The Jackson 4 (Colour)
JACKSON HOLE, WYOMING – 2025
“The Million Dollar Cowboy Bar in Jackson, Wyoming opened its doors in 1937 and has become one of the most recognisable and celebrated cowboy bars in America. It offers a backdrop to hundreds of “selfies” every day and its longevity as an institution has allowed it to be permanently woven into the fabric of Americana. Very few country music stars have circumvented the Cowboy Bar.
I see it primarily as a place of the night, not the day; the fabled neon lights mark the epicentre of a community that retains an understated cowboy charm despite the huge wealth that sits in the Teton amphitheater. I have only ever photographed the facade of this bar in the middle of the night – it just seems the right option.
On this occasion, my creative leaning was to tell a 1970s music story with the nighttime facade of the bar as my backdrop. After all, little has changed here since the 1970s and this is a music venue first and foremost.
The VW bus was an obvious starting prop, but perhaps less likely was my choice of band leader – the American sporting icon – John McEnroe. John is a passionate guitarist, so I knew this role would appeal to his forever engaged mind. He was also something of a cowboy when it came to showing deference to authority in the tennis world. John brought the Wild West to Wimbledon and Flushing Meadows, so it was a natural fit at several levels.
I believe that my Jackson 4 caught the right vibe that night and the falling snow adds to the sense of place. I would imagine that back in the day many cowboys would have paid good money to swap with John and be on the road with these girls. But he has currency – he is, after all, John McEnroe.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 20 + 3 APs
- Image Size: 37" x 38" in (93.98 cm × 96.52 cm)
- Framed Image: 52" x 53" in (132.08 cm × 134.62)
Large: Edition of 20 + 3 APs
- Image Size: 56" x 57" in (142.24 cm × 144.78 cm)
- Framed Image: 71" x 72" in (180.34 cm × 182.88 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Jackson 4 (B&W)
JACKSON HOLE, WYOMING – 2025
“The Million Dollar Cowboy Bar in Jackson, Wyoming opened its doors in 1937 and has become one of the most recognisable and celebrated cowboy bars in America. It offers a backdrop to hundreds of “selfies” every day and its longevity as an institution has allowed it to be permanently woven into the fabric of Americana. Very few country music stars have circumvented the Cowboy Bar.
I see it primarily as a place of the night, not the day; the fabled neon lights mark the epicentre of a community that retains an understated cowboy charm despite the huge wealth that sits in the Teton amphitheater. I have only ever photographed the facade of this bar in the middle of the night – it just seems the right option.
On this occasion, my creative leaning was to tell a 1970s music story with the nighttime facade of the bar as my backdrop. After all, little has changed here since the 1970s and this is a music venue first and foremost.
The VW bus was an obvious starting prop, but perhaps less likely was my choice of band leader – the American sporting icon – John McEnroe. John is a passionate guitarist, so I knew this role would appeal to his forever engaged mind. He was also something of a cowboy when it came to showing deference to authority in the tennis world. John brought the Wild West to Wimbledon and Flushing Meadows, so it was a natural fit at several levels.
I believe that my Jackson 4 caught the right vibe that night and the falling snow adds to the sense of place. I would imagine that back in the day many cowboys would have paid good money to swap with John and be on the road with these girls. But he has currency – he is, after all, John McEnroe.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 20 + 3 APs
- Image Size: 37" x 38" in (93.98 cm × 96.52 cm)
- Framed Image: 52" x 53" in (132.08 cm × 134.62)
Large: Edition of 20 + 3 APs
- Image Size: 56" x 57" in (142.24 cm × 144.78 cm)
- Framed Image: 71" x 72" in (180.34 cm × 182.88 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Being John McEnroe (Colour)
JACKSON HOLE, WYOMING – 2025
“The Silver Dollar Saloon at the Wort Hotel in Jackson Hole is a celebrated institution. There are quite a few bars scattered across the US sharing the same name, but I doubt many share the vice like grip that this venue holds over the local community.
I sat with the GM over Thanksgiving lunch in 2025 and he told me that they would hope to do 650 covers that day. That is a material operation, not the numbers of a poorly operated dive bar. There are no central archetypes at the Silver Dollar – it seems to play host to anyone living in the zip code and that makes for a rich visual feast. There are, however, more cowboy hats here than in a Parisian cafe.
