Just an American Boy (Colour) | David Yarrow

Just an American Boy (Colour)

Just an American Boy (Colour)

Durango, Colorado – 2026

“Bryson DeChambeau is the embodiment of a proud American. He carries his patriotism with the same passion he holds his golf clubs. He is also as comfortable in front of the camera as he is on the greens of Augusta.

I vividly remember those moments on the 17th green at Bethpage on the Sunday of the Ryder Cup. Things were finally looking up for the American team and Bryson was the talisman. The New Yorkers embraced this Californian born Texan as if he was one of their own. He is box office.

Outside of golf, I found out that Bryson has a fluency in the language of business, trade and economics that would humble many a Wall Street trader.

When I work with anyone whose time is as short as Bryson’s, we prefer to shoot on home ground and play the familiarity card. It is never the time to roll the dice and go into unchartered ground. The Durango & Silverton Railroad in Colorado is well known to us; we know the angles and the light and that meant we had Bryson exactly where we wanted him for the first few moments when the sun popped over the hill. It’s no more than a 5-minute window, but we were prepared.

We have worked with all sorts of people over the years, but few have brought such positive energy as Bryson did. It does make a difference and for all his success and fame, he has a very gentle and unassuming way with people.

I am delighted that he loves this contextual portrait. He plays the role of the gunslinger just as you would expect him to.”

-David Yarrow

AVAILABLE SIZES:

Standard: Edition of 20
  • Image Size: 38" x 37" (96.5 x 94 cm)
  • Framed Size: 53" x 52" (134.4 x 132.1 cm)
Large: Edition of 20
  • Image Size: 57" x 56" (144.8 x 142.2 cm)
  • Framed Size: 72" x 71" (182.9 x 180.3 cm)

We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


    Just an American Boy (B&W) | David Yarrow

    Just an American Boy (B&W)

    Just an American Boy (B&W)

    Durango, Colorado – 2026

    “Bryson DeChambeau is the embodiment of a proud American. He carries his patriotism with the same passion he holds his golf clubs. He is also as comfortable in front of the camera as he is on the greens of Augusta.

    I vividly remember those moments on the 17th green at Bethpage on the Sunday of the Ryder Cup. Things were finally looking up for the American team and Bryson was the talisman. The New Yorkers embraced this Californian born Texan as if he was one of their own. He is box office.

    Outside of golf, I found out that Bryson has a fluency in the language of business, trade and economics that would humble many a Wall Street trader.

    When I work with anyone whose time is as short as Bryson’s, we prefer to shoot on home ground and play the familiarity card. It is never the time to roll the dice and go into unchartered ground. The Durango & Silverton Railroad in Colorado is well known to us; we know the angles and the light and that meant we had Bryson exactly where we wanted him for the first few moments when the sun popped over the hill. It’s no more than a 5-minute window, but we were prepared.

    We have worked with all sorts of people over the years, but few have brought such positive energy as Bryson did. It does make a difference and for all his success and fame, he has a very gentle and unassuming way with people.

    I am delighted that he loves this contextual portrait. He plays the role of the gunslinger just as you would expect him to.”

    -David Yarrow

    AVAILABLE SIZES:

    Standard: Edition of 20
    • Image Size: 38" x 37" (96.5 x 94 cm)
    • Framed Size: 53" x 52" (134.4 x 132.1 cm)
    Large: Edition of 20
    • Image Size: 57" x 56" (144.8 x 142.2 cm)
    • Framed Size: 72" x 71" (182.9 x 180.3 cm)

    We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


      Off the Rails (Colour) | David Yarrow |

      Off the Rails (Colour)

      Off the Rails (Colour)

      Durango, Colorado – 2026

      “There are no more useful additives to a mountain story than fresh snow on the ground coupled with a decent but not overwhelming amount of falling snow. Neither comes on demand like room service and our unlucky moments make the lucky ones so much better. Gratitude for the good days is probably a subconscious product of all the underwhelming weather conditions we will face over the next year.

      This was the first snowfall on the celebrated Durango & Silverton Railroad in Colorado for over three weeks. When we booked the steam train, the cowboy and the fashion model Kelsey Merritt, we had no idea what weather conditions would prevail that January morning and the results can be consigned to a case study on the random walk of luck.

