The Thomas Crown Affair by David Yarrow – Supermodels and Equestrian with Vintage Aston Martin Fine Art Photograph – Available at Hilton Contemporary Gallery Chicago

The Thomas Crown Affair

Wellington, Florida – 2025

“Polo brings with it money, glamour and a whiff of naughtiness. There is something rather visceral and sexy about it all, a bit like being an art thief. Girls are drawn to Polo in a way they are not drawn to other big field sports such as cricket or baseball.

Meanwhile, luxury brands like Rolex and LVMH may show mild interest in the duels on the field but are more excited by the audiences in front of whom the game is played. The talent on the horses is matched by the talent off the horses; not something that is true perhaps of any other professional sports. It is a complete scene and offers an insight into the rarefied lives of a few. Ralph Lauren understood that it was a microcosm of what some may assume to be a better life. The whole affair, like Thomas Crown’s, is deeply aspirational.

This photograph works largely because of the flat light in Wellington, Florida that spring morning. It gives granularity not just to the 1950s Austin-Healey car and the girls, but the whole set. Sunlight always reduces depth and this story needed depth. There is an unmistakable sense of polo in Florida.

There are many people to thank for making this picture happen and I am reminded, yet again, that the easiest part of the job is pressing the shutter. I had an idea, but we then needed to execute it and that required the support of many busy people.

-David Yarrow

Available Sizes:

Large - Edition of 12 + 3 AP

  • Unframed Size: 56" x 103" (142 x 262 cm)
  • Framed Size: 71" x 118" (180 x 300 cm)

Standard - Edition of 12 + 3 AP

  • Unframed Size: 37" x 68" (94 x 173 cm)
  • Framed Size: 52" x 83" (132 x 211)

We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


    The Winner Takes It All by David Yarrow – Supermodels in front of a Vintage Car and Equestrian - Available at Hilton Contemporary Gallery Chicago

    The Winner Takes it All

    Wellington, Florida – 2025

    “In the winter months, Wellington, Florida becomes the showjumping capital of the world. It attracts the very best in the industry, from Olympic Gold medallists down to the most promising rookies on the circuit, and prize money at the flagship Rolex sponsored season finale now exceeds $750,000. It sometimes seems there are more horses than people in Wellington in March.

    The other venues of the Grand Prix circuit in France, Sweden, Italy, Belgium and Ireland attract the same cavalcade of riders, horses and sponsors but they don’t have Palm Beach as their immediate neighbour. Undoubtedly, the proximity of one of the world’s most rarified and idyllic communities has given Wellington an edge on the glamour and prestige front. The palm trees that encircle many of the venues also add an extra visual spark to the whole affair.

    We were lucky enough to be introduced to Emily Smith whose family are at the heart of Wellington’s showjumping community both socially and professionally. Emily not only fully embraced our plans to include these festivities in our Palm Beach series but also lent us her facilities and her son Spencer who is a successful and well-known show jumper.

    In the UK, I grew up reading Jilly Cooper’s raunchy novels about love, lust and rivalry in the horse world. She told stories that suggested the competition was just as fierce in the bedroom as it was in the horse ring. It was a licentious world where the leading show jumpers had many female admirers and sometimes found temptation too much.

    This vignette of Wellington plays to her narrative. But I know Spencer Smith – who is jumping the 7-foot fence in the photograph – to be a man of strong moral fibre and he would never allow his focus to be derailed in the same way as Jilly Cooper’s protagonists.”

    -David Yarrow

    Available Sizes:

    Large - Edition of 12 + 3 AP

    • Unframed Size: 56" x 91" (142 x 234 cm)
    • Framed Size: 71" x 107" (180 x 272 cm)

    Standard - Edition of 12 + 3 AP

    • Unframed Size: 37" x 61" (94 x 155 cm)
    • Framed Size: 52" x 76" (132 x 193)

    We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


      The Winner Takes It All by David Yarrow – Supermodels in front of a Vintage Car and Equestrian - In Color - Available at Hilton Contemporary Gallery Chicago

      The Winner Takes it All (Colour)

      Wellington, Florida – 2025

      “In the winter months, Wellington, Florida becomes the showjumping capital of the world. It attracts the very best in the industry, from Olympic Gold medallists down to the most promising rookies on the circuit, and prize money at the flagship Rolex sponsored season finale now exceeds $750,000. It sometimes seems there are more horses than people in Wellington in March.