The lead feature of the saloon is a neon illuminated winding bar which incorporates over 2,000 silver dollar coins into its resin surface – it’s part disco, part Lonesome Dove and it should not work aesthetically and yet it emphatically does. It was clearly the central prop around which to build this carefully staged vignette.
My central character for this set was the unique national treasure that is John McEnroe – musician, tennis legend, commentator, artist and general badass. John cannot really be pigeonholed into a convenient silo but give him a Gibson guitar and a cowboy hat and he looks much more at home here in the heart of the American West than he ever did at Wimbledon.
We had fun with the set dressing; I wanted a few nods to his presence in the bar which all added to the parody. I think an evening unfolding like this is entirely plausible at the Silver Dollar.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 20 + 3 APs
- Image Size: 37" x 65" in (94.0 × 165.1 cm)
- Framed Image: 52" x 80" in (132.1 × 203.2 cm)
Large: Edition of 20 + 3 APs
- Image Size: 56" x 99" in (142.2 × 251.5 cm)
- Framed Image: 71" x 114" in (180.3 × 289.6 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Being John McEnroe (B&W)
JACKSON HOLE, WYOMING – 2025
“The Silver Dollar Saloon at the Wort Hotel in Jackson Hole is a celebrated institution. There are quite a few bars scattered across the US sharing the same name, but I doubt many share the vice like grip that this venue holds over the local community.
I sat with the GM over Thanksgiving lunch in 2025 and he told me that they would hope to do 650 covers that day. That is a material operation, not the numbers of a poorly operated dive bar. There are no central archetypes at the Silver Dollar – it seems to play host to anyone living in the zip code and that makes for a rich visual feast. There are, however, more cowboy hats here than in a Parisian cafe.
The lead feature of the saloon is a neon illuminated winding bar which incorporates over 2,000 silver dollar coins into its resin surface – it’s part disco, part Lonesome Dove and it should not work aesthetically and yet it emphatically does. It was clearly the central prop around which to build this carefully staged vignette.
My central character for this set was the unique national treasure that is John McEnroe – musician, tennis legend, commentator, artist and general badass. John cannot really be pigeonholed into a convenient silo but give him a Gibson guitar and a cowboy hat and he looks much more at home here in the heart of the American West than he ever did at Wimbledon.
We had fun with the set dressing; I wanted a few nods to his presence in the bar which all added to the parody. I think an evening unfolding like this is entirely plausible at the Silver Dollar.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 20 + 3 APs
- Image Size: 37" x 65" in (94.0 × 165.1 cm)
- Framed Image: 52" x 80" in (132.1 × 203.2 cm)
Large: Edition of 20 + 3 APs
- Image Size: 56" x 99" in (142.2 × 251.5 cm)
- Framed Image: 71" x 114" in (180.3 × 289.6 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Ferrari (Colour)
Amboy, California – 2023
Archival Pigment Print
“In the 1950s, the Californian Dream made Route 66 the most famous road in the world. “The Mother Road”, as John Steinbeck described it in The Grapes of Wrath, became the route of flight for the American Middle Class; a trend accelerated by the rapidly evolving Californian economy and the opening of Disneyland in 1955.
The stretch of road heading east near Amboy in the baking Californian desert showcases the Route 66 journey as it once was. The sense of scale offers the filmmaker a valuable tool kit and I have been drawn to this outpost for many years. It is a commitment of time to get there, but one that many road trippers make because of the iconic Roy’s Motel and Cafe which serves as the one identifiable landmark in a barren desert.
Amboy is a known known and I worried how I could break new ground because like all spectacular vistas in the US, it has been well photographed. The challenge is not in getting there, but in transcending when one does.
I called upon a Hong Kong friend who is a passionate investor in vintage cars and owns one of the most lauded and valuable collections in the world. I explained the shoot concept and he graciously offered up one his most coveted treasures – the 1953 Ferrari 250 MM Vignale Spider. It was one of only 12 built in the world and when one comes up at auction, they sell for more than a London townhouse. His team was kind enough to transport this fabled Ferrari 1,000 miles across the country, but at least when they arrived, they understood the opportunity. It was going to be a trip well made.
The design of the Ferrari was perfect as its low windscreen allowed my lens direct access into the faces of the girl (the wonderful Daniela Braga) and the wolf. They could then hold centre stage and let all the other constituent parts play off each other.