      Kelsey shines in her role; there had to be a palpable sense of sovereignty and a hint of nonchalance. She had never puffed on a cigar before, but she did so as if she grew up with a bunch of wise guys in the south side of Chicago.

      I am drawn toward cinematic imagery and this is a story made for the silver screen. My preconception was that a wide composition would allow for a broader story to be told. It really is as simple as that. The focal plane does not exclude the train or the cowboy; it simply celebrates Kelsey.

      Women have been underrepresented in Westerns to the point of parody and the series we have just embarked on addresses that imbalance. There were girls on the final frontier and many of them had a casual relationship with the law. That all adds to the rich tapestry of the Wild West. There is something most alluring about women who do not play by the rules.”

      -David Yarrow

      AVAILABLE SIZES:

      Standard: Edition of 12 + 3 APs
      • Image Size: 33" x 77" (83.8 x 195.6 cm)
      • Framed Size: 48" x 92" (121.9 x 233.7 cm)
      Large: Edition of 12 + 3 APs
      • Image Size: 44" x 103" (111.8 x 261.6 cm)
      • Framed Size: 59" x 118" (149.9 x 299.7 cm)

      We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


        Off the Rails (B&W) | David Yarrow

        Off the Rails (B&W)

        Off the Rails (B&W)

        Durango, Colorado – 2026

        “There are no more useful additives to a mountain story than fresh snow on the ground coupled with a decent but not overwhelming amount of falling snow. Neither comes on demand like room service and our unlucky moments make the lucky ones so much better. Gratitude for the good days is probably a subconscious product of all the underwhelming weather conditions we will face over the next year.

        This was the first snowfall on the celebrated Durango & Silverton Railroad in Colorado for over three weeks. When we booked the steam train, the cowboy and the fashion model Kelsey Merritt, we had no idea what weather conditions would prevail that January morning and the results can be consigned to a case study on the random walk of luck.

        Kelsey shines in her role; there had to be a palpable sense of sovereignty and a hint of nonchalance. She had never puffed on a cigar before, but she did so as if she grew up with a bunch of wise guys in the south side of Chicago.

        I am drawn toward cinematic imagery and this is a story made for the silver screen. My preconception was that a wide composition would allow for a broader story to be told. It really is as simple as that. The focal plane does not exclude the train or the cowboy; it simply celebrates Kelsey.

        Women have been underrepresented in Westerns to the point of parody and the series we have just embarked on addresses that imbalance. There were girls on the final frontier and many of them had a casual relationship with the law. That all adds to the rich tapestry of the Wild West. There is something most alluring about women who do not play by the rules.”

        -David Yarrow

        AVAILABLE SIZES:

        Standard: Edition of 12 + 3 APs
        • Image Size: 33" x 77" (83.8 x 195.6 cm)
        • Framed Size: 48" x 92" (121.9 x 233.7 cm)
        Large: Edition of 12 + 3 APs
        • Image Size: 44" x 103" (111.8 x 261.6 cm)
        • Framed Size: 59" x 118" (149.9 x 299.7 cm)

        We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


          Road Rage (Colour) | David Yarrow

          Road Rage (Colour)

          Road Rage (Colour)

          Yellowstone National Park – 2026

          “Yellowstone is the only place in the United States where bison have lived continuously since prehistoric times. By 1902, poachers had reduced Yellowstone’s herd to about two dozen animals but the recent estimates suggest this has grown to around 5,000-5,400. It is America’s largest and oldest wild, free-roaming herd.

          We only film bison in Yellowstone in the depths of winter. There are two reasons for this: one of course is that the traffic is bearable in the winter and we are very often on our own and out of the park by 10 am; the second more important factor is that the presence of snow plays to the animal’s fortitude. I would not film the Amalfi coast in the winter, as it is a summer holiday destination, and in the same way I have no interest in filming in Yellowstone in July.

          I tend to focus on the male bison which can weigh up to 2,000 pounds and stand 6 feet tall. From the right angle, their enormous heads and curved horns elicit imagery of mythological beasts; they are part cow and part fantasy. The bison are a revered part of the tapestry of Americana.

