Barbra Streisand Draped in Fur, New York, 1969

Barbra Streisand Draped in Fur, New York, 1969
Photographed in New York in 1969, this portrait captures Barbra Streisand draped in fur in 1969 during a period of growing cultural influence. Wrapped in a heavy fur coat, Streisand appears composed and self-aware. The image was created for a feature in McCall’s magazine, reflecting the intersection of celebrity, fashion, and editorial storytelling.
At the time, Streisand stood at a turning point in her career. She had already achieved success on stage and screen while reshaping expectations around female stardom. Her presence in this image feels deliberate rather than ornamental. The fur reads less as glamour and more as armor.
The photograph emphasizes mood over spectacle. Streisand’s gaze remains steady and introspective. Shadows frame her face, creating a sense of intimacy. There is no theatrical gesture or exaggerated pose. Instead, the image relies on restraint and quiet confidence.
Lawrence Schiller approached portraiture with a cinematic sensibility. Rather than directing his subject toward performance, he allowed personality to emerge naturally. This photograph reflects that approach. It suggests collaboration rather than control, offering a portrait shaped by trust and observation.
The styling situates the image firmly within its era, yet it resists feeling dated. Fur coats carried strong cultural symbolism at the time, often associated with power and status. Streisand’s interpretation feels more complex. She wears it without excess, letting expression carry the weight.
Today, Barbra Streisand draped in fur 1969 endures as a refined editorial portrait from a transformative moment in her career. The image remains compelling for its simplicity, its tonal richness, and its reflection of an artist defining her own image in late-1960s American culture.
Available sizes:
Limited Edition - Silver Gelatin Prints
- 16 x 20 inches
- 20 x 24 inches
- 30 x 40 inches
- 40 x 60 inches
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
MALIBU, CA 1963

This image is almost a self-fulfilled prophecy, at once harkening back to beach party scenes from the 1960s while also transporting the viewer to that exact moment. The wild and carefree folks partying on a California beach is American archetype, making us feel as though we already know these individuals. Schiller has managed to address one of the many zeitgeists of the photograph’s era while also instilling a feeling of lightheartedness that can reach anyone of any age.
Available sizes:
- 16 x 20 inches
- 30 x 40 inches
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
THE WORD IS A WORLD

Milan 2021
This globe could be considered a secondary piece to Rotelli’s “SYLLABIC”, showcasing the magnificence of language and expression. Language, as we understand it, is a translation of sounds and symbols into meaning. Also etched into our biology, language is a major part of our evolution as human beings.
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
TOGETHER

2021
A concept made tactile, Rotelli’s “Together” presents the beauty of togetherness shaped by human hands. It’s not only proof of human accomplishment, but it offers a potential conundrum: what would it look like if there were no “togetherness”? Would art such as this still be possible? Furthermore, is the impact delivered through the shape of the word, or does the meaning shine through the interpretation of the word itself?
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
SYLLABIC

2013
Born in Venice in 1955, Marco Nereo Rotelli lives and works in both Milan and Paris. Rotelli has created a solid relationship between art and other disciplines of knowledge for years. The main relationship within his work is between his art and poetry.
Rotelli expresses his fondness for academic disciplines with this image, which is a photograph of Rongorongo, a system of glyphs native to Easter Island. Glyphs and language as a whole represent humanity at its core; in particular, they represent one of the foundational pillars of human development. Without language as a means of expression, much of humanity’s means of interpretation, creativity, and socialization would be lost. Therefore, this photograph belongs in Humanity on a very institutional level; if we refuse to appreciate the many forms through which language has advanced over time, we are ultimately refusing to appreciate the foundation on which humankind flourishes.
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Lawrence Fried
Marco Nereo Rotelli
- Home
- Archive by Category "Marco Nereo Rotelli"
Marco Nereo Rotelli
Marco Nereo Rotelli
- Home
- Archive by Category "Marco Nereo Rotelli"
Marco Nereo Rotelli