The goal of this shoot was to play on the metaphor that is Route 66. It encapsulates the American Dream, as it was the road of freedom and ambition. Go West, work hard, stay focused and enjoy the very best of lives.
We styled to the mid 1950s and I told Daniela to exude a sense of positivity. She should look, as Nat King Cole suggested, that she was “Getting her Kicks on Route 66”.
Hard not to in that Ferrari.”
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56” x 59” in (142.2 cm x 149.9 cm)
- Framed Image: 71” x 74” in (180.3 cm x 188 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37” x 39” in (93.98 cm x 99.06 cm)
- Framed Image: 52” x 54” in (132.1 cm x 137.2 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Dogs of Palm Beach
PALM BEACH, FLORIDA – 2025
“Exclusive Members Clubs are part of the fabric of Palm Beach. Gaining membership of institutions such as The Everglades, The Beach Club and Mar-a-Lago is a bridge too far for most and patience and good connections are key. It is not a money thing, because those without resources would not be in the vicinity anyway.
A new club came to the heart of Palm Beach recently called Carriage House. It was unusual in that gaining membership did not afford access to golf, tennis, pickleball or even a swimming pool with lunchtime dining. The reason is that Carriage House only opens when it is dark outside. The sport is in the cocktail bar.
I was invited by some kind members before Christmas and it struck me as a very promising concept. Drinking is encouraged and, on balance, the men seemed to be slightly older than the women. Perhaps by a generation. There is unity in the sartorial elegance but a whiff of mischief to the whole place. The dress code is stricter than the behaviour code.
There are a few old dogs knocking around for joint and they come with some history for sure, but that seems to matter little. Everyone is allowed a second or third chance in Palm Beach.
We are very grateful to the owners of Carriage House for allowing us to film in their bar. We recognise that this access is not normally accorded to non-members, be they human or canine.”
-David Yarrow
Available Sizes
LARGE: Edition of 12, 3 APs, 1 EP
- Image Size: 37” x 75” (94 cm × 191 cm)
- Framed Image: 52” x 90” (132.1 cm × 228.6 cm)
STANDARD: Edition of 12, 3 APs, 1 EP
- Image Size: 51” x 103” (129.5 cm × 261.6 cm)
- Framed Image: 66” x 118” (167.6 cm × 299.7 cm)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
A Winter Journey (Colour)
Sylte, Norway – 2025
“There is a rich assortment of detail in this frame and I sense that all of it helps to elevate the image. Of course, at its core, it is a photograph of a beautiful and famous 1948 Porsche 356, but I don’t see this as a car image; there are enough layers to tell a wider story.
The engine smoke coming from the 1920 ferry’s chimney gives a sense of travel, the aged ferry itself gives a sense of timelessness and meanwhile the fresh snow on the car deck, on the ship’s bell and on the life buoys, gives a sense of the cold. The glow from lights in the captain’s control room and up front gives a further nod to the low ambient winter light and the captain himself adds legitimacy to the journey. The imposing mountains behind the ferry inform us that we are in a location where travel cannot be routine. It is Viking country and home to legends, myths and folklore.
Nadine Leopold’s character is the reason for this ferry journey; we all know that. But where she is going and why is up to the viewer to imagine. Is she leaving someone behind or is she about to reunite? It could be either, but she will probably not be alone for long.
I would like to thank the octogenarian owners of the 1920 ferry – The Bilfergen – Scandinavia’s oldest working ferry. We have worked with many props over the years, but this beauty, so lovingly maintained by the owners, will take a great deal of beating.“
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12, 3 AP, 1 EP
- Image Size: 37” x 41” in (94 cm × 104 cm)
- Framed Image: 52" x 56" in (132 cm × 142 cm)
Large: Edition of 12, 3 AP, 1 EP
- Image Size: 56” x 63” in (142 cm × 160 cm)
- Framed Image: 71" x 78" in (180 cm × 198 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
A Winter Journey
Sylte, Norway – 2025
“There is a rich assortment of detail in this frame and I sense that all of it helps to elevate the image. Of course, at its core, it is a photograph of a beautiful and famous 1948 Porsche 356, but I don’t see this as a car image; there are enough layers to tell a wider story.
