Deuce (Colour)
Palm Beach, Florida – 2025
Archival Pigment Print
“There is, of course, a tennis picture from the mid 1970s that adorned the walls of many a teenager’s home or a student’s frat house. Its popularity was not just its cheekiness, but also its simplicity. This was the era of Bjorn Borg and Chris Evert and the sport was very much on the rise in the public’s consciousness. It was the start of an era in which tennis landed an integral role within popular culture and the stars themselves often became sex symbols. Tennis was sexy.
When filming our Palm Beach series, I had been given access to a beautiful home on North Country Drive just north of The Breakers. The property faced the Atlantic and the vast verdant lawns stretching to the beach were of Wimbledon standard. Towering palm trees soared to the sky breaking the symmetry and offered a definite sense of place. This was very clearly the ocean front of Palm Beach; a stretch of land emphatically known for the good things in life. It was a property that offered a complete visual overload.
I saw an opportunity to borrow from that famous old tennis picture and then impose a Palm Beach narrative. The 1970s styling was quite straightforward, but the concept required some wind to lift the tennis player’s skirt in the manner I was hoping for. In time we had our chance and everything else just fell into place.”
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 81″ x 56″ in (206 x 142 cm)
- Framed Image: 96″ x 71″ in (244 x 180 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 54″ x 37″ in (137 x 94 cm)
- Framed Image: 69″ x 52″ in (175 x 132 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Palm Beach (Colour)
Palm Beach, Florida – 2025
Archival Pigment Print
“Any photographic series on Palm Beach must surely pay homage to its two storied hotels: The Breakers and The Colony. Both landmark locations are tightly woven into the history of this idyllic community and have played host to legendary events. When Slim Aarons talked about “attractive people, doing attractive things in attractive places” he was giving a nod to these celebrated destinations.
From my eye, The Colony is less about what goes on within, whether it be the cocktail parties, the endless poolside conversations or the bingo nights, and more about the emphatic sense of place offered by its storied pink façade. As much as any other hotel in the world, the entrance of The Colony is a microcosm of the community. The coral colour of the colonial style building and the green of the palm trees fuse in that subtle alchemy that is Palm Beach and meanwhile, those who arrive at the hotel are doing so to have fun not work. The Colony is the flag bearer of “Team Palm Beach”.
I stayed at The Colony for a couple of nights before our shoot began and walked the nearby roads deliberating over what to do. The 1947 building is so tall and the entrance roads are so close to the building that it would be difficult to find a spot to celebrate the institution and tell a foreground story.
The idea was solid, but we then had to execute it before the traffic became too steady. Frida Aasen – the Norwegian supermodel – played her role just as I asked and I walked along behind the slowly moving car.
I think this photograph does what I wanted it to do, just as the Colony Hotel does what its guests want it to do”
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 73″ x 56″ in (185 x 142 cm)
- Framed Image: 88″ x 71″ in (224 x 180 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 48″ x 37″ in (122 x 94 cm)
- Framed Image: 63″ x 52″ in (160 x 132 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Top Gear (Colour)
Willow Springs, California – 2025
Archival Pigment Print
“In the old days I liked to be as close to the ground as possible when filming wildlife as it served to glorify the animal and, at the margin, it also allowed for a little more immersion for the viewer. It became very much my signature style in the field to offer the visual perspective of a small ant.
I don’t see why the approach should be that different when filming a 1957 Porsche Speedster. It has an aesthetic beauty that needs to be showcased and a ground up perspective also highlights the dust being kicked up from behind the car. Dust is always best captured using strong back light and this does present tonal range challenges to our printers. Luckily, we have the best craftsmen in our studio who can bring out the shadow detail without losing the detail in the highlights. It is a different craft to being a photographer.