          This immersive photograph was shot on a remote camera with a wide-angle lens on the road between West Yellowstone and Madison Junction. It’s an iterative process and I often fail simply because I am not in charge of the bison’s movement. But a pattern can develop and then we must be patient. Yellowstone is very accessible these days and there are many photographers up there every day. I think the important thing is to be true to oneself and do what you do.”

          -David Yarrow

          AVAILABLE SIZES:

          Standard: Edition of 12 + 3 APs
          • Image Size: 37" x 62" (94 x 157.5 cm)
          • Framed Image: 52" x 77" (132.1 x 195.6 cm)
          Large: Edition of 12 + 3 APs
          • Image Size: 56" x 94" (142.2 x 238.8 cm)
          • Framed Image: 71" x 109" (180.3 x 276.9 cm)

          We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


            Road Rage (B&W) | David Yarrow

            Road Rage (B&W)

            Road Rage (B&W)

            Yellowstone National Park – 2026

            “Yellowstone is the only place in the United States where bison have lived continuously since prehistoric times. By 1902, poachers had reduced Yellowstone’s herd to about two dozen animals but the recent estimates suggest this has grown to around 5,000-5,400. It is America’s largest and oldest wild, free-roaming herd.

            We only film bison in Yellowstone in the depths of winter. There are two reasons for this: one of course is that the traffic is bearable in the winter and we are very often on our own and out of the park by 10 am; the second more important factor is that the presence of snow plays to the animal’s fortitude. I would not film the Amalfi coast in the winter, as it is a summer holiday destination, and in the same way I have no interest in filming in Yellowstone in July.

            I tend to focus on the male bison which can weigh up to 2,000 pounds and stand 6 feet tall. From the right angle, their enormous heads and curved horns elicit imagery of mythological beasts; they are part cow and part fantasy. The bison are a revered part of the tapestry of Americana.

            This immersive photograph was shot on a remote camera with a wide-angle lens on the road between West Yellowstone and Madison Junction. It’s an iterative process and I often fail simply because I am not in charge of the bison’s movement. But a pattern can develop and then we must be patient. Yellowstone is very accessible these days and there are many photographers up there every day. I think the important thing is to be true to oneself and do what you do.”

            -David Yarrow

            AVAILABLE SIZES:

            Standard: Edition of 12 + 3 APs
            • Image Size: 37" x 62" (94 x 157.5 cm)
            • Framed Image: 52" x 77" (132.1 x 195.6 cm)
            Large: Edition of 12 + 3 APs
            • Image Size: 56" x 94" (142.2 x 238.8 cm)
            • Framed Image: 71" x 109" (180.3 x 276.9 cm)

            We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


              A Walk in the Woods | David Yarrow

              A Walk in the Woods

              A Walk in the Woods

              Yellowstone National Park – 2026

              “I am not a big believer in rules in photography because if it is an art form, it is good to remember that art should be without rules. A prescriptive process pushes against the notion of freedom of expression. Warhol is often credited with the line “art is whatever you can get away with” and whether he actually said that is secondary to the power of the message. Authenticity is everything and it should be a personal crusade.

              I do think, however, that visual harmony within an image is something to strive for if it is available. If there is some stability in the weightings, or even better, a symmetry, the photograph – whatever the subject – can be more pleasing on the viewer’s eye. Chaos works for photojournalists capturing decisive moments, but what I try to do is make pictures as opposed to take them. It is a less relevant and a less noble genre of photography than working on the Foreign News desk and the goals are entirely different.

              These thoughts were very much on my mind in Yellowstone National Park when working with this lone bison. The only shot that could work had to have symmetry as well as detail. If the bison was a meter either side of this position then there would be no image.

              Of course, the truth was that most of the photographs that morning were lopsided and aesthetically awkward. The bison would not be at right angles to my camera and not starring down my lens or the head would clash with the trees and create a nasty tension point. It’s a low percentage gig. Luckily all a photographer needs to show is one shot.”

