The Dogs of Palm Beach

PALM BEACH, FLORIDA – 2025
“Exclusive Members Clubs are part of the fabric of Palm Beach. Gaining membership of institutions such as The Everglades, The Beach Club and Mar-a-Lago is a bridge too far for most and patience and good connections are key. It is not a money thing, because those without resources would not be in the vicinity anyway.
A new club came to the heart of Palm Beach recently called Carriage House. It was unusual in that gaining membership did not afford access to golf, tennis, pickleball or even a swimming pool with lunchtime dining. The reason is that Carriage House only opens when it is dark outside. The sport is in the cocktail bar.
I was invited by some kind members before Christmas and it struck me as a very promising concept. Drinking is encouraged and, on balance, the men seemed to be slightly older than the women. Perhaps by a generation. There is unity in the sartorial elegance but a whiff of mischief to the whole place. The dress code is stricter than the behaviour code.
There are a few old dogs knocking around for joint and they come with some history for sure, but that seems to matter little. Everyone is allowed a second or third chance in Palm Beach.
We are very grateful to the owners of Carriage House for allowing us to film in their bar. We recognise that this access is not normally accorded to non-members, be they human or canine.”
-David Yarrow
Available Sizes
LARGE: Edition of 12, 3 APs, 1 EP
- Image Size: 37” x 75” (94 cm × 191 cm)
- Framed Image: 52” x 90” (132.1 cm × 228.6 cm)
STANDARD: Edition of 12, 3 APs, 1 EP
- Image Size: 51” x 103” (129.5 cm × 261.6 cm)
- Framed Image: 66” x 118” (167.6 cm × 299.7 cm)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Wellington (Colour)

Wellington, Florida – 2025
“If polo is the sport of Kings, then Wellington in Florida is its Winter Palace. In these green pastures incongruously close to the Atlantic beaches, a few modest horse rings have evolved into the world’s largest and longest competitive equestrian festival. Lauded riders convene to compete at many disciplines and a vast temporary community congregates each January to celebrate their love of horses and, to a large extent, each other.
It is a social carnival but it would be wrong to dismiss Wellington as simply being an ancillary part of the Palm Beach society circuit; serious money is involved at every level of this food chain. This is where show jumpers earn their crust and where polo players make their reputations. If Detroit is the home of the American car industry, then Wellington is the home of its horse industry. And it is very much an industry. There is more work going on in Wellington than in Palm Beach but it is horse work.
In our travels, we have been fortunate to meet both the Hildenbrand family and the Ganzi family who are key cogs within the world of competitive polo. They were both very supportive of my plans to do an equestrian series in Wellington and offered the use of their stunning properties and polo fields.
I saw this is as a chance to directly use the community as extras – as I wanted to convey not only a sense of place, but also a sense of that exact community. Polo is not an obscure sport here; it is an integral part of the fabric of the place and attracts decent crowds to the big events.
It is a tribal sport to the extent that there is a way to dress and a way to behave and my instincts were that I needed to capture a sense of uniformity. Polo crowds are not like golf crowds or football crowds – they very much have their own identity.
I want to thank the Ganzi family and Michelle Marshall for their help that glorious spring evening in Wellington. Without their partnership, my camera would never have captured this moment in time.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 97" (142 x 246 cm)
- Framed Size: 71" x 112" (180 x 284 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 64" (94 x 163 cm)
- Framed Size: 52" x 79" (132 x 201)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Wellington

Wellington, Florida – 2025
“If polo is the sport of Kings, then Wellington in Florida is its Winter Palace. In these green pastures incongruously close to the Atlantic beaches, a few modest horse rings have evolved into the world’s largest and longest competitive equestrian festival. Lauded riders convene to compete at many disciplines and a vast temporary community congregates each January to celebrate their love of horses and, to a large extent, each other.
It is a social carnival but it would be wrong to dismiss Wellington as simply being an ancillary part of the Palm Beach society circuit; serious money is involved at every level of this food chain. This is where show jumpers earn their crust and where polo players make their reputations. If Detroit is the home of the American car industry, then Wellington is the home of its horse industry. And it is very much an industry. There is more work going on in Wellington than in Palm Beach but it is horse work.
In our travels, we have been fortunate to meet both the Hildenbrand family and the Ganzi family who are key cogs within the world of competitive polo. They were both very supportive of my plans to do an equestrian series in Wellington and offered the use of their stunning properties and polo fields.
I saw this is as a chance to directly use the community as extras – as I wanted to convey not only a sense of place, but also a sense of that exact community. Polo is not an obscure sport here; it is an integral part of the fabric of the place and attracts decent crowds to the big events.
It is a tribal sport to the extent that there is a way to dress and a way to behave and my instincts were that I needed to capture a sense of uniformity. Polo crowds are not like golf crowds or football crowds – they very much have their own identity.
I want to thank the Ganzi family and Michelle Marshall for their help that glorious spring evening in Wellington. Without their partnership, my camera would never have captured this moment in time.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 97" (142 x 246 cm)
- Framed Size: 71" x 112" (180 x 284 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 64" (94 x 163 cm)
- Framed Size: 52" x 79" (132 x 201)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Thomas Crown Affair

