The Wolves of Wall Street II by David Yarrow – Jordan Belfort and Supermodels With Wolf on a Table and Money Flying in the Air – In Color - Available at Hilton Contemporary Gallery Chicago

The Wolves of Wall Street II (Colour)

Los Angeles, California – 2019

“The concept of this photograph has been bouncing around in my head for over a year. We prepared for many months as it was clear to me that if we were to pay homage to The Wolf of Wall Street, we had to do it well. There was no point in doing it in a casual way – after all, Martin Scorsese is one of my heroes and his framing is so exceptional that we had to be at the top of our game not to materially underachieve in any recreation. It was the biggest production of my career.

The location of the abandoned office in Simi Valley outside Los Angeles was ideal for most of the cast – including Jordan Belfort – the real Wolf of Wall Street, but not so ideal for the wolves, as there was no working air conditioning inside. This meant importing huge AC units to keep the animals cool. The green room on the side of the dealing floor was transformed into a giant fridge for the day.

The final image is one of the most satisfying of my career. I wanted as many references to the film as possible – Cameron Dallas eating the goldfish, Jordan with his pen, the marching band, the dollar notes and the glitter. Both models – Kate Bock and Daniela Braga – smashed it in their roles, not easy with so much going on and a wolf charging down the table. Both Kate and Dany are at the top of their game and pivotal to this photograph.

Someone once said that the best pictures can be looked at for a very long time. On that level, this image wins. However, the key for me was to find out what the world’s most celebrated actor thought of this one snap shot in time. Without his approval, this photograph would lose some of its relevance. I was proud when he told me that it captured the very essence of Belfort.

We did it and I feel that we left nothing in the bucket in the conception and the execution. It is as good as I can do.

-David Yarrow

Available Sizes:

Large - Edition of 12 + 3 AP

  • Unframed Size: 56" x 103" (142 x 262 cm)
  • Framed Size: 71" x 118" (180 x 300 cm)

Standard - Edition of 12 + 3 AP

  • Unframed Size: 37" x 68" (94 x 173 cm)
  • Framed Size: 52" x 83" (132 x 211)

We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


    Testarossa (Colour) by David Yarrow | Fine Art Photography | Brooks Nader Driving Yellow 1957 Ferrari Testarossa With a Wolf – Available at Hilton Contemporary Gallery Chicago

    Testarossa (Colour)

    Monument Valley, Utah – 2023

    “We have worked with some expensive props over the years and as our creative visions become more expansive and ambitious, there will no doubt be some surreal days ahead in the field.

    However, it may be a long time before we can beat the thrill of taking a 1953 Testarossa to the most iconic stretch of the American Highway system – Forest Gump Point in Monument Valley.

    There are so many people to thank for making the image I had in my head come to reality. Firstly we must thank the Navajo Nation and their elder Don Mose – who looked after us so well and entertained the crew to dinner. We were honoured to be their guests.

    Brooks Nader is a great friend of the crew and always performs, irrespective of the cold or the long hours on the road. We like good energy and Brooks offers it at a level that is almost indecent.

    -David Yarrow

    Available Sizes

    Large - Edition of 12 + 3 AP
    • Image Size: 56” x 65" in (142 cm x 165 cm)
    • Framed Image: 71” x 180” in (180 cm x 203 cm)
    Standard - Edition of 12 + 3 AP
    • Image Size: 37” x 43” in (94 cm x 109 cm)
    • Framed Image: 52” x 58” in (132 cm x 147 cm)

    We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


      Stratton Oakmont (Colour) by David Yarrow | Fine Art Photography | Smiling Wolf, Jordan Belfort, Brooks Nader, Josie Canseco, and Finance Men – Available at Hilton Contemporary Gallery Chicago

      Stratton Oakmont (Colour)

      West Palm Beach, Florida – 2025

      “There was a time in Wall Street, and indeed the City of London, when the moral and ethical compass was not just temporarily misplaced, it was firmly lost. It was an era expertly captured in both Oliver Stone’s Wall Street and Martin Scorsese’s The Wolf of Wall Street. These two masterful storytellers happily fed on an implausibly good menu of vice, debauchery and excess. The astonishing reality is that these were not stories of fiction – they were – in large parts, factual.

      I started work on an equity dealing floor in London in 1988, so I speak with a little authority when suggesting that not everything that went on at Stratton Oakmont was peculiar to that unhinged assembly of misfits. The 1980s were the Wild West and dealing rooms were the playgrounds of hard partying adrenalin junkies who believed that life was very much for living. It was a corporate Babylon.

      Of course, serious business was going on, but so also was a great deal of monkey business. Those looking for a profession that rewarded frat house behaviour were attracted to the big investment banking dealing rooms. It was one big ride in the late 1980s and early 1990s and both men and women were complicit. Management unashamedly employed attractive and outgoing girls on their sales teams; it was seen as smart business practice.

      In the new millennium, the subprime crisis and enlightened thought stopped the party and now we are left with mere memories of a time when greed was good, when “rookie numbers” were rookie numbers and expense accounts and compliance were seriously out of control. But I am not sure how much everyone remembers – it’s all a bit of a haze.

