weather we are given; it’s not as if we are there to do anything else. These locations tend to be light
on optionality and patience and a few downloaded Paramount TV shows are a necessity. These assignments are not for people who get restless or need comfort.
Poor light pushes camera capability to the edge and ultimately reduces the margin of error in critical moments. This moment was one of those, as the polar
bear was coming right towards me and carried a proper menace.
Polar bears “pop” in an image more than any other mammal I know because of their white coats. If those white coats are then highlighted by sunlight, it can all be a bit much and visually it often does not work.
This photograph, which I took recently on the Alaskan North Slope, works, not only because of the murky weather, but also because the bear’s head position serves to highlight the bulk that comes behind it. This is a big boy and this was the very last frame I took before I had tomove. A ground up camera position is so important, but with that goes a need to always put safety first.
I was up in the arctic for a few days and took fewer than two dozen photographs. That’s the way it is up there. Less is more.“
-David Yarrow
Available Sizes
Large - Edition of 12 + 3 AP
- Image Size: 43” x 103" in (109 cm x 262 cm)
- Framed Image: 58” x 118” in (147 cm x 300 cm)
Standard - Edition of 12 + 3 AP
- Image Size: 32” x 77” in (81 cm x 196 cm)
- Framed Image: 47” x 92” in (119 cm x 134 cm)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
78 Degrees North (Colour)

Svalbard, Norway – 2017
Archival Pigment Print
“I should start by saying I have generally been disappointed by my own work with polar bears in Svalbard. This is a giant’s kingdom, and my images from previous trips have been too marginal to do either the giants or their kingdom justice. Luck evens itself out, but nature can seem cruel in its distribution of content, and in this barren archipelago, I don’t recall many favors until June 2017.
There is no doubt in my mind that this photograph of a big male polar bear lends weight to the contention that wildlife photography does not have to be reportage—it can be art. The photograph is elevated rather than weakened by the negative space and the bear’s anonymity. Since 2011, I have spent more than 30 days shooting in Svalbard, and this is my favorite image of a polar bear in this part of the Arctic. Indeed, the more I look at it, the prouder I am. As my fellow Scottish photographer and friend the great Harry Benson once said, “Great images can never be repeated.” Others will decide if this is a great image, but it certainly won’t be repeated.
The distinctive pads on the sole of his foot immediately grab the eye. The central pad, which resembles the Nike “swoosh,” is the epicenter of a photograph that owes its differentiating content entirely to this right foot. The image is made complete by its own lack of completeness; the storytelling is started by the camera and finished by the viewer. We are asked to finish the story, not just read it, and the spartan economy of the narrative helps along the way. Less is more in the Arctic. Its beauty is in its simplicity and the enormity of the white detail. It conveys a true sense of place.” – David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56” x 87” in (142.2 cm x 221 cm)
- Framed Image: 71” x 102” in (180.3 cm x 259.1 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37” x 57” in (93.98 cm x 144.8 cm)
- Framed Image: 52” x 72” in (132.1 cm x 182.9 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Who's Going to Tell Him?

Antarctica – 2022
Traveling to Antarctica is not easy at the best of times, but during Covid it has been a bridge too far for most sensible people; the 2020 season was impossible and 2021 was extremely challenging. In the last 24 months there have been very few visitors, but even that did not stop Covid infections at some of the scientific bases. Visitors have been unable to get in and some have been unable to get out. It’s been the perfect storm.
We finally made it there last week after our plans in late November were scuppered due to Omicron concerns. My son and I camped for four nights in a modest tent near the German research base at Atka Bay, but the sizeable 25,000 strong Emperor Penguin colony near the base had dissipated with the majority of the adult penguins returning to fish the open sea. The remainder of the colony had moved to the sea ice and unfortunately to a place inaccessible without ropes and harnesses. This would have been a long way to go for nothing.
Fortunately, we had been made aware of this development by the wonderful team at White Desert, so at their recommendation we were joined in Atka by Chamonix mountaineering legend – Sam Beauguy – who would keep us safe on the hazardous treks to the colony. To be fair he “base jumps” for fun, so this was never going to be a challenge for him.
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 48” x 99” in (121.92 cm x 251.46 cm)
- Framed Image: 63” x 114” in (160.02 cm x 289.56 cm)
STANDARD: Edition of 12
- Image Size: 37” x 76” in (93.98 cm x 193.04 cm)
- Framed Size: 52” x 91” in (132.08 cm x 231.14 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
LA Baby

