The Grand Tetons (Colour)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“On a clear day after a storm, there are few better places in which to get a camera out than Jackson Hole. In the first few minutes of full light in the valley floor, there is a chance to allow the camera to work to its full capability. There is decent depth of field without the light being too garish, but for every minute that passes, the light becomes harsher. Within 30 minutes the opportunity has gone.
I want to thank American supermodel – Brooks Nader – for playing to my narrative that freezing January morning beneath the Tetons. She is very game; in fact, she may well serve as my enabler. Not may girls we work with could pull that look off in those temperatures. The Devil may well wear Prada, but Brooks wears very little, even when it is hellishly cold.
If the town of Zermatt in Switzerland has the Matterhorn, then Jackson Hole has the Tetons. Both communities stand guarded by Twin Peaks mountains so dramatically grand that there is an extra sense of excitement on arrival. To land at Jackson Hole airport on a clear day is a thrill, even for the most travel weary of passengers; there is as pronounced a visual overload as there is at any airport in America. When I think about the town of Jackson, I find it impossible not to think about the Tetons. To me they are coupled at the hip.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 59″ in (142 x 150 cm)
- Framed Image: 71″ x 74″ in (180 x 188 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 39″ in (94 x 99 cm)
- Framed Image: 52″ x 54″ in (132 x 137 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Grand Tetons (B&W)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“On a clear day after a storm, there are few better places in which to get a camera out than Jackson Hole. In the first few minutes of full light in the valley floor, there is a chance to allow the camera to work to its full capability. There is decent depth of field without the light being too garish, but for every minute that passes, the light becomes harsher. Within 30 minutes the opportunity has gone.
I want to thank American supermodel – Brooks Nader – for playing to my narrative that freezing January morning beneath the Tetons. She is very game; in fact, she may well serve as my enabler. Not may girls we work with could pull that look off in those temperatures. The Devil may well wear Prada, but Brooks wears very little, even when it is hellishly cold.
If the town of Zermatt in Switzerland has the Matterhorn, then Jackson Hole has the Tetons. Both communities stand guarded by Twin Peaks mountains so dramatically grand that there is an extra sense of excitement on arrival. To land at Jackson Hole airport on a clear day is a thrill, even for the most travel weary of passengers; there is as pronounced a visual overload as there is at any airport in America. When I think about the town of Jackson, I find it impossible not to think about the Tetons. To me they are coupled at the hip.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 59″ in (142 x 150 cm)
- Framed Image: 71″ x 74″ in (180 x 188 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 39″ in (94 x 99 cm)
- Framed Image: 52″ x 54″ in (132 x 137 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Tetons (B&W)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“If the town of Zermatt in Switzerland has the Matterhorn, then Jackson Hole has the Tetons. Both communities stand guarded by mountains so dramatically grand that there is an extra sense of excitement on arrival. To land at Jackson Hole airport on a clear day is a thrill, even for the most travel weary of passengers; there is as pronounced a visual overload as there is at any airport in America. When I think about the town of Jackson, I find it impossible not to think about the Tetons. To me they are coupled at the hip.
Grand Teton, at 13,775 feet, is the highest point of the Teton Range and it rises steeply from the valley floor 7,000 feet below. The amphitheatre has offered a great canvas for photographers to tell stories since the invention of the camera and we always work here fully aware that we are on well-trodden ground.
This January morning we brought a cocktail of props to the Tetons, including a rather special Ford Bronco. We had a clear and cold day to work with, but there is a need to work quickly; as soon as the sun gains some height and strength, the light becomes a little harsh for me. The window is no more than 15 minutes and I think we were home in Jackson for breakfast by 9 am.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 59″ in (142 x 150 cm)
- Framed Image: 71″ x 74″ in (180 x 188 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 39″ in (94 x 99 cm)
- Framed Image: 52″ x 54″ in (132 x 137 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Tetons (Colour)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“If the town of Zermatt in Switzerland has the Matterhorn, then Jackson Hole has the Tetons. Both communities stand guarded by mountains so dramatically grand that there is an extra sense of excitement on arrival. To land at Jackson Hole airport on a clear day is a thrill, even for the most travel weary of passengers; there is as pronounced a visual overload as there is at any airport in America. When I think about the town of Jackson, I find it impossible not to think about the Tetons. To me they are coupled at the hip.
