California Dreaming

California Dreaming

Amboy, California – 2023

“In the 1950s, many Americans sought new lives in California. Whether they were entire families, aspiring actors or creatives, army veterans or immigrants, the push west was a crowded trade. The two enablers of this increased geographical mobility were the motor car and the US road network, championed by Route 66.

I wanted to tell a story of single- minded ambition along Route 66 and my instincts were that a night shot could make sense because we would then incorporate some motel neon lights to give an emphatic time stamp to this liberating period in American history. Light is integral to all that we do and we shy away from boring lighting.

Roy’s Motel and Cafe in Amboy, California is as authentic a Route 66 landmark as any and the neon lights still work. We brought in a magnificent 1953 Ferrari 250 MM Vignale Spyder as the treasure trove prop. Its roofless design would help me tell a more complete story as the driver needed to be seen. Meanwhile, the stunning car interior would hint at a traveller of note and substance. I think this Ferrari is now worth around $10m.

Our model that evening, in the remote Californian desert, was Daniela Braga, who is both beautiful and theatrical. We styled her to the era and I just told her to look free, dreaming of her new life in California as she drove. Afterall, at this point, she was only four hours from Los Angeles.

I have a feeling that when she arrived in LA 70 years ago, the City of Angels would have greeted her enthusiastically. Her and the 1953 Ferrari seem a very natural match up.”

Available sizes

LARGE: Edition of 12 + 3 AP
  • Image size: 61” x 56" in (154.9 cm x 142.2 cm)
  • Framed Image: 76” x 71" in (193 cm x 180.3 cm)
STANDARD: Edition of 12 + 3 AP
  • Image size: 40” x 37" in (101.6 cm x 93.98 cm)
  • Framed Image: 55” x 52" in (139.7 cm x 132.1 cm)

We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


    The Longhorn Saloon

    The Longhorn Saloon

    West Texas – 2023

    Archival Pigment Print

    “From the outside, The Longhorn Saloon looks like a bar where the most ancient of vices are catered for daily. It has the whiff of a place where cowboys are tough, women are tougher and there is little rule of law. It is the Wild West at its cartoonish best. The Coen Brothers should check it out.

    The Longhorn is clearly a Texas bar and we would say that it’s in West Texas, but more than that, we are sworn to secrecy. It’s too good a place to get crowded and besides, the cattle clearly need some room to roam.

    Projects like these tend to be fun for everyone involved and when we do film at dusk, there is never a doubt that after the wrap, some local cast or crew will invite us home for a Texan Barbecue. They score very high in hospitality in Texas and we love our nights out near the Mexican Border. The night of this photograph, three generations of one family sat around the home fire and laughed and chatted with each other. There was no mobile phone in sight. I ate the best steak of my life, but more importantly, I was reminded what Texas is all about.

    The Longhorn Saloon is currently closed for renovation.”

    Available sizes

    Large: Edition of 12 + 3 AP
    • Image Size: 56” x 98” in (142.2 cm x 248.9 cm)
    • Framed Image: 71” x 113” in (180.3 cm x 287 cm)
    Standard: Edition of 12 + 3 AP
    • Image Size: 37” x 65” in (93.98 cm x 165.1 cm)
    • Framed Image: 52” x 80” in (132.1 cm x 203.2 cm)

    We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


      Ferrari

      Ferrari (B&W)

      Amboy, California – 2023

      Archival Pigment Print

      “In the 1950s, the Californian Dream made Route 66 the most famous road in the world. “The Mother Road”, as John Steinbeck described it in The Grapes of Wrath, became the route of flight for the American Middle Class; a trend accelerated by the rapidly evolving Californian economy and the opening of Disneyland in 1955.

      The stretch of road heading east near Amboy in the baking Californian desert showcases the Route 66 journey as it once was. The sense of scale offers the filmmaker a valuable tool kit and I have been drawn to this outpost for many years. It is a commitment of time to get there, but one that many road trippers make because of the iconic Roy’s Motel and Cafe which serves as the one identifiable landmark in a barren desert.

      Amboy is a known known and I worried how I could break new ground because like all spectacular vistas in the US, it has been well photographed. The challenge is not in getting there, but in transcending when one does.