Wellington, Florida – 2025
“Polo brings with it money, glamour and a whiff of naughtiness. There is something rather visceral and sexy about it all, a bit like being an art thief. Girls are drawn to Polo in a way they are not drawn to other big field sports such as cricket or baseball.
Meanwhile, luxury brands like Rolex and LVMH may show mild interest in the duels on the field but are more excited by the audiences in front of whom the game is played. The talent on the horses is matched by the talent off the horses; not something that is true perhaps of any other professional sports. It is a complete scene and offers an insight into the rarefied lives of a few. Ralph Lauren understood that it was a microcosm of what some may assume to be a better life. The whole affair, like Thomas Crown’s, is deeply aspirational.
This photograph works largely because of the flat light in Wellington, Florida that spring morning. It gives granularity not just to the 1950s Austin-Healey car and the girls, but the whole set. Sunlight always reduces depth and this story needed depth. There is an unmistakable sense of polo in Florida.
There are many people to thank for making this picture happen and I am reminded, yet again, that the easiest part of the job is pressing the shutter. I had an idea, but we then needed to execute it and that required the support of many busy people.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 103" (142 x 262 cm)
- Framed Size: 71" x 118" (180 x 300 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 68" (94 x 173 cm)
- Framed Size: 52" x 83" (132 x 211)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Winner Takes it All

Wellington, Florida – 2025
“In the winter months, Wellington, Florida becomes the showjumping capital of the world. It attracts the very best in the industry, from Olympic Gold medallists down to the most promising rookies on the circuit, and prize money at the flagship Rolex sponsored season finale now exceeds $750,000. It sometimes seems there are more horses than people in Wellington in March.
The other venues of the Grand Prix circuit in France, Sweden, Italy, Belgium and Ireland attract the same cavalcade of riders, horses and sponsors but they don’t have Palm Beach as their immediate neighbour. Undoubtedly, the proximity of one of the world’s most rarified and idyllic communities has given Wellington an edge on the glamour and prestige front. The palm trees that encircle many of the venues also add an extra visual spark to the whole affair.
We were lucky enough to be introduced to Emily Smith whose family are at the heart of Wellington’s showjumping community both socially and professionally. Emily not only fully embraced our plans to include these festivities in our Palm Beach series but also lent us her facilities and her son Spencer who is a successful and well-known show jumper.
In the UK, I grew up reading Jilly Cooper’s raunchy novels about love, lust and rivalry in the horse world. She told stories that suggested the competition was just as fierce in the bedroom as it was in the horse ring. It was a licentious world where the leading show jumpers had many female admirers and sometimes found temptation too much.
This vignette of Wellington plays to her narrative. But I know Spencer Smith – who is jumping the 7-foot fence in the photograph – to be a man of strong moral fibre and he would never allow his focus to be derailed in the same way as Jilly Cooper’s protagonists.”
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 91" (142 x 234 cm)
- Framed Size: 71" x 107" (180 x 272 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 61" (94 x 155 cm)
- Framed Size: 52" x 76" (132 x 193)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Winner Takes it All (Colour)