      The other venues of the Grand Prix circuit in France, Sweden, Italy, Belgium and Ireland attract the same cavalcade of riders, horses and sponsors but they don’t have Palm Beach as their immediate neighbour. Undoubtedly, the proximity of one of the world’s most rarified and idyllic communities has given Wellington an edge on the glamour and prestige front. The palm trees that encircle many of the venues also add an extra visual spark to the whole affair.

      We were lucky enough to be introduced to Emily Smith whose family are at the heart of Wellington’s showjumping community both socially and professionally. Emily not only fully embraced our plans to include these festivities in our Palm Beach series but also lent us her facilities and her son Spencer who is a successful and well-known show jumper.

      In the UK, I grew up reading Jilly Cooper’s raunchy novels about love, lust and rivalry in the horse world. She told stories that suggested the competition was just as fierce in the bedroom as it was in the horse ring. It was a licentious world where the leading show jumpers had many female admirers and sometimes found temptation too much.

      This vignette of Wellington plays to her narrative. But I know Spencer Smith – who is jumping the 7-foot fence in the photograph – to be a man of strong moral fibre and he would never allow his focus to be derailed in the same way as Jilly Cooper’s protagonists.”

      -David Yarrow

      Available Sizes:

      Large - Edition of 12 + 3 AP

      • Unframed Size: 56" x 91" (142 x 234 cm)
      • Framed Size: 71" x 107" (180 x 272 cm)

      Standard - Edition of 12 + 3 AP

      • Unframed Size: 37" x 61" (94 x 155 cm)
      • Framed Size: 52" x 76" (132 x 193)

      We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


        Players (B&W)

        Players (B&W)

        Wellington, Florida – 2025

        Archival Pigment Print

        “My sense is that the leading figures in the equestrian capital of the world – Wellington, Florida – have game. This is not a place for meekness or routine existence, it is a community where life is attacked in an uncompromising way. People back themselves in Wellington and back themselves to win. Whether they be polo professionals, showjumpers, horse capitalists or team owners, this is a place of “Players”.

        If a great storyteller like Taylor Sheridan focused his pen and his creative rigour on a town like Wellington, I pondered what the posters for the TV series would look like. There would have to be a sense of place and meanwhile the protagonists would have sexual allure and a hint of mischief. The vibe would be far removed from one which focused on the repetitious and painful monotony of daily life that so many people have to endure. It would be a story of privilege, ambition, vice and sexual tension. That combination always makes for good TV.

        These tableaux photographs are always complicated by the introduction of animals into the narrative as they tend not to listen to my instructions. But pictures of Wellington without horses and dogs risk missing key parts of the jigsaw. Beautiful cars are also an integral part of the mix.

        I want to thank everyone who came along to participate in the shoot that spring evening in Wellington – it was a memorable and fun evening. Special thanks to the Ganzi family for hosting us at their beautiful polo facilities and entertaining all my frivolous nonsense.”

        -David Yarrow

        Available sizes

        Large: Edition of 12 + 3 AP

        • Image Size: 56″ x 96″ in (142 x 244 cm)
        • Framed Image: 71″ x 111″ in (180 x 282 cm)

        Standard: Edition of 12 + 3 AP

        • Image Size: 37″ x 64″ in (94 x 163 cm)
        • Framed Image: 52″ x 79″ in (132 x 201 cm)

        We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


          Players (Colour)

          Players (Colour)

          Wellington, Florida – 2025

          Archival Pigment Print

          “My sense is that the leading figures in the equestrian capital of the world – Wellington, Florida – have game. This is not a place for meekness or routine existence, it is a community where life is attacked in an uncompromising way. People back themselves in Wellington and back themselves to win. Whether they be polo professionals, showjumpers, horse capitalists or team owners, this is a place of “Players”.

          If a great storyteller like Taylor Sheridan focused his pen and his creative rigour on a town like Wellington, I pondered what the posters for the TV series would look like. There would have to be a sense of place and meanwhile the protagonists would have sexual allure and a hint of mischief. The vibe would be far removed from one which focused on the repetitious and painful monotony of daily life that so many people have to endure. It would be a story of privilege, ambition, vice and sexual tension. That combination always makes for good TV.

          These tableaux photographs are always complicated by the introduction of animals into the narrative as they tend not to listen to my instructions. But pictures of Wellington without horses and dogs risk missing key parts of the jigsaw. Beautiful cars are also an integral part of the mix.