Antarctica – 2022
I have sensed for some time, that the art world is looking for more from photographers and I have been warned of the dangers of being too earnest with a camera, which is why I spend less time than I used to working on encounters demanding literal documentation. It is a crowded space and every day sensational natural world images are garnered from around the planet from accomplished wildlife photographers. I am just not sure where that space is going at a time of such abundance of quality content. I certainly don’t see much of it on show at Art Miami and that is a good barometer. Peter Beard was way way ahead of his time.
His mate, Andy Warhol said that “Art is what you can get away with” and I do get his point. It is for the viewer to decide what is dull and generic, not the practitioner, but I know from my own errors that photographs of decisive moments in the field, or indeed simple portraits, can totally fail to engage third parties who were not there at the time. They can work, but the quest for emotional engagement has never been harder. It is a tough crowd out there in 2022. There is “no importance of being earnest”.
These musings leant heavily on me as I deliberated what to do differently this time in Antarctica. Installation art interests me as a storyteller and the opportunities are limitless as it is fresh. We decided to bring some canvases down to Antarctica as they can be erected and taken down in 20 minutes without being invasive; a bit like a tent on the ice.
This preconceived image is lifted by two factors that I could not have influenced. Firstly, the textural beauty of the Emperor penguin; she is so LA and secondly the fact that the weather was tough. It just works and I know it will divide opinion – but that’s what you need – not ambivalence.
(For the avoidance of doubt, our installed art in Antarctica was erected on location under IATA guidelines and without the Emperor penguins anywhere near us. We relied on constant weather conditions and then did the maths on the composite).
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 56” x 92” in (142.24 cm x 233.68 cm)
- Framed Image: 71” x 107” in (180.34 cm x 271.78 cm)
STANDARD: Edition of 12
- Image Size: 37” x 61” in (93.98 cm x 154.94 cm)
- Framed Image: 52” x 76” in (132.08 cm x 193.04 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
80 Degrees North

Svalbard, Norway – 2022
Like one of my best known photographs – 78 Degrees North – this image was taken in Svalbard, but a few years later and 200 miles further north. There are many challenges when filming in this archipelago, but they tend to be compensated by the odd split second of magic happening in front of the camera lens. There are many slow days for the filmmaker up here, either because there are no polar bear encounters or, if there are, they don’t happen in a situation which works for the camera. The polar bear can be well below the camera for instance which doesn’t work for me or can be a long way away. That is always the issue with filming from boats.
I am not sure whether I travel to Svalbard as an artist or as a gambler rolling the dice, but if I had to pick one of the two, I would say I go as a gambler. It would be a little delusional to think that I have much influence over the final results. I just record what is in front of me and that is all down to luck – either you are dealt a good hand or not.
There are, of course, a few variables under your control like the choice of lens and, to an extent, the angle of view. I don’t like long lenses as they tend to remove a sense of place, but in Svalbard, the use of shorter lenses is vulnerable to the distance between the camera and the polar bear. There will be many encounters when some degree of magnification is required.
This photograph was taken on a 300mm lens, but there is enough contextuality to add narrative to the portrait. This is a female bear in the habitat that defines her – blue ice, snow, and sea and better still, she is on the move at a higher level than my camera.
Here is the beauty of Svalbard. It can just occasionally offer up a moment in time to capture the essence of life at the edge. We know that we have to earn these moments.
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 51” x 101” in (129.54 cm x 256.54 cm)
- Framed Image: 66” x 116” in (167.64 cm x 294.64 cm)
STANDARD: Edition of 12
- Image Size: 34” x 67” in (86.36 cm x 170.18 cm)
- Framed Image: 49” x 82” in (124.46 cm x 208.28 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
White Out

AVAILABLE SIZES:
LARGE: Edition of 12
- Image: 24" x 80"
- Framed: 39" x 95"
STANDARD: Edition of 12
- Image: 16" x 53"
- Framed: 31" x 68"
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
My Place Or Yours