The talent on this shot came from the very top drawer – Jimmie Johnson – the most decorated of NASCAR drivers, is behind the wheel of the Speedster, whilst supermodel Shanina Shaik is the lady theatrically acknowledging his victory. Both Jimmie and Shanina enjoyed themselves that morning at Willow Springs racetrack in California and I think it shows. From my own selfish perspective, Jimmie had to focus slightly on slowing down before he ran me over and I guess he could be forgiven for having his eyes elsewhere.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 92″ in (142 x 234 cm)
- Framed Image: 71″ x 107″ in (180 x 272 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 61″ in (94 x 155 cm)
- Framed Image: 52″ x 76″ in (132 x 193 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Ferrari Kids (Colour)
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 93″ in (142 x 236 cm)
- Framed Image: 71″ x 108″ in (180 x 274 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 61″ in (94 x 155 cm)
- Framed Image: 52″ x 76″ in (132 x 193 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Willow Springs, California – 2025
Archival Pigment Print
“The compositional structure and mood of this tableaux reminds me of the album covers of British rock bands in the 1980s. Everyone is acting all serious and tough but in reality, they are having a complete blast in the spring sunshine.
The assembled cast took my directive well. I simply told them that motor racing was a competitive bad ass business and there was no room for jocularity when speed and precision were required to transcend and when one mistake could be life threatening. It pays to be serious and look serious.
We certainly had an A list of props that late afternoon in Willow Springs, California. For starters we had the unmodernised track that featured in some of the sets from Ford v Ferrari and then in the Ferrari hot seat, we had managed to source a driver who looks the spitting image of Christian Bale’s character in the movie. We then threw in two top models from LA as Ferrari pit girls and then, of course, a stunning vintage Ferrari from the 1950s. Some college kids from USC and appropriately dressed friends from West Hollywood then added flavour to the background narrative.
I want to thank Sam Byrne and his team at CrossHarbor Capital for believing in our creative processing and making this project possible.”
Twin Peaks (Colour)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“I want to thank American supermodel – Brooks Nader – for playing to my narrative that freezing January morning beneath the Tetons. She is very game; in fact, she may well serve as my enabler. Not many girls we work with could pull off that look in those temperatures. The Devil may well wear Prada, but Brooks wears very little, even when it is hellishly cold.
If the town of Zermatt in Switzerland has the Matterhorn, then Jackson Hole has the Tetons. Both communities stand guarded by Twin Peaks mountains so dramatically grand that there is an extra sense of excitement on arrival. To land at Jackson Hole airport on a clear day is a thrill, even for the most travel weary of passengers; there is as pronounced a visual overload as there is at any airport in America. When I think about the town of Jackson, I find it impossible not to think about the Tetons. To me they are coupled at the hip.
Grand Teton, at 13,775 feet, is the highest point of the Teton Range and it rises steeply from the valley floor 7,000 feet below. The amphitheatre has offered a great canvas for photographers to tell stories since the invention of the camera and we always work here fully aware that we are on well-trodden ground.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 75″ in (142 x 191 cm)
- Framed Image: 71″ x 90″ in (180 x 229 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 50″ in (94 x 127 cm)
- Framed Image: 52″ x 65″ in (132 x 165 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Grand Tetons (Colour)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“On a clear day after a storm, there are few better places in which to get a camera out than Jackson Hole. In the first few minutes of full light in the valley floor, there is a chance to allow the camera to work to its full capability. There is decent depth of field without the light being too garish, but for every minute that passes, the light becomes harsher. Within 30 minutes the opportunity has gone.
I want to thank American supermodel – Brooks Nader – for playing to my narrative that freezing January morning beneath the Tetons. She is very game; in fact, she may well serve as my enabler. Not may girls we work with could pull that look off in those temperatures. The Devil may well wear Prada, but Brooks wears very little, even when it is hellishly cold.
If the town of Zermatt in Switzerland has the Matterhorn, then Jackson Hole has the Tetons. Both communities stand guarded by Twin Peaks mountains so dramatically grand that there is an extra sense of excitement on arrival. To land at Jackson Hole airport on a clear day is a thrill, even for the most travel weary of passengers; there is as pronounced a visual overload as there is at any airport in America. When I think about the town of Jackson, I find it impossible not to think about the Tetons. To me they are coupled at the hip.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 59″ in (142 x 150 cm)
- Framed Image: 71″ x 74″ in (180 x 188 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 39″ in (94 x 99 cm)
- Framed Image: 52″ x 54″ in (132 x 137 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Ice Monster (Colour)
Yellowstone National Park – 2025
Archival Pigment Print
“There are only so many days in the winter when the morning weather conditions in Yellowstone allow a bull bison to involuntarily morph into a primeval ice monster. The morning must be exceptionally cold (certainly below minus 10º F) to allow the steam rising from the thermal springs and rivers to ice cake all matter nearby, including bison. There are fewer days like this in the National Park than there used to be.