Grand Teton, at 13,775 feet, is the highest point of the Teton Range and it rises steeply from the valley floor 7,000 feet below. The amphitheatre has offered a great canvas for photographers to tell stories since the invention of the camera and we always work here fully aware that we are on well-trodden ground.
This January morning we brought a cocktail of props to the Tetons, including a rather special Ford Bronco. We had a clear and cold day to work with, but there is a need to work quickly; as soon as the sun gains some height and strength, the light becomes a little harsh for me. The window is no more than 15 minutes and I think we were home in Jackson for breakfast by 9 am.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 59″ in (142 x 150 cm)
- Framed Image: 71″ x 74″ in (180 x 188 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 39″ in (94 x 99 cm)
- Framed Image: 52″ x 54″ in (132 x 137 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Million Dollar Cowboy Bar (Colour)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to.
Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 64″ in (142 x 163 cm)
- Framed Image: 71″ x 79″ in (180 x 201 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 42″ in (94 x 107 cm)
- Framed Image: 52″ x 57″ in (132 x 145 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Million Dollar Cowboy Bar
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to.
Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 64″ in (142 x 163 cm)
- Framed Image: 71″ x 79″ in (180 x 201 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 42″ in (94 x 107 cm)
- Framed Image: 52″ x 57″ in (132 x 145 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Poker Nights
Jackson Hole, Wyoming – 2025
“Poker was as integral a part of cowboy life in the long winter nights as it was around a campfire in the summer. It was the most common form of entertainment – especially if those cowboys could neither read nor write. There was also, of course, a transactional element to the activity; money would meaningfully change hands.
The problem in Wyoming, however, was the state outlawed gambling in 1901. But the iconic Cowboy Bar in Jackson Hole never really bothered with that too much. In the 1940s, customers entering the bar were greeted with roulette craps and poker tables throughout the main room. Meanwhile, big stakes poker games were held in the back. It was a little Las Vegas as much as it was a watering hole and the use of space was a brazen affront to the law that played to the lore of the loosely governed wild west.
In 1951, Wyoming’s gambling crack down spread to the last stronghold – The Cowboy Bar – and when the bust came, early one Tuesday morning, there were apparently over 100 slot machines in operation. The Attorney General said of the raid “Jackson was one of the last bad spots and this probably winds it up”.
The bar would go on to reinvent itself into the iconic music and dancing venue that it is now. But fabulous stories of this illicit gambling den remain for us all to enjoy. Apparently, one roulette wheel was fixed with numerous magnets hidden under the table, which allowed the dealer to determine the winning number. The owner, at the time, was an electrician and he thought the customers were fair game.”
– David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Print Size: 56″ x 94″ in (142 x 239 cm)
- Framed Size: 71″ x 109″ in (180 x 277 cm)
Standard: Edition of 12 + 3 AP
- Print Size: 37″ x 62″ in (94 x 157 cm)
- Framed Size: 52″ x 77″ in (132 x 196 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Driving Home For Christmas (Colour)
Lake Tahoe, California – 2024
Archival Pigment Print
“I had this photograph in my mind for a good year or two before I took it. Mountain roads with snow tunnels this high are not easy to find and even then, filming on them can be a logistical challenge as there are always going to be other cars on the road.
Our research led us to a mountain area near Lake Tahoe that always has high accumulation of snow throughout the winter. But my ambition of bringing in a 1953 Ferrari and a wolf to the set took the production effort to a challenging level. The car was worth around $12m and we certainly didn’t need any accidents, but we simply had to use it; it is so beautiful.
