The Grand Tetons (B&W)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“On a clear day after a storm, there are few better places in which to get a camera out than Jackson Hole. In the first few minutes of full light in the valley floor, there is a chance to allow the camera to work to its full capability. There is decent depth of field without the light being too garish, but for every minute that passes, the light becomes harsher. Within 30 minutes the opportunity has gone.
I want to thank American supermodel – Brooks Nader – for playing to my narrative that freezing January morning beneath the Tetons. She is very game; in fact, she may well serve as my enabler. Not may girls we work with could pull that look off in those temperatures. The Devil may well wear Prada, but Brooks wears very little, even when it is hellishly cold.
If the town of Zermatt in Switzerland has the Matterhorn, then Jackson Hole has the Tetons. Both communities stand guarded by Twin Peaks mountains so dramatically grand that there is an extra sense of excitement on arrival. To land at Jackson Hole airport on a clear day is a thrill, even for the most travel weary of passengers; there is as pronounced a visual overload as there is at any airport in America. When I think about the town of Jackson, I find it impossible not to think about the Tetons. To me they are coupled at the hip.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 59″ in (142 x 150 cm)
- Framed Image: 71″ x 74″ in (180 x 188 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 39″ in (94 x 99 cm)
- Framed Image: 52″ x 54″ in (132 x 137 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Ice Monster (Colour)
Yellowstone National Park – 2025
Archival Pigment Print
“There are only so many days in the winter when the morning weather conditions in Yellowstone allow a bull bison to involuntarily morph into a primeval ice monster. The morning must be exceptionally cold (certainly below minus 10º F) to allow the steam rising from the thermal springs and rivers to ice cake all matter nearby, including bison. There are fewer days like this in the National Park than there used to be.
The complication is that the exceptionally cold days tend to be clear, high-pressure days and we must therefore find the bison before the sun takes hold of the light.
This is therefore a low percentage quest in a tightly regulated National Park and we have failed on so many occasions. Often I have not taken my camera out of the car.
This photograph is therefore special to me. The bull is helpfully big and his iced head is as visually powerful as I could have hoped for. The premise was to try and capture transcending textural detail and that meant being as close as permitted by Yellowstone rules and then having the best lens for the job.
– David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 64″ in (142 x 163 cm)
- Framed Image: 71″ x 79″ in (180 x 201 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 42″ in (94 x 107 cm)
- Framed Image: 52″ x 57″ in (132 x 145 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Ice Monster
Yellowstone National Park – 2025
Archival Pigment Print
“There are only so many days in the winter when the morning weather conditions in Yellowstone allow a bull bison to involuntarily morph into a primeval ice monster. The morning must be exceptionally cold (certainly below minus 10º F) to allow the steam rising from the thermal springs and rivers to ice cake all matter nearby, including bison. There are fewer days like this in the National Park than there used to be.
The complication is that the exceptionally cold days tend to be clear, high-pressure days and we must therefore find the bison before the sun takes hold of the light.
This is therefore a low percentage quest in a tightly regulated National Park and we have failed on so many occasions. Often I have not taken my camera out of the car.
This photograph is therefore special to me. The bull is helpfully big and his iced head is as visually powerful as I could have hoped for. The premise was to try and capture transcending textural detail and that meant being as close as permitted by Yellowstone rules and then having the best lens for the job.
– David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 64″ in (142 x 163 cm)
- Framed Image: 71″ x 79″ in (180 x 201 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 42″ in (94 x 107 cm)
- Framed Image: 52″ x 57″ in (132 x 145 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
American Primeval
Yellowstone National Park – 2025
Archival Pigment Print
“There is just enough movement in this ice monster’s front feet to offer a sense of menace. Whilst I felt in no immediate danger, and was in full compliance with Yellowstone’s safety guidelines, this was a big bull and his ice coat made him a formidable presence.
There are only so many days in the winter when the morning weather conditions in Yellowstone allow a bull bison to involuntarily morph into a primeval ice monster. The morning must be exceptionally cold (certainly below minus 10º F) to allow the steam rising from the thermal springs and rivers to ice cake all matter nearby, including bison. There are fewer days like this in the National Park than there used to be.
The complication is that the exceptionally cold days tend to be clear, high-pressure days and we must therefore find the bison before the sun takes hold of the light.
This is a mythological beast of great presence and power and to be in his company was rather surreal. By 10 am, he was presumably back to being a normal bison, albeit a large one, but by then we had long gone and were warming ourselves up in a frontier town saloon bar and convincing ourselves that we had not just gate crashed a Game of Thrones set.”
– David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 60″ x 56″ in (152 x 142 cm)
- Framed Image: 75″ x 71″ in (191 x 180 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 40″ x 37″ in (102 x 94 cm)
- Framed Image: 55″ x 52″ in (140 x 132 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
American Primeval (Colour)
Yellowstone National Park – 2025
Archival Pigment Print
“There is just enough movement in this ice monster’s front feet to offer a sense of menace. Whilst I felt in no immediate danger, and was in full compliance with Yellowstone’s safety guidelines, this was a big bull and his ice coat made him a formidable presence.