      I would like to thank Jordan Belfort (The Wolf of Wall Street) for collaborating with me on this project.

      -David Yarrow

      Available Sizes

      Large - Edition of 20 + 3 AP
      • Image Size: 43” x 103" in (109 cm x 262 cm)
      • Framed Image: 58” x 118” in (147 cm x 300 cm)
      Standard - Edition of 20 + 3 AP
      • Image Size: 32” x 77” in (81 cm x 196 cm)
      • Framed Image: 47” x 92” in (119 cm x 234 cm)

      We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


        Worth Avenue by David Yarrow – Fine Art Photograph of Poodle in a Car With Model – Available at Hilton Contemporary Gallery Chicago

        Worth Avenue (Colour)

        Palm Beach, Florida – 2025

        “In my musings over how to pay homage to Palm Beach in one frame, I focused on the need to evoke a sense of leisure and a sense of place. Worth Avenue looking east ticked many boxes for me as the clock tower instantly locates the set and, if my composition was tight, the absence of modernity would allow me to tell a period story. If possible, I wanted to go back in time to add more to the narrative.

        To write a love letter to this community without palm trees in the frame is sub optimal as they are integral to the vibe. It would be akin to paying homage to Aspen without any sense of snow or mountains. But dogs are almost as pivotal to the community as humans; to be dogless in Palm Beach seemingly risks social isolation.

        The problem was closing the road down and, to the best of my knowledge, in recent years it’s been challenging to get the town council to agree to this. We have some friends on that committee, however, and agreement was reached so long as we finished filming before 8 am. This meant shooting directly into the rising sun and this limited our effective shoot time to about 20 minutes. When the sun rises above the clock tower it is simply too powerful to work into.

        So, we had one shot at it and it was a true team effort. Nadine Leopold, the European supermodel, played her role perfectly as a carefree, dog loving, life loving resident of the community and luckily the poodle behaved at the right moment.

        In my Palm Beach series, the starting premise was to be original in all that we did. There was simply no excuse for being hackneyed – that would be lame. The road shots had to be authentic and celebratory and according to the famous clock tower, I think we achieved that at about 7.40 am that morning.

        -David Yarrow

        Available Sizes

        Large - Edition of 12 + 3 AP
        • Image Size: 46” x 64" in (142 cm x 163 cm)
        • Framed Image: 71” x 79” in (180 cm x 201 cm)
        Standard - Edition of 12 + 3 AP
        • Image Size: 37” x 43” in (94 cm x 109 cm)
        • Framed Image: 52” x 58” in (132 cm x 147 cm)

        We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


          The Killer (Colour)

          AVAILABLE SIZES:

          LARGE: Edition of 20

          • Image: 56" x 92"
          • Framed: 71" x 107"

          STANDARD: Edition of 20

          • Image: 37" x 60"
          • Framed: 52" x 76"

            We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


            Boom Town by David Yarrow – Fine Art Color Photograph of Cowboy and Vintage Cars in Wild West – Available at Hilton Contemporary Gallery Chicago

            Boom Town (Colour)

            West Texas – 2025

            “I am far from alone in my fascination with what life must have been like in an early 20th century boom town, whether the boom was in gold, copper, silver or oil. The Westerns and period dramas we watch on our computers, or indeed in cinemas in the good old days, paint a dark picture of men with disposable moral fibre and transient communities, where life is cheap and true friendships rare.

            There seemed very little by way of law and order and every day could well be an individual’s last. Cowboy capitalists mingled with snake oil salesmen and a whole host of other cartoon characters with no compass as to what was right and what was wrong. These were avaricious, single-minded communities where vice did not lie under the surface – it was right there in main street.

            That makes for good material for a storyteller. I think Taylor Sheridan’s 1923 – shot in the copper boom town of Butte, Montana – conveys all the right vibes.

            The Texas Oil boom between 1900 and the depression, catapulted Texas from a rural farming state, to one of America’s most industrialised, in just one generation. That could not have come without many stories.

            Texas was and always will be the spiritual home of the cowboy: the custodian of the last frontier; the emblematic figurehead of Americana. How exactly did they fit into the oil boom when their life was cattle and ranches?

            My sense is that they would have fitted in seamlessly and added some dignity, work ethic and class to the whole affair. Cowboys are pragmatists.

            -David Yarrow

            Available Sizes

            Large - Edition of 12 + 3 AP
            • Image Size: 47” x 103" in (119 cm x 262 cm)
            • Framed Image: 62” x 118” in (158 cm x 300 cm)
            Standard - Edition of 12 + 3 AP
            • Image Size: 36” x 77” in (91 cm x 196 cm)
            • Framed Image: 51” x 92” in (130 cm x 134 cm)

            We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


              Bison Oil and Gas (Colour)

              West Texas – 2025

              “Slightly unintentionally, this tableau greedily features four of the most emblematic symbols of 20th century Americana: the bison; the cowboy; the Ford Model T and oil derricks. Each have played their role in the growth of the country and in ensuring that the American dream has legs.

