Gladiator

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Available size

LARGE: Edition of 40

  • Image: 56" x 84"
  • Framed: 71" x 99"

STANDARD: Edition of 40

  • Image: 37" x 56"
  • Framed: 52" x 71"

We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


    The Prize

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    Available size

    STANDARD: Edition of 40

    • Image: 46" x 46"
    • Framed: 61" x 61"

    We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


      The Full Nine Yards

      Dinokeng, South Africa – 2014

      “There is nothing more exciting or fearsome than the sight of a lion charging towards you in the wild. To try and capture this image, I travelled to South Africa to work with Kevin Richardson – The Lion Whisperer – an extraordinary man that has become a good friend.

      Early one evening, we were working with this beautiful lion. I was out of the jeep, hand holding my D4S with a fast 300mm lens, but the jeep car door was open behind me and I had a second or so to get in and close the door as the lion came towards me. Kevin was also at hand – but manifestly not directly between the lion and myself – the camera does not lie.

      I don’t think a photographer should be closer than 10 yards to an incoming running lion and perhaps this was the “full nine yards”. I banged my knee and the lens in jumping back into the jeep, but the image – the last in the series before I jumped – is now with us forever. Kevin’s relationship with these lions is remarkably strong and had something gone wrong, I do believe he would have prevented me from being mauled. I trusted him implicitly and was able to focus entirely on the job in hand and hold the camera steady.

      The fact that the shot is backlit adds to its emotion and power – the sun hitting the blades of grass reminds me of Ridley Scott’s opening shots in Gladiator. What a magnificent gladiator the male lion is.”

      -David Yarrow

      Available size

      LARGE: Edition of 12

      • Image: 56" x 64"
      • Framed: 71" x 79"

      STANDARD: Edition of 12

      • Image: 37" x 42"
      • Framed: 52" x 58"

      We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


        Rock Star

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        Available size

        LARGE: Edition of 12

        • Image: 56" x 83"
        • Framed: 71" x 98"

        STANDARD: Edition of 12

        • Image: 37" x 56"
        • Framed: 52" x 71"

        We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


          Designated Survivor

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          Available size

          LARGE: Edition of 12

          • Image: 56" x 85"
          • Framed: 71" x 100"

          STANDARD: Edition of 12

          • Image: 37" x 56"
          • Framed: 52" x 71"

          We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


            Acacia

            Acacia

            Serengeti, Tanzania – 2020

            Working with remote control cameras and lions in the Serengeti is a low percentage gig. So much so, that this is the first time it has really come off in these endless plains during my entire career. But it is nice to start with a bang.

            There are usually three problems. Firstly; the lion or lioness has to be on the move so that a path can be anticipated, otherwise why would one camera position be better than another? The odds of simply placing a camera down and hoping to get lucky are longer than Scotland winning The World Cup. Secondly; there may be no spot that works, given the terrain, high grass or muddled background being two common foes. The third problem is that the lion can sometimes depart with the camera and finding it is a huge task!

            But this photograph, taken in August 2020, is validation for continuing to try and reward for never quitting on an idea. Build it and they will come.

            Available size

            • Large: 65 x 114 inches framed
            • Standard: 48 x 81 inches framed

            We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


              The Killer

              AVAILABLE SIZES:

              LARGE: Edition of 20

              • Image: 56" x 92"
              • Framed: 71" x 107"

              STANDARD: Edition of 20

              • Image: 37" x 60"
              • Framed: 52" x 76"

                We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


                10,000 BC

                Grumeti river, Tanzania 2019

                This is the first photograph that I have taken of a big Nile crocodile that is strong enough to be released as a print. It’s taken me 30 odd years, but in crocodile years that is nothing. These monsters were around long before man and can live to 100 years old. Big crocs are not easy to capture in a way that conveys their enormity, their primeval menace or indeed their textural magnificence. But this image works and when I saw it in large size at the printers in LA, my heart skipped a beat. It has been worth the wait. I think we pushed a few boundaries here.

                The picture was made as opposed to taken as I had a preconceived idea of what I was trying to do. The starting point was my acceptance that head on images of crocodiles struggle as there is never enough depth of field with a telephoto to do them justice. The teeth can be in focus, but then probably not their eyes and certainly not their back or tail. I don’t like to have my focal point half way back in an image – it creates a tension point if the nearest point of a portrait is out of focus. A head on portrait fails to convey length and length is the key variable.

                I knew I needed to work at 90 degrees, with the croc perpendicular to the camera. I also wanted to be low and close and I wanted a big crocodile – why on earth photograph a small one? If almost all of the crocodile was the same distance from the camera, there could be a colossal amount of information in the image. Our research – and we did a great deal – led us to one place. The key was that the river had to be narrow, as for safety reasons I could not work from the same bank as a 12 foot crocodile – that could be my last assignment. The narrow Grumeti river in Tanzania offers chances and there is one 200-yard section with someenormous crocs on the south bank with a north bank just 20 yards away. The steep bank deters crocodiles on the north bank and that was what I needed to be able to work without fear and for the camera angle to be low. I needed to be at the same height as the croc – give or take a meter. The image was taken late in the day and the angle of the late sun gave me every chance for a clean picture – almost all the background was in heavy shadow and three stops underexposed.

                My preoccupation as an artist is to be original and creative. We often fail and disappoint ourselves, but this photograph is kind of cool. I haven’t really seen a similar image and we do put in the hours trawling the net. I had the right camera, the right lens and the right exposure. Phew! This scene could well have happened 10,000 BC – but we will never know. It did, however, happen in 2019, and that is for the record.

                Available Sizes

                • Large: 51 x 110 inches
                • Standard: 41 x 85 inches

                We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


                  CHINESE TAKEAWAY

                  AVAILABLE SIZES:

                  • Large: 67 x 85 inches
                  • Standard: 48 x 61 inches

                  We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


                    The Killers

                    Norway

                    It is not that challenging to take a photograph of an orca – all that is needed is a bit of research, an experienced boat captain and an appetite for the sea. It is, however, extremely difficult to take a picture of an orca that is exciting, close and immersive and until this last trip to Norway, I had failed. Nothing I had taken before was special and nothing certainly constituted art.The problem has always been two-fold. Firstly, I am too far away and secondly, my angle of view is too high because whatever boat I am on does not allow a shooting position close enough to the water.

                    AVAILABLE SIZES:

                    Standard

                    • Image Size: 30” x 76"
                    • Framed with a 3” Mat: 41” x 87"
                    • Framed with a 5” Mat: 45” x 91"

                    Large

                    • Image Size: 40” x 101"
                    • Framed with a 3” Mat: 51” x 112"
                    • Framed with a 5” Mat: 55” x 116"

                    We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


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