Kaktovik, Alaska 2016
Whilst this powerful vignette is unusual for me, I hope that those who know my mind well, will guess that I have taken it. If so, that would be very gratifying, because I want to be understood just as much as I want to be collected. I have never used street lights, buildings and telegraph poles as part of any “non-staged” narrative before, but their inclusion in this image deliberately suggests an imminent and unwelcome encroachment into mundane village life by the most dangerous of predators on the planet. The picture was preconceived in London. I think the human detail does not only complement the bear, it makes the photograph relevant. Relevance is a big word for me on my journey.
The reality is that communities such as Barrow, Prudhoe Bay and Kaktovik in Alaska and also Churchill in Canada are accustomed to the daily presence of polar bears until the adjacent sea water freezes in the autumn. The cohabitation is a surreal situation – perhaps without equal on the planet. The end of the seasonal tenancy of the bears is being pushed out over time as a result of global warming and the villagers in these remote outposts have accepted white bears as a way of life.
Ironically, it is around Halloween that polar bear activity around these villages peaks. Every night sirens go off and gun shots are fired by vigilantes patrolling the modest grid street plans. The record number of bears counted around Kaktovik (the location of this image) at this time of year is recorded as a jaw dropping “90”.
I have come to the safe conclusion that the Inuit elders from the coastal villages of the Beaufort Sea know all there is to know about polar bears. Their words are not words for “fast food” documentary television – they just say it as it is – it is their life. They respect the bears more than fear them and don’t just tolerate their presence – they admire their presence. The Inuit way of life is under just as much pressure as the polar bear way of life – after all, both are victims of our warming planet. I sense a solidarity born out of a common environmental enemy. The polar bears in these coastal communities are – in the main – not malnourished. Indeed, look at the size of this female – she must weight all of 1,200 pounds – seven times the average man. Her positioning just before sunrise was integral to the strength of the image and sunrise up there at Halloween time is around 9.30 am. These are short days.
Not all polar bears are starving – trust me – this assignment was not my first rodeo in the arctic. Polar bears can still be imperious, magnificent and sovereign. This one most certainly is. I am very tough on myself, but I know that “My place or yours?” is a special picture and I get quite emotional just looking at it.
AVAILABLE SIZES:
LARGE: Edition of 12
- Image: 56" x 88"
- Framed: 71" x 104"
STANDARD: Edition of 12
- Image: 37" x 59"
- Framed: 52" x 74"
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Monday Morning

Kaktovik, Alaska – 2016
It is a rare privilege to get close enough to a polar bear to take an image as intimate as this and even rarer to get close to two adults. The photograph was taken in October 2016 on the North Slope of Alaska – the best place in the world to study polar bears in their natural habitat. It is a hard destination to get to and does not readily cater for visitors. More importantly it is not well regulated – this makes it an ideal location for my approach to immersive photography – which leans on transgressive practices such as getting close to danger.
In order to get my eye line below or level with the bears, I had to be lying on the ground with my Inuit fixer and his vehicle right behind me. The closest he was prepared to go was 20 feet away – though on this occasion, the lead bear looked a little more interested in taking a mid afternoon nap, than attacking a human.
Indeed, moments after I had positioned myself, the bear arched her back and rubbed her face on the ice – just like a human having a stretch and a yawn. It was that familiar “Monday morning” feeling. I am often reminded that animal behaviour – even with alpha predators like Polar Bears – can be remarkably similar to humans.
I think this is a unique shot and there is a gratifying amount of detail.
AVAILABLE SIZES:
LARGE: Edition of 12
- Image: 56" x 88"
- Framed: 71" x 104"
STANDARD: Edition of 12
- Image: 37" x 59"
- Framed: 52" x 74"
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Rush

Svalbard, Norway 2017
This was not a normal Thursday morning and the adrenaline was high throughout this brief encounter a day’s sailing south of Longyearbyen in Svalbard. This was a seriously big bear.
As with all head on images of alpha predators like this – three factors are key to making the depiction as visually powerful as the reality. The first is that my angle must be ground up – there is no other way. the second factor is that irrespective of the rush of being so close to the ultimate predator, there can be no margin of error in the focus around his eyes. An inch out either way and the image is toast. Thirdly there must be movement to convey the sense of threat.
So all requirements were accomplished and we imposed ourselves rather than letting the situation dictate. In retrospect, the beauty of this enormous bear was an added bonus – he had just made a kill and had been in the water. This lent some textural beauty to his coat. It all came together in a split second – but that is the essence of photography.
I have looked back at my first efforts with polar bears and compared them to this powerful image. It has been a long journey of disappointment, discovery and then finally delivery. What an adrenaline rush.
AVAILABLE SIZES:
LARGE: Edition of 12
- Image: 56" x 58"
- Framed: 71" x 73"
STANDARD: Edition of 12
- Image: 37" x 38"
- Framed: 52" x 53"
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.