Born in Venice in 1955, Marco Nereo Rotelli lives and works in Milan and Paris. He holds an MBA in Architecture. For years Rotelli researched light and the poetic dimension, which Harald Szeemann has defined “an expansion of the artistic contest”. Rotelli has created a solid relationship between art and other disciplines of knowledge for years. Involving in his research as a consequence, philosophers, musicians, photographers, film directors, but mainly the relationship is between his art and poetry, which has become a constant reference to his work. He has illuminated major monuments such as the Arc de Triomphe, the Musee du Petit Palais in paris, the Beijing Olympics and has been exhibited at the Venice Biennale numerous times.
Selected Installations
1996, the piéce homage to the La Fenice theater, which had been recently destroyed by arson, presented at Quadriennale di Roma; 2000, the lighting of Petit Palais’ façade in Paris with verses from L’horloge by Baudelaire; 2001, the involvement of one thousand among some of the most important contemporary poets, expression of all the tendencies and all the continents, for the installation “Bunker Poetico”, realized at the 49th Biennale di Arti Visive di Venezia, strongly wanted by Harald Szeemann 2002, in Carrara, on the occasion of the 11th Biennale di Scultura, the recovery of an abandoned quarry and its transformation in a big marble book, carving poetic verses on its walls 2002, the great landscape installation “Poetry for Peace” in Seoul in the World Cup Park; 2005, at the 51st Biennale di Arti Visive di Venezia, the recovery of the San Secondo Island, in the Venetian lagoon, with a big light-installation, for which he was awarded the Presidenza della Repubblica silver plate 2007, the permanent installation for the Living Theatre in New York, wanted by Judith Malina and dedicated to the Beat Generation; 2008, in Jinan, China, invited to participate to the Shandong University international Biennal of Art and Design, within the Olympic manifestations, an installation characterized by a tragic and poetic dimension, for the year of the Sichuan earthquake, for which was been awarded the Academy Award of Art and Design: prize that confirms again the deep sense of his research veiled in poetry and spirituality and which is developing as an artistic act in defense of lost identities 2008, in Paris, the work of art “The Golden Wood” realized with one hundred golden doors along the Champs Élysées; 2009, the great work of art “Save the Poetry” exposed in the windows of the Espace culturel Louis Vuitton in Paris; 2009, the light installation on the façade of the Santigo de Compostela cathedral during the Fiesta del Apóstol; 2010, in Milan, the project “Poetry. Parola d’artista” with an important retrospective in the Rotonda di Via Besana, an exhibition with the poet Adonis in Palazzo Reale, the sculpted installation “Le pietre sono parole” in Piazzetta Reale (Piazza Duomo); the homage to Fernanda Pivano with an installation in Corso Buenos Aires and the occupation of the advertising billboards in the city with “poetical posters”; La Bienale Di Venezia; “ Genova Si Illumina di Poesia”
From his interest in Easter Island, which first came to life in the beginning of 2004 with a study on the Rongo-Rongo alphabet, the ancient and still not deciphered Rapa Nui language, he developed a long series of works, inspired by lost unknown languages as a rediscovery of poetic and still mysterious worlds, as the Bushman one, or the symbols of the Native Americans. In 2000 he founded the group Art Project, directed by Elena Lombardi and composed by young artists and architects with whom he realizes numerous interventions and urban installation projects.
This involvement has seen him participate to four editions of the Mostra Internazionale d’Arte La Biennale di Venezia, as well as numerous individual and collective exhibitions.
His works of art are in important museums and private collections all over the world. World renowned art critics, as well as poets, writers, philosophers and international cultural celebrities have written about him, increasing an important bibliographic collection on his work.
2011 art shows
La Biennalle Di Venezia, Padiliogne Italia, Venezia, It. MIA, Art Fair, Kavachnina Contemporary, Miami Beach, FL “Fluendo Verso- Save Poetry”, Galleria Internazionale d’Arte Moderna, Venezia, It. APB, Art Fair, West Palm Beach, FL “Le Parole Di Nanda”, Venezia, It. “La Parola Totale”, Casino Di Venezia Ca’Vendrom in Calergi, It. “ From Guggenheim to Miami “,Kavachnina Contemporary, Miami, FL EFFETO ITALIA. SIEL. Casablanca, Maroqqui. La Bienale Di Venezia, “Lo spazo poetico”, Padiliogne Italia, Venezia, It. “Mediterraneo in Luce”, Palermo, It.
Nothing found.