The complication is that the exceptionally cold days tend to be clear, high-pressure days and we must therefore find the bison before the sun takes hold of the light.
This is therefore a low percentage quest in a tightly regulated National Park and we have failed on so many occasions. Often I have not taken my camera out of the car.
This photograph is therefore special to me. The bull is helpfully big and his iced head is as visually powerful as I could have hoped for. The premise was to try and capture transcending textural detail and that meant being as close as permitted by Yellowstone rules and then having the best lens for the job.
– David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 64″ in (142 x 163 cm)
- Framed Image: 71″ x 79″ in (180 x 201 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 42″ in (94 x 107 cm)
- Framed Image: 52″ x 57″ in (132 x 145 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
American Primeval (Colour)
Yellowstone National Park – 2025
Archival Pigment Print
“There is just enough movement in this ice monster’s front feet to offer a sense of menace. Whilst I felt in no immediate danger, and was in full compliance with Yellowstone’s safety guidelines, this was a big bull and his ice coat made him a formidable presence.
There are only so many days in the winter when the morning weather conditions in Yellowstone allow a bull bison to involuntarily morph into a primeval ice monster. The morning must be exceptionally cold (certainly below minus 10º F) to allow the steam rising from the thermal springs and rivers to ice cake all matter nearby, including bison. There are fewer days like this in the National Park than there used to be.
The complication is that the exceptionally cold days tend to be clear, high-pressure days and we must therefore find the bison before the sun takes hold of the light.
This is a mythological beast of great presence and power and to be in his company was rather surreal. By 10 am, he was presumably back to being a normal bison, albeit a large one, but by then we had long gone and were warming ourselves up in a frontier town saloon bar and convincing ourselves that we had not just gate crashed a Game of Thrones set.”
– David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 60″ x 56″ in (152 x 142 cm)
- Framed Image: 75″ x 71″ in (191 x 180 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 40″ x 37″ in (102 x 94 cm)
- Framed Image: 55″ x 52″ in (140 x 132 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Tetons (Colour)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“If the town of Zermatt in Switzerland has the Matterhorn, then Jackson Hole has the Tetons. Both communities stand guarded by mountains so dramatically grand that there is an extra sense of excitement on arrival. To land at Jackson Hole airport on a clear day is a thrill, even for the most travel weary of passengers; there is as pronounced a visual overload as there is at any airport in America. When I think about the town of Jackson, I find it impossible not to think about the Tetons. To me they are coupled at the hip.
Grand Teton, at 13,775 feet, is the highest point of the Teton Range and it rises steeply from the valley floor 7,000 feet below. The amphitheatre has offered a great canvas for photographers to tell stories since the invention of the camera and we always work here fully aware that we are on well-trodden ground.
This January morning we brought a cocktail of props to the Tetons, including a rather special Ford Bronco. We had a clear and cold day to work with, but there is a need to work quickly; as soon as the sun gains some height and strength, the light becomes a little harsh for me. The window is no more than 15 minutes and I think we were home in Jackson for breakfast by 9 am.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 59″ in (142 x 150 cm)
- Framed Image: 71″ x 74″ in (180 x 188 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 39″ in (94 x 99 cm)
- Framed Image: 52″ x 54″ in (132 x 137 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Million Dollar Cowboy Bar (Colour)
Jackson Hole, Wyoming – 2025
Archival Pigment Print
“Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be.
Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to.
Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 64″ in (142 x 163 cm)
- Framed Image: 71″ x 79″ in (180 x 201 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 42″ in (94 x 107 cm)
- Framed Image: 52″ x 57″ in (132 x 145 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.