The engine smoke coming from the 1920 ferry’s chimney gives a sense of travel, the aged ferry itself gives a sense of timelessness and meanwhile the fresh snow on the car deck, on the ship’s bell and on the life buoys, gives a sense of the cold. The glow from lights in the captain’s control room and up front gives a further nod to the low ambient winter light and the captain himself adds legitimacy to the journey. The imposing mountains behind the ferry inform us that we are in a location where travel cannot be routine. It is Viking country and home to legends, myths and folklore.
Nadine Leopold’s character is the reason for this ferry journey; we all know that. But where she is going and why is up to the viewer to imagine. Is she leaving someone behind or is she about to reunite? It could be either, but she will probably not be alone for long.
I would like to thank the octogenarian owners of the 1920 ferry – The Bilfergen – Scandinavia’s oldest working ferry. We have worked with many props over the years, but this beauty, so lovingly maintained by the owners, will take a great deal of beating.“
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12, 3 AP, 1 EP
- Image Size: 37” x 41” in (94 cm × 104 cm)
- Framed Image: 52" x 56" in (132 cm × 142 cm)
Large: Edition of 12, 3 AP, 1 EP
- Image Size: 56” x 63” in (142 cm × 160 cm)
- Framed Image: 71" x 78" in (180 cm × 198 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Don't Pay the Ferryman (Colour)
Eresfjord, Norway – 2025
“This would be a decent location for a shoot in the middle of summer, but in the winter, after a foot of fresh snow, it becomes a blowout location. Finding and
locking down permits for remote spots like this is an integral part of our work; in a single frame, there is no mileage for a lame backdrop. It matters not one bit that there isn’t a hotel within 50 miles – that, in fact, is a positive.
The 1948 Porsche 356 works perfectly as a prop too; its curves and the female model’s curves have a harmony that then visually elevates the harsh right angles of the austere ferry ramp. There is a calm serenity to the photograph, despite the props being an unlikely fusion of Stuttgart, Paris and Pittsburg.
These are the days in winter we long for – days when a storm ends and there is fresh snow on the ground and flat light. Our props and cast are in place and we can
just leverage the opportunity. It probably only happens to us once or possibly twice
a season, simply because the lead time for production is too long to plan around the weather and therefore when it does happen, it is largely just luck.
All we can do, when we are presented with an opportunity like this, is to try and make the most of it. There are many mundane days in the field when the weather does not cooperate and these perfect days are the payback days.
Chris de Burgh’s cult song from 1982, Don’t Pay the Ferryman, seemed a wry title for this photograph.“
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12, 3 AP, 1 EP
- Image Size: 37” x 44” in (94 cm × 112 cm)
- Framed Image: 52" x 59" in (132 cm × 150 cm)
Large: Edition of 12, 3 AP, 1 EP
- Image Size: 56” x 66” in (142 cm × 168 cm)
- Framed Image: 71" x 81" in (180 cm × 206 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Don't Pay the Ferryman
Eresfjord, Norway – 2025
“This would be a decent location for a shoot in the middle of summer, but in the winter, after a foot of fresh snow, it becomes a blowout location. Finding and
locking down permits for remote spots like this is an integral part of our work; in a single frame, there is no mileage for a lame backdrop. It matters not one bit that there isn’t a hotel within 50 miles – that, in fact, is a positive.
The 1948 Porsche 356 works perfectly as a prop too; its curves and the female model’s curves have a harmony that then visually elevates the harsh right angles of the austere ferry ramp. There is a calm serenity to the photograph, despite the props being an unlikely fusion of Stuttgart, Paris and Pittsburg.
These are the days in winter we long for – days when a storm ends and there is fresh snow on the ground and flat light. Our props and cast are in place and we can
just leverage the opportunity. It probably only happens to us once or possibly twice
a season, simply because the lead time for production is too long to plan around the weather and therefore when it does happen, it is largely just luck.
All we can do, when we are presented with an opportunity like this, is to try and make the most of it. There are many mundane days in the field when the weather does not cooperate and these perfect days are the payback days.
Chris de Burgh’s cult song from 1982, Don’t Pay the Ferryman, seemed a wry title for this photograph.“
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12, 3 AP, 1 EP
- Image Size: 37” x 44” in (94 cm × 112 cm)
- Framed Image: 52" x 59" in (132 cm × 150 cm)
Large: Edition of 12, 3 AP, 1 EP
- Image Size: 56” x 66” in (142 cm × 168 cm)
- Framed Image: 71" x 81" in (180 cm × 206 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.