          I want to thank everyone who came along to participate in the shoot that spring evening in Wellington – it was a memorable and fun evening. Special thanks to the Ganzi family for hosting us at their beautiful polo facilities and entertaining all my frivolous nonsense.”

          -David Yarrow

          Available sizes

          Large: Edition of 12 + 3 AP

          • Image Size: 56″ x 96″ in (142 x 244 cm)
          • Framed Image: 71″ x 111″ in (180 x 282 cm)

          Standard: Edition of 12 + 3 AP

          • Image Size: 37″ x 64″ in (94 x 163 cm)
          • Framed Image: 52″ x 79″ in (132 x 201 cm)

          We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


            The Rules of Golf (B&W)

            The Rules of Golf

            Palm Beach, Florida – 2025

            Archival Pigment Print

            “Over the years I have been fortunate enough to tell stories on famous golf courses, whether they be staged period shots at St Andrews, Scotland or the actual dramatic reality of the Masters at Augusta. The Ocean Course at The Breakers may not quite have the global fame of these championship courses, but then again, neither do any other courses in the world.

            But the Ocean Course, which dates to 1897, is the oldest golf course in Florida and its attachment to the most storied hotel in Florida, means that it has provenance and currency. The backdrop of the Renaissance revival styled facade of the grand old place immediately locates the course and this is helpful to a storyteller. The Breakers and Palm Beach are tied at the hip.

            We are grateful to the owners of the hotel for giving us permission to stage a shoot on the approach to the 18th green and even more grateful that they allowed us to tell a story that played homage to the hotel’s wider facilities. We did not want to be too purist in our creative vision, after all, The Breakers is a place of fun and levity, rather than a place on the PGA’s map of tournament golf.

            The clientele of The Breakers enjoy sunbathing and golf, but by and large, these activities are ring fenced and one activity rather eliminates the other. The sand on the golf course and the sand on the beach are different.

            My idea was simply to tell a tale of the day that the lines got muddied and that one bunker hosted an errant guest. Only in time would she discover that this patch of sand had other uses. Our European models that morning – Frida Aasen and Nadine Leopold – both played their roles immaculately.”

            -David Yarrow

            Available sizes

            Large: Edition of 12 + 3 AP

            • Image Size: 73″ x 56″ in (185 x 142 cm)
            • Framed Image: 88″ x 71″ in (224 x 180 cm)

            Standard: Edition of 12 + 3 AP

            • Image Size: 48″ x 37″ in (122 x 94 cm)
            • Framed Image: 63″ x 52″ in (160 x 132 cm)

            We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


              The Rules of Golf (Colour)

              The Rules of Golf (Colour)

              Palm Beach, Florida – 2025

              Archival Pigment Print

              “Over the years I have been fortunate enough to tell stories on famous golf courses, whether they be staged period shots at St Andrews, Scotland or the actual dramatic reality of the Masters at Augusta. The Ocean Course at The Breakers may not quite have the global fame of these championship courses, but then again, neither do any other courses in the world.

              But the Ocean Course, which dates to 1897, is the oldest golf course in Florida and its attachment to the most storied hotel in Florida, means that it has provenance and currency. The backdrop of the Renaissance revival styled facade of the grand old place immediately locates the course and this is helpful to a storyteller. The Breakers and Palm Beach are tied at the hip.

              We are grateful to the owners of the hotel for giving us permission to stage a shoot on the approach to the 18th green and even more grateful that they allowed us to tell a story that played homage to the hotel’s wider facilities. We did not want to be too purist in our creative vision, after all, The Breakers is a place of fun and levity, rather than a place on the PGA’s map of tournament golf.

              The clientele of The Breakers enjoy sunbathing and golf, but by and large, these activities are ring fenced and one activity rather eliminates the other. The sand on the golf course and the sand on the beach are different.

              My idea was simply to tell a tale of the day that the lines got muddied and that one bunker hosted an errant guest. Only in time would she discover that this patch of sand had other uses. Our European models that morning – Frida Aasen and Nadine Leopold – both played their roles immaculately.”