Wellington, Florida – 2025
“In the winter months, Wellington, Florida becomes the showjumping capital of the world. It attracts the very best in the industry, from Olympic Gold medallists down to the most promising rookies on the circuit, and prize money at the flagship Rolex sponsored season finale now exceeds $750,000. It sometimes seems there are more horses than people in Wellington in March.
The other venues of the Grand Prix circuit in France, Sweden, Italy, Belgium and Ireland attract the same cavalcade of riders, horses and sponsors but they don’t have Palm Beach as their immediate neighbour. Undoubtedly, the proximity of one of the world’s most rarified and idyllic communities has given Wellington an edge on the glamour and prestige front. The palm trees that encircle many of the venues also add an extra visual spark to the whole affair.
We were lucky enough to be introduced to Emily Smith whose family are at the heart of Wellington’s showjumping community both socially and professionally. Emily not only fully embraced our plans to include these festivities in our Palm Beach series but also lent us her facilities and her son Spencer who is a successful and well-known show jumper.
In the UK, I grew up reading Jilly Cooper’s raunchy novels about love, lust and rivalry in the horse world. She told stories that suggested the competition was just as fierce in the bedroom as it was in the horse ring. It was a licentious world where the leading show jumpers had many female admirers and sometimes found temptation too much.
This vignette of Wellington plays to her narrative. But I know Spencer Smith – who is jumping the 7-foot fence in the photograph – to be a man of strong moral fibre and he would never allow his focus to be derailed in the same way as Jilly Cooper’s protagonists.”
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 91" (142 x 234 cm)
- Framed Size: 71" x 107" (180 x 272 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 61" (94 x 155 cm)
- Framed Size: 52" x 76" (132 x 193)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Stratton Oakmont

West Palm Beach, Florida – 2025
“There was a time in Wall Street, and indeed the City of London, when the moral and ethical compass was not just temporarily misplaced, it was firmly lost. It was an era expertly captured in both Oliver Stone’s Wall Street and Martin Scorsese’s The Wolf of Wall Street. These two masterful storytellers happily fed on an implausibly good menu of vice, debauchery and excess. The astonishing reality is that these were not stories of fiction – they were – in large parts, factual.
I started work on an equity dealing floor in London in 1988, so I speak with a little authority when suggesting that not everything that went on at Stratton Oakmont was peculiar to that unhinged assembly of misfits. The 1980s were the Wild West and dealing rooms were the playgrounds of hard partying adrenalin junkies who believed that life was very much for living. It was a corporate Babylon.
Of course, serious business was going on, but so also was a great deal of monkey business. Those looking for a profession that rewarded frat house behaviour were attracted to the big investment banking dealing rooms. It was one big ride in the late 1980s and early 1990s and both men and women were complicit. Management unashamedly employed attractive and outgoing girls on their sales teams; it was seen as smart business practice.
In the new millennium, the subprime crisis and enlightened thought stopped the party and now we are left with mere memories of a time when greed was good, when “rookie numbers” were rookie numbers and expense accounts and compliance were seriously out of control. But I am not sure how much everyone remembers – it’s all a bit of a haze.
I would like to thank Jordan Belfort (The Wolf of Wall Street) for collaborating with me on this project.“
-David Yarrow
Available Sizes
Large - Edition of 20 + 3 AP
- Image Size: 43” x 103" in (109 cm x 262 cm)
- Framed Image: 58” x 118” in (147 cm x 300 cm)
Standard - Edition of 20 + 3 AP
- Image Size: 32” x 77” in (81 cm x 196 cm)
- Framed Image: 47” x 92” in (119 cm x 234 cm)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Stratton Oakmont (Colour)

West Palm Beach, Florida – 2025
“There was a time in Wall Street, and indeed the City of London, when the moral and ethical compass was not just temporarily misplaced, it was firmly lost. It was an era expertly captured in both Oliver Stone’s Wall Street and Martin Scorsese’s The Wolf of Wall Street. These two masterful storytellers happily fed on an implausibly good menu of vice, debauchery and excess. The astonishing reality is that these were not stories of fiction – they were – in large parts, factual.
I started work on an equity dealing floor in London in 1988, so I speak with a little authority when suggesting that not everything that went on at Stratton Oakmont was peculiar to that unhinged assembly of misfits. The 1980s were the Wild West and dealing rooms were the playgrounds of hard partying adrenalin junkies who believed that life was very much for living. It was a corporate Babylon.
Of course, serious business was going on, but so also was a great deal of monkey business. Those looking for a profession that rewarded frat house behaviour were attracted to the big investment banking dealing rooms. It was one big ride in the late 1980s and early 1990s and both men and women were complicit. Management unashamedly employed attractive and outgoing girls on their sales teams; it was seen as smart business practice.
In the new millennium, the subprime crisis and enlightened thought stopped the party and now we are left with mere memories of a time when greed was good, when “rookie numbers” were rookie numbers and expense accounts and compliance were seriously out of control. But I am not sure how much everyone remembers – it’s all a bit of a haze.
I would like to thank Jordan Belfort (The Wolf of Wall Street) for collaborating with me on this project.“
-David Yarrow
Available Sizes
Large - Edition of 20 + 3 AP
- Image Size: 43” x 103" in (109 cm x 262 cm)
- Framed Image: 58” x 118” in (147 cm x 300 cm)
Standard - Edition of 20 + 3 AP
- Image Size: 32” x 77” in (81 cm x 196 cm)
- Framed Image: 47” x 92” in (119 cm x 234 cm)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Worth Avenue

Palm Beach, Florida – 2025
“In my musings over how to pay homage to Palm Beach in one frame, I focused on the need to evoke a sense of leisure and a sense of place. Worth Avenue looking east ticked many boxes for me as the clock tower instantly locates the set and, if my composition was tight, the absence of modernity would allow me to tell a period story. If possible, I wanted to go back in time to add more to the narrative.
To write a love letter to this community without palm trees in the frame is sub optimal as they are integral to the vibe. It would be akin to paying homage to Aspen without any sense of snow or mountains. But dogs are almost as pivotal to the community as humans; to be dogless in Palm Beach seemingly risks social isolation.
The problem was closing the road down and, to the best of my knowledge, in recent years it’s been challenging to get the town council to agree to this. We have some friends on that committee, however, and agreement was reached so long as we finished filming before 8 am. This meant shooting directly into the rising sun and this limited our effective shoot time to about 20 minutes. When the sun rises above the clock tower it is simply too powerful to work into.
So, we had one shot at it and it was a true team effort. Nadine Leopold, the European supermodel, played her role perfectly as a carefree, dog loving, life loving resident of the community and luckily the poodle behaved at the right moment.
In my Palm Beach series, the starting premise was to be original in all that we did. There was simply no excuse for being hackneyed – that would be lame. The road shots had to be authentic and celebratory and according to the famous clock tower, I think we achieved that at about 7.40 am that morning.“
-David Yarrow
Available Sizes
Large - Edition of 12 + 3 AP
- Image Size: 46” x 64" in (142 cm x 163 cm)
- Framed Image: 71” x 79” in (180 cm x 201 cm)
Standard - Edition of 12 + 3 AP
- Image Size: 37” x 43” in (94 cm x 109 cm)
- Framed Image: 52” x 58” in (132 cm x 147 cm)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Worth Avenue (Colour)

Palm Beach, Florida – 2025
“In my musings over how to pay homage to Palm Beach in one frame, I focused on the need to evoke a sense of leisure and a sense of place. Worth Avenue looking east ticked many boxes for me as the clock tower instantly locates the set and, if my composition was tight, the absence of modernity would allow me to tell a period story. If possible, I wanted to go back in time to add more to the narrative.
To write a love letter to this community without palm trees in the frame is sub optimal as they are integral to the vibe. It would be akin to paying homage to Aspen without any sense of snow or mountains. But dogs are almost as pivotal to the community as humans; to be dogless in Palm Beach seemingly risks social isolation.
The problem was closing the road down and, to the best of my knowledge, in recent years it’s been challenging to get the town council to agree to this. We have some friends on that committee, however, and agreement was reached so long as we finished filming before 8 am. This meant shooting directly into the rising sun and this limited our effective shoot time to about 20 minutes. When the sun rises above the clock tower it is simply too powerful to work into.
So, we had one shot at it and it was a true team effort. Nadine Leopold, the European supermodel, played her role perfectly as a carefree, dog loving, life loving resident of the community and luckily the poodle behaved at the right moment.
In my Palm Beach series, the starting premise was to be original in all that we did. There was simply no excuse for being hackneyed – that would be lame. The road shots had to be authentic and celebratory and according to the famous clock tower, I think we achieved that at about 7.40 am that morning.“
-David Yarrow
Available Sizes
Large - Edition of 12 + 3 AP
- Image Size: 46” x 64" in (142 cm x 163 cm)
- Framed Image: 71” x 79” in (180 cm x 201 cm)
Standard - Edition of 12 + 3 AP
- Image Size: 37” x 43” in (94 cm x 109 cm)
- Framed Image: 52” x 58” in (132 cm x 147 cm)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.