My default position is to make my work as attention grabbing as possible – and since I tend to make photographs rather than take them – the key is always in the preparation. As I saw the frame develop in my head, I imagined this is a colour photograph, as the burgundy of the Ferrari would pop against the white of the snow; if there was a bend in the road, we could use that to make the backdrop as uniform as possible.
I guess this photograph has a fairytale vibe and that was my intent. She is simply driving home for Christmas.
Brooks Nader is so good to work with; she is family to us and smashes every role we give her”. – David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56” x 92” in (142.2 cm x 233.7 cm)
- Framed Image: 71” x 107” in (180.3 cm x 271.8 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37” x 61” in (93.98 cm x 154.9 cm)
- Framed Image: 52” x 76” in (132.1 cm x 193 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Driving Home For Christmas (B&W)
Lake Tahoe, California – 2024
Archival Pigment Print
“I had this photograph in my mind for a good year or two before I took it. Mountain roads with snow tunnels this high are not easy to find and even then, filming on them can be a logistical challenge as there are always going to be other cars on the road.
Our research led us to a mountain area near Lake Tahoe that always has high accumulation of snow throughout the winter. But my ambition of bringing in a 1953 Ferrari and a wolf to the set took the production effort to a challenging level. The car was worth around $12m and we certainly didn’t need any accidents, but we simply had to use it; it is so beautiful.
My default position is to make my work as attention grabbing as possible – and since I tend to make photographs rather than take them – the key is always in the preparation. As I saw the frame develop in my head, I imagined this is a colour photograph, as the burgundy of the Ferrari would pop against the white of the snow; if there was a bend in the road, we could use that to make the backdrop as uniform as possible.
I guess this photograph has a fairytale vibe and that was my intent. She is simply driving home for Christmas.
Brooks Nader is so good to work with; she is family to us and smashes every role we give her”. – David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56” x 92” in (142.2 cm x 233.7 cm)
- Framed Image: 71” x 107” in (180.3 cm x 271.8 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37” x 61” in (93.98 cm x 154.9 cm)
- Framed Image: 52” x 76” in (132.1 cm x 193 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
All My Ex's Live In Texas
West Texas, Texas – 2024
Archival Pigment Print
“Our West Texas team found this location on private ranch land about two hours from El Paso. I knew it offered potential because the dusty amphitheatre was framed by sizeable mountains to the south and west. Also, there was one solitary tree standing out from the scrubland, which could be used as a prop. It immediately looked like a place where people would camp in the fabled days of the American West. With that in mind, we arranged for an antique wagon to come from the other side of the State. The last mile was not easy for the wagon or those responsible for its delivery but we know that it is that extra mile that always matters.
It is a little intense shooting in the last minutes of daylight as there is a need for many composition decisions to be taken in full knowledge that there is no second chance. This is no time to iterate, only time to be instinctive, especially with a herd of cattle roaming freely around the wagon. Most of the time in these situations, I find something that is not quite right and the moment is lost. However, it is much better to roll the dice and play with the benefits offered by twilight; appropriate lighting is integral to our creative processing.
On this occasion the tableau worked as well as I could possibly have hoped and there is nothing I would change. I am a greedy storyteller and my preference is for every inch of frame to contribute in some way, but this approach risks unintentional visual tension points. It is the part of the job that I take the most satisfaction from when I deliver, as it is not easy.
Brooks Nader’s styling was influenced by Sienna Miller’s character in Kevin Costner’s Horizon. I wanted to couple a simple white lace dress with dirt; this, after all, was the Wild West not a Victorian drama in England. Brooks is not precious and was more than happy to get dirty to play the role. There is no easier model to work with or instruct.
West Texas is such a giving place to ply my craft, not just because of its lonesome beauty, but because of the cowboys and ranchers living there. It is unlike anywhere in the world.” – DAVID YARROW
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56” x 96” in (142.2 cm x 243.8 cm)
- Framed Image: 71” x 111” in (180.3 cm x 281.9 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37” x 63” in (93.98 cm x 160 cm)
- Framed Image: 52” x 78” in (132.1 cm x 198.1 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.