              This photograph was taken in a boom oil town site we built in West Texas, which is appropriate as the vast Permian Basin is one of the reasons why America is self-sufficient. The Permian alone looks after 20% of American daily oil demand.

              For over 100 years now, the oil industry has been at the heart of the economic success of Texas and anyone with a modicum of common sense knows that this is unequivocally something to celebrate. I am delighted that Taylor Sheridan did exactly this, in his own inimitable way, with his highly watchable series Landman.

              The history of the oil industry, and the history of the world in the last 140 years, are difficult to decouple; it remains the world’s most important commodity and the character rich industry is often played out in some of the world’s more off beat locations. That is why we are drawn to it with our storytelling, there is a rich amount of material, especially if we go back in time and make it a period production.

              The bison has, of course, also played a major role in American history. There have been some dicey moments for this mammal in the West, but all is now good and I thought it would be a fun prop to include on set. Bizarrely we have got to know a very charming guy in Denver who owns a business called Bison Oil and Gas – so we were left with no choice for the name of this photograph.

              -David Yarrow

              Available Sizes

              Large - Edition of 12 + 3 AP
              • Image Size: 45” x 103" in (114 cm x 262 cm)
              • Framed Image: 60” x 118” in (152 cm x 300 cm)
              Standard - Edition of 12 + 3 AP
              • Image Size: 34” x 77” in (86 cm x 196 cm)
              • Framed Image: 49” x 92” in (124 cm x 134 cm)

              We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


                A Room with a View Colour | David Yarrow | Hilton Contemporary

                Works in Colour


                Cattle and Oil (Colour) | David Yarrow

                Cattle and Oil (Colour)

                West Texas, Texas – 2025

                “This tableau is an empathic love letter to Texas. The two industries most associated with the Lone Star State are ranching and oil and I wanted these distinct ways of life to coalesce as if Taylor Sheridan had merged two of his visually rich productions into one. Ask 1000 US high school kids which State I am celebrating in this photograph and I would expect that 98% would say Texas. The dissenting 2% may need to get off social media and do some more homework.

                We built this 1920s oil boom town set in ranchland in West Texas and over a period of 48 hours I toyed with the most powerful layers of narrative. My default approach is to focus on the foreground and then let the background look after itself. A cattle herd brings dynamism, but also a lack of compositional control; the precise movement of the lead longhorns – even with the most skilled of cowboys – cannot be directed and therefore I am gambling.

                Days like these can be frustrating as we are not in a studio and the light is changing all the time. There tends to be just a small timeframe in which the magic must happen. I don’t think there is a formula for success other than employing the very best people and then learning very quickly from mistakes on the day.
                The feature closest to the camera is key; a weak first layer often kills a tableau like this. But on this occasion the lead longhorn is strong and glues the composition together. That, of course, is pure luck. We have never met before and he had no idea what I was looking for.

                Texas is a unique part of America – it is a State that will always do things its own way and that’s what makes it so special. As a Scotsman who has been made to feel so welcome in Texas, this picture is important to me. It has become a home away from home.

                -David Yarrow

                Available Sizes

                Large - Edition of 12 + 3 AP
                • Image Size: 42” x 103" in (107 cm x 262 cm)
                • Framed Image: 57” x 118” in (145 cm x 300 cm)
                Standard - Edition of 12 + 3 AP
                • Image Size: 32” x 77” in (81 cm x 196 cm)
                • Framed Image: 47” x 92” in (119 cm x 134 cm)

                We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


                  Welcome to Texas (Colour)

                  Alpine, Texas – 2025

                  “Much of my work is preconceived and we tend to start a day’s filming with a set of solid ideas in mind. Other filmmakers may prefer a more freewheeling approach and to let the magic happen spontaneously, but that can be extremely risky as ideas don’t tend to come on demand.

                  Searching for creative ideas is not like ordering room service when the hotel guest asks for food as soon as he or she is hungry. The best ideas for photographs tend to come when the camera and the mind are firmly decoupled.
                  The premise for this photograph, however, only emerged as the sun started to set at Alpine airport in West Texas.

                  It was totally spontaneous; I certainly would never have conceived of making a picture with these extreme dimensions. This is a total one off for us.

                  But the whole image just works and works well. The aesthetic beauty of both the World War II bomber and the West Texas skyline, complement the cowboys who help evoke a sense of place. There had to be symmetry for the concept to work and my cowboys followed my directions with precision. Without the balance and the perfect bookends, there was no picture.

                  We would like to thank General Ron Fogleman – a decorated Vietnam veteran – for being the driving force behind delivering this aircraft to an unfamiliar airport in a remote part of West Texas. We love filming in this part of America because Texans, by and large, tend to make things happen as opposed to finding reasons why they should not.

                  -David Yarrow

                  Available Sizes

                  Large - Edition of 12 + 3 AP
                  • Image Size: 27” x 103" in (69 cm x 262 cm)
                  • Framed Image: 42” x 118” in (107 cm x 300 cm)
                  Standard - Edition of 12 + 3 AP
                  • Image Size: 21” x 77” in (53 cm x 196 cm)
                  • Framed Image: 36” x 92” in (92 cm x 134 cm)

                  We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


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