      I called upon a Hong Kong friend who is a passionate investor in vintage cars and owns one of the most lauded and valuable collections in the world. I explained the shoot concept and he graciously offered up one his most coveted treasures – the 1953 Ferrari 250 MM Vignale Spider. It was one of only 12 built in the world and when one comes up at auction, they sell for more than a London townhouse. His team was kind enough to transport this fabled Ferrari 1,000 miles across the country, but at least when they arrived, they understood the opportunity. It was going to be a trip well made.

      The design of the Ferrari was perfect as its low windscreen allowed my lens direct access into the faces of the girl (the wonderful Daniela Braga) and the wolf. They could then hold centre stage and let all the other constituent parts play off each other.

      The goal of this shoot was to play on the metaphor that is Route 66. It encapsulates the American Dream, as it was the road of freedom and ambition. Go West, work hard, stay focused and enjoy the very best of lives.

      We styled to the mid 1950s and I told Daniela to exude a sense of positivity. She should look, as Nat King Cole suggested, that she was “Getting her Kicks on Route 66”.

      Hard not to in that Ferrari.”

      Available sizes

      Large: Edition of 12 + 3 AP
      • Image Size: 56” x 59” in (142.2 cm x 149.9 cm)
      • Framed Image: 71” x 74” in (180.3 cm x 188 cm)

      Standard: Edition of 12 + 3 AP

      • Image Size: 37” x 39” in (93.98 cm x 99.06 cm)
      • Framed Image: 52” x 54” in (132.1 cm x 137.2 cm)

      We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


        McEnroe / Borg

        McEnroe / Borg

        Brooklyn, New York – 2023

        Half of the proceeds will go towards John McEnroe’s philanthropic endeavours.

        All prints are on 315gsm Hahnemühle Photo Rag Baryta Paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow’s custom black ash frame, white archival matting and protective UV acrylic.

        “Although they only played each other 14 times, McEnroe versus Borg became one of the most celebrated rivalries in the history of sport and New York played the lead role in its final denouement. When McEnroe defeated Borg in four sets in the US Open Final of 1981 at Flushing Meadows, Borg left the stadium immediately and never played in a major tournament again. He was just 25 years old.

        The late 1970s and early 1980s were heady days for the US Open. New York was rocking to a disco beat and American men and women dominated the higher seedings. In the latter stages of the men’s tournament, McEnroe would often face fellow countrymen such as Jimmy Connors and Vitas Gerulaitis. McEnroe and Gerulaitis – both New Yorkers and good friends – were known to head for Studio 54 once their night matches were over at Flushing Meadows.

        My plan was to celebrate this era by hosting a little gathering on a New York subway car from the same period. The way to do this was to hire the New York Transit Museum for the day and dress one of the period cars as if it were 1981. I had my lead in the wonderfully unique John McEnroe; a formidable and gritty New Yorker who wears a subway look with ease. I asked him to bring his guitar which, of course, like a tennis racket, he plays left-handed and plays well.

        Today’s McEnroe was joined on his subway ride by characters all styled in the same era. Borg was a necessary extra somewhere in the carriage and we found a strong look alike. He was joined by a couple of Pan Am stewardesses and then, of course, it being New York, we had to make reference to the Village People. The final piece of the jigsaw was the subway adverts on the left and my team did a fine job finding the McEnroe Nike advert.

        That would have been one hell of a journey on the subway. Whatever John McEnroe’s journey from here, it will be on his own terms and will be pursued with the intensity that has characterized his storied career. To be number one in the world for 170 weeks is the mark of a fiercely competitive character. It was an honour to spend time with him.”

        AVAILABLE SIZES:

        Medium: Archival Pigment Print
        LARGE: Edition of 20 + 3 AP
        • Image Size: 56” x 84” in (142.24 cm x 213.4 cm)
        • Framed Image: 71” x 99” in (180.34 cm x 251.5 cm)
        STANDARD: Edition of 20 + 3  AP
        • Image Size: 37” x 56” in (93.98 cm x 142.2 cm)
        • Framed Image: 52” x 71” (132.08 cm x 180.3 cm)

        We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


          The Snowman

          The Snowman

          Wilsall, Montana – 2023

          When working with bison, a big bull in the cold with a winter backdrop and sense of place, is always what I would like to have in front of my camera. The reality is, that this has to be earned, and there will be many more failures than successes. That is the way it should be.

          In Montana, which hosts most of our bison shoots, the weather can fluctuate so quickly in the winter. To have a cold morning with fresh snow on the days penned in to work is often a big ask and we know from experience that the best solution is time and patience.