              -David Yarrow

              AVAILABLE SIZES:

              Standard: Edition of 12 + 3 APs
              • Image Size: 33" x 77" (83.8 x 195.6 cm)
              • Framed Image: 48" x 92" (121.9 x 233.7 cm)
              Large: Edition of 12 + 3 APs
              • Image Size: 43" x 103" (109.2 x 261.6 cm)
              • Framed Image: 58" x 118" (147.3 x 299.7 cm)

              We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


                The Girl with the Cigar (Colour) | David Yarrow

                The Girl with the Cigar (Colour)

                The Girl with the Cigar (Colour)

                Durango, Colorado – 2026

                “There are no more useful additives to a mountain story than fresh snow on the ground coupled with a decent but not overwhelming amount of falling snow. Neither comes on demand like room service and our unlucky moments make the lucky ones so much better. Gratitude for the good days is probably a subconscious product of all the underwhelming weather conditions we will face over the next year.

                This was the first snowfall on the celebrated Durango & Silverton Railroad in Colorado for over three weeks. When we booked the steam train, the cowboy and the fashion model Kelsey Merritt, we had no idea what weather conditions would prevail that January morning and the results can be consigned to a case study on the random walk of luck.

                Kelsey shines in her role; there had to be a palpable sense of sovereignty and a hint of nonchalance. She had never puffed on a cigar before, but she did so as if she grew up with a bunch of wise guys in the south side of Chicago.

                I am drawn toward cinematic imagery and this is a story made for the silver screen. My preconception was that a wide composition would allow for a broader story to be told. It really is as simple as that. The focal plane does not exclude the train or the cowboy; it just celebrates Kelsey.

                Women have been underrepresented in Westerns to the point of parody and the series we have just embarked on addresses that imbalance. There were girls on the final frontier and many of them had a casual relationship with the law. That all adds to the rich tapestry of the Wild West. There is something most alluring about women who do not play by the rules.”

                -David Yarrow

                AVAILABLE SIZES:

                Standard: Edition of 12 + 3 APs
                • Image Size: 37" x 69" (94 x 175.3 cm)
                • Framed Image: 52" x 84" (132.1 x 213.4 cm)
                Large: Edition of 12 + 3 APs
                • Image Size: 55" x 103" (139.7 x 261.6 cm)
                • Framed Image: 70" x 118" (177.8 x 299.7 cm)

                We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


                  The Girl with the Cigar B&W | David Yarrow

                  The Girl with the Cigar (B&W)

                  The Girl with the Cigar (B&W)

                  Durango, Colorado – 2026

                  “There are no more useful additives to a mountain story than fresh snow on the ground coupled with a decent but not overwhelming amount of falling snow. Neither comes on demand like room service and our unlucky moments make the lucky ones so much better. Gratitude for the good days is probably a subconscious product of all the underwhelming weather conditions we will face over the next year.

                  This was the first snowfall on the celebrated Durango & Silverton Railroad in Colorado for over three weeks. When we booked the steam train, the cowboy and the fashion model Kelsey Merritt, we had no idea what weather conditions would prevail that January morning and the results can be consigned to a case study on the random walk of luck.

                  Kelsey shines in her role; there had to be a palpable sense of sovereignty and a hint of nonchalance. She had never puffed on a cigar before, but she did so as if she grew up with a bunch of wise guys in the south side of Chicago.

                  I am drawn toward cinematic imagery and this is a story made for the silver screen. My preconception was that a wide composition would allow for a broader story to be told. It really is as simple as that. The focal plane does not exclude the train or the cowboy; it just celebrates Kelsey.

                  Women have been underrepresented in Westerns to the point of parody and the series we have just embarked on addresses that imbalance. There were girls on the final frontier and many of them had a casual relationship with the law. That all adds to the rich tapestry of the Wild West. There is something most alluring about women who do not play by the rules.”

                  -David Yarrow

                  AVAILABLE SIZES:

                  Standard: Edition of 12 + 3 APs
                  • Image Size: 37" x 69" (94 x 175.3 cm)
                  • Framed Image: 52" x 84" (132.1 x 213.4 cm)
                  Large: Edition of 12 + 3 APs
                  • Image Size: 55" x 103" (139.7 x 261.6 cm)
                  • Framed Image: 70" x 118" (177.8 x 299.7 cm)

                  We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


                    Yellowstone


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