              -David Yarrow

              Available sizes

              Large: Edition of 12 + 3 AP

              • Image Size: 73″ x 56″ in (185 x 142 cm)
              • Framed Image: 88″ x 71″ in (224 x 180 cm)

              Standard: Edition of 12 + 3 AP

              • Image Size: 48″ x 37″ in (122 x 94 cm)
              • Framed Image: 63″ x 52″ in (160 x 132 cm)

              We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


                Palm Beach (B&W)

                Palm Beach

                Palm Beach, Florida – 2025

                Archival Pigment Print

                “Any photographic series on Palm Beach must surely pay homage to its two storied hotels: The Breakers and The Colony. Both landmark locations are tightly woven into the history of this idyllic community and have played host to legendary events. When Slim Aarons talked about “attractive people, doing attractive things in attractive places” he was giving a nod to these celebrated destinations.

                From my eye, The Colony is less about what goes on within, whether it be the cocktail parties, the endless poolside conversations or the bingo nights, and more about the emphatic sense of place offered by its storied pink façade. As much as any other hotel in the world, the entrance of The Colony is a microcosm of the community. The coral colour of the colonial style building and the green of the palm trees fuse in that subtle alchemy that is Palm Beach and meanwhile, those who arrive at the hotel are doing so to have fun not work. The Colony is the flag bearer of “Team Palm Beach”.

                I stayed at The Colony for a couple of nights before our shoot began and walked the nearby roads deliberating over what to do. The 1947 building is so tall and the entrance roads are so close to the building that it would be difficult to find a spot to celebrate the institution and tell a foreground story.

                But I realised there was one place on the bend of the road going southeast from Worth Avenue where I could get a car in the frame. The problem was that to get some space for my composition, the car would be going away from me. I mused over this riddle for a day and then, over an evening cocktail at the Colony, I found my solution. 

                The idea was solid, but we then had to execute it before the traffic became too steady. Frida Aasen – the Norwegian supermodel – played her role just as I asked and I walked along behind the slowly moving car. 

                I think this photograph does what I wanted it to do, just as the Colony Hotel does what its guests want it to do”

                -David Yarrow

                Available sizes

                Large: Edition of 12 + 3 AP

                • Image Size: 73″ x 56″ in (185 x 142 cm)
                • Framed Image: 88″ x 71″ in (224 x 180 cm)

                Standard: Edition of 12 + 3 AP

                • Image Size: 48″ x 37″ in (122 x 94 cm)
                • Framed Image: 63″ x 52″ in (160 x 132 cm)

                We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


                  Palm Beach (Colour)

                  Palm Beach (Colour)

                  Palm Beach, Florida – 2025

                  Archival Pigment Print

                  “Any photographic series on Palm Beach must surely pay homage to its two storied hotels: The Breakers and The Colony. Both landmark locations are tightly woven into the history of this idyllic community and have played host to legendary events. When Slim Aarons talked about “attractive people, doing attractive things in attractive places” he was giving a nod to these celebrated destinations.

                  From my eye, The Colony is less about what goes on within, whether it be the cocktail parties, the endless poolside conversations or the bingo nights, and more about the emphatic sense of place offered by its storied pink façade. As much as any other hotel in the world, the entrance of The Colony is a microcosm of the community. The coral colour of the colonial style building and the green of the palm trees fuse in that subtle alchemy that is Palm Beach and meanwhile, those who arrive at the hotel are doing so to have fun not work. The Colony is the flag bearer of “Team Palm Beach”.

                  I stayed at The Colony for a couple of nights before our shoot began and walked the nearby roads deliberating over what to do. The 1947 building is so tall and the entrance roads are so close to the building that it would be difficult to find a spot to celebrate the institution and tell a foreground story.

                  But I realised there was one place on the bend of the road going southeast from Worth Avenue where I could get a car in the frame. The problem was that to get some space for my composition, the car would be going away from me. I mused over this riddle for a day and then, over an evening cocktail at the Colony, I found my solution. 

                  The idea was solid, but we then had to execute it before the traffic became too steady. Frida Aasen – the Norwegian supermodel – played her role just as I asked and I walked along behind the slowly moving car. 

                  I think this photograph does what I wanted it to do, just as the Colony Hotel does what its guests want it to do”

                  -David Yarrow

                  Available sizes

                  Large: Edition of 12 + 3 AP

                  • Image Size: 73″ x 56″ in (185 x 142 cm)
                  • Framed Image: 88″ x 71″ in (224 x 180 cm)

                  Standard: Edition of 12 + 3 AP

                  • Image Size: 48″ x 37″ in (122 x 94 cm)
                  • Framed Image: 63″ x 52″ in (160 x 132 cm)

                  We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


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