          When we talk about cold, we are not talking about 32°F or 0°C, that is a fairly lame degree of coldness for the mountain folk of Montana. We are talking about it being frigid – like -10°F or -23°C – that is when the magic can happen.

          This morning, north of Livingston, Montana, the textural clues in the bison’s beard hint at extreme conditions. That is what we always look for as it adds character to the most stoic and primeval of beasts. 1700 pounds of flesh standing in front of the camera is enough of a visual jolt to allow the cold to be briefly forgotten.

          Available sizes

          LARGE: Edition of 12 + 3 AP
          • Image size: 66” x 56" in (167.6 cm x 142.2 cm)
          • Framed Image: 81” x 71" in (205.7 cm x 180.3 cm)
          STANDARD: Edition of 12 + 3 AP
          • Image size: 43” x 37" in (109.2 cm x 93.98 cm)
          • Framed Image: 58” x 52" in (147.3 cm x 132.1 cm)

          We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


            Cara and the Robbers

            Cara and the Robbers

            Durango, Colorado – 2023

            Photographing a famous person next to something visually outstanding represents a riddle as there must be a debate as to which subject to deprioritize.

            The best images tend to favor, both subjects equally – an example perhaps being Diana Spencer – the then Princess of Wales – against the backdrop of the Taj Mahal. She is dwarfed by the magnificence of what is behind her but is central and pivotal to the story.

            Cara Delevingne cannot be taken up to a remote forest, fresh in new snow and then asked to play a secondary role. She has too powerful a look to be relegated to the role of a contextual extra, but equally, the Durango Steam train in winter is one of the great props a storytelling photographer can have. In scouting the journey the day after an intense snowstorm, I found a spot that I thought could offer a balance; I would just need Cara to be strong and sure footed on the banks of a river in a huge amount of fresh snow.

            There is a confident swagger to her and my best narrative was that she could be celebrating a robbery before it had even occurred – hence the cigar in her mouth. She can smoke a cigar like the best gambler in Vegas.

            It was a cold afternoon that day. This was no studio and as always, it was an honor to work with Cara, she is one of the very best in the business. It’s not a bad backdrop either.

            Available sizes

            LARGE: Edition of 20 + 3 AP
            • Image size: 56" x 71" in (142.2 cm x 180.3 cm)
            • Framed Image: 71" x 86" in (180.3 cm x 218.4 cm)
            STANDARD: Edition of 20 + 3 AP
            • Image size: 37" x 47" in (93.98 cm x 119.4 cm)
            • Framed Image: 52" x 62" in (132.1 cm x 157.5 cm)

            We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


              Parts Unknown

              Parts Unknown

              Durango, Colorado – 2023

              When we shoot in the winter, weather plays a large part in our planning, but given the speed at which weather can change, it does not pay to be too prescriptive too far out from shooting days. But we continually check weather patterns and within 36 hours of a shoot, we tend to home in on a certain plan.

              There are, I guess, four or five weather possibilities in the winter: melting snow and sunny, which is horrid; cold and sunny, which is better but restricts filming time; a snowstorm, which is exciting, but can impair detail or, ideally, the end of a big snow fall.

              In the Rockies, I guess there are about a dozen days a year when a big storm passes through and clears, leaving behind a winter wonderland and kind gentle light. This is the film maker’s big opportunity, provided the props are in place and access is still possible. It is always challenging, but these are the days we wait for. They don’t come that often.

              We know the Durango to Silverton steam train well and have built up a strong friendship with the owner Al Harper and his wonderful team of engineers in Durango. I sensed there was an opportunity at this jaw dropping location made famous by its appearance some 50 years ago in Butch Cassidy and the Sundance Kid. We were in town and waiting as the storm system pushed through. It had lasted 36 hours and left 18 inches of new snow in the San Juan Forest that the old steam train cuts through.

              We had to operate fast, as the light was picking up all the time and both teams worked quickly to get everyone in position early in the day. The Native American and the horse had the toughest job – that was no easy brief that day.

              When I look at this photograph, I feel some sense of pride, it is a hell of a shot. But not pride in myself, pride in all the people that made it happen. A real team effort.

              Available sizes

              LARGE: Edition of 12 + 3 AP
              • Image size: 69" x 56" in (175.3 cm x 142.2 cm)
              • Framed Image: 84" x 71" in (213.4 cm x 180.3 cm)
              STANDARD: Edition of 12 + 3 AP
              • Image size: 46" x 37" in (116.8 cm x 93.98 cm)
              • Framed Image: 61" x 52" in (154.9 cm x 190.5 cm)

              We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


                Red Dead

                Red Dead

                Durango, Colorado – 2023

                In the mountains of America, my experience is that the really cold conditions tend to be on cloudless days first thing in the morning, particularly at sunrise when the temperature briefly dips. Operating when it is frigid is a real examination, not just of one’s hunger to get the shot but one’s fluency with the camera. Hand warmers are such a wonderful invention.

                This morning, up on the Durango & Silverton narrow gauge railroad, was one such occasion. The storm had cleared and was replaced
                by a cloudless sky and frigid temperatures. At sunrise we were down to around -15°F or -26°C and these conditions offered so much potential for the filmmaker as everything froze – from human beards and human breath to horse breath.

                I am always nervous of boring people and anything in a picture that defies gravity tends to work for me as it adds energy and dynamism. The props I had that morning gave every chance to fully embrace this modus operandi – especially if my camera was pointed directly either side of the rising sun.

                My cowboy – who is a dead ringer for Rip from the Yellowstone Series – is a charming Texan called Cole Nallion rather than Cole Hauser who plays Rip Wheeler. Cole worked as a cowboy extra and handler in another Taylor Sheridan series – 1883 – and it is easy to see why he and Sam Elliott got along.

                This one split second image caught my notice straight away as there is an anonymity to his face. We don’t need to see his eyes, because this is not a story about him per se, it is a story about the loosely governed wild west, where cowboys like him often made a living from doing shady things. He is playing to a genre before he is playing himself.

                The photograph has a Red Dead Redemption feel to it and the bigger it is printed the more powerful the emotion it elicits. It’s a bad ass moment.

                Available sizes

                LARGE: Edition of 12 + 3 AP
                • Image size: 63" x 56" in (160 cm x 142.2 cm)
                • Framed Image: 78" x 71" in (198.1 cm x 180.3 cm)
                STANDARD: Edition of 12 + 3 AP
                • Image size: 42" x 37" in (106.7 cm x 93.98 cm)
                • Framed Image: 57" x 52" in (144.8 cm x 190.5 cm)

                We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


                  Reservoir Dogs

                  Reservoir Dogs

                  Durango, Colorado – 2023

                  I am not ashamed of the fact that I often have an audience in my mind when I take a shot. In this case in the Diamond Belle Saloon in Durango, Colorado, my instincts were that it would appeal more if the frame was busy because my experience with this famous old wild west bar is that it is always something of a gathering place for all those who like a drink. It is how bars should be and is celebrated as such. I want the audience to say; “I wish I was in that bar that night” or even “we need more interesting people in our bar”. This frame sweats and that was always my intent.

                  Anyone close to my camera had to be characters out of a story book and play to the lore of the wild west. I want to exaggerate not dumb things down as that helps the storyteller. In a staged image such as this, there is no need to ask permission to be creative; in fact, it is a necessary precondition.

                  Cara Delevingne’s face is so strong and powerful that I knew there was no room for another girl on her same focal plane, but there would be room for a black wolf and then a menacing poker player. The background could then look after itself, but I wanted to pay homage to the saloon girls who are synonymous with the bar.

                  Cara loves this image – which always matters to me. She is a gift for a photographer and not to fully capitalize on her eyes and her vibe would be a rookie error.

                  Available sizes

                  LARGE: Edition of 20 + 3 AP
                  • Image size: 56" x 91" in (142.2 cm x 231.1 cm)
                  • Framed Image: 71" x 106" in (180.3 cm x 269.2 cm)
                  STANDARD: Edition of 20 + 3 AP
                  • Image size: 37" x 60" in (93.98 cm x 152.4 cm)
                  • Framed Image: 52" x 75" in (132.1 cm x 190.5 cm)

                  We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


                    Manifest Destiny

                    Manifest Destiny

                    Durango, Colorado – 2023

                    “Other nations have tried to check the fulfillment of our manifest destiny to overspread the continent allotted by providence for the free development of our yearly multiplying millions.

                    It was in 1845 that John Louis O’Sullivan, a popular columnist, articulated the long-standing American belief in the God-given mission of the United States to expand across North America all the way to the Pacific Ocean. In so doing he coined the term “Manifest Destiny”.

                    There was a sense of unbridled purpose. Nothing would get in their way: forests would be cut; mountains carved and railroads built. 60 million bison were culled and replaced