There are only so many days in the winter when the morning weather conditions in Yellowstone allow a bull bison to involuntarily morph into a primeval ice monster. The morning must be exceptionally cold (certainly below minus 10º F) to allow the steam rising from the thermal springs and rivers to ice cake all matter nearby, including bison. There are fewer days like this in the National Park than there used to be.
The complication is that the exceptionally cold days tend to be clear, high-pressure days and we must therefore find the bison before the sun takes hold of the light.
This is a mythological beast of great presence and power and to be in his company was rather surreal. By 10 am, he was presumably back to being a normal bison, albeit a large one, but by then we had long gone and were warming ourselves up in a frontier town saloon bar and convincing ourselves that we had not just gate crashed a Game of Thrones set.”
– David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 60″ x 56″ in (152 x 142 cm)
- Framed Image: 75″ x 71″ in (191 x 180 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 40″ x 37″ in (102 x 94 cm)
- Framed Image: 55″ x 52″ in (140 x 132 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Tetons (B&W)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“If the town of Zermatt in Switzerland has the Matterhorn, then Jackson Hole has the Tetons. Both communities stand guarded by mountains so dramatically grand that there is an extra sense of excitement on arrival. To land at Jackson Hole airport on a clear day is a thrill, even for the most travel weary of passengers; there is as pronounced a visual overload as there is at any airport in America. When I think about the town of Jackson, I find it impossible not to think about the Tetons. To me they are coupled at the hip.
Grand Teton, at 13,775 feet, is the highest point of the Teton Range and it rises steeply from the valley floor 7,000 feet below. The amphitheatre has offered a great canvas for photographers to tell stories since the invention of the camera and we always work here fully aware that we are on well-trodden ground.
This January morning we brought a cocktail of props to the Tetons, including a rather special Ford Bronco. We had a clear and cold day to work with, but there is a need to work quickly; as soon as the sun gains some height and strength, the light becomes a little harsh for me. The window is no more than 15 minutes and I think we were home in Jackson for breakfast by 9 am.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 59″ in (142 x 150 cm)
- Framed Image: 71″ x 74″ in (180 x 188 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 39″ in (94 x 99 cm)
- Framed Image: 52″ x 54″ in (132 x 137 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Tetons (Colour)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“If the town of Zermatt in Switzerland has the Matterhorn, then Jackson Hole has the Tetons. Both communities stand guarded by mountains so dramatically grand that there is an extra sense of excitement on arrival. To land at Jackson Hole airport on a clear day is a thrill, even for the most travel weary of passengers; there is as pronounced a visual overload as there is at any airport in America. When I think about the town of Jackson, I find it impossible not to think about the Tetons. To me they are coupled at the hip.
Grand Teton, at 13,775 feet, is the highest point of the Teton Range and it rises steeply from the valley floor 7,000 feet below. The amphitheatre has offered a great canvas for photographers to tell stories since the invention of the camera and we always work here fully aware that we are on well-trodden ground.
This January morning we brought a cocktail of props to the Tetons, including a rather special Ford Bronco. We had a clear and cold day to work with, but there is a need to work quickly; as soon as the sun gains some height and strength, the light becomes a little harsh for me. The window is no more than 15 minutes and I think we were home in Jackson for breakfast by 9 am.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 59″ in (142 x 150 cm)
- Framed Image: 71″ x 74″ in (180 x 188 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 39″ in (94 x 99 cm)
- Framed Image: 52″ x 54″ in (132 x 137 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Stop That Train
Bryson City, North Carolina – 2024
Archival Pigment Print
“Train robbers hold a firm place in the mythological lore of the American West. Attacks on trains were a common occurrence when the rule of law was either difficult to implement or simply non-existent. Thin governance was an accepted danger on the Final Frontier.
What is perhaps surprising is that history has looked fondly on the bandits, as if their means of living was laudable and even romantic. Our affection for the underdog knows no bounds and Hollywood played to this emotion by often characterising the bandits as lovable and misunderstood rogues. The narrative was often that the bad guys were the train owners for having the wealth in the first place; maybe they had disposable moral fibre as well. It was a dog-eat-dog world.
No more was this better articulated than in the classic 1969 Western buddy film Butch Cassidy and the Sundance Kid starring Paul Newman and Robert Redford. The film – which was loosely based on fact – cemented both actors at the top of the Hollywood A-list, not just because of their acting, but because the public found affection for their characters and their affable, wise cracking roles. It was as if they played the good guys.
This photograph was a great team effort and we want to thank the Smokey Mountain Railroad for their partnership in the project.”
– David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 52.5″ x 102″ in (133 x 259 cm)
- Framed Image: 67.5″ x 117″ in (171 x 297 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 72″ in (94 x 183 cm)
- Framed Image: 52″ x 87″ in (132 x 221 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Million Dollar Cowboy Bar (Colour)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to.
Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 64″ in (142 x 163 cm)
- Framed Image: 71″ x 79″ in (180 x 201 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 42″ in (94 x 107 cm)
- Framed Image: 52″ x 57″ in (132 x 145 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Million Dollar Cowboy Bar
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to.
Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 64″ in (142 x 163 cm)
- Framed Image: 71″ x 79″ in (180 x 201 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 42″ in (94 x 107 cm)
- Framed Image: 52″ x 57″ in (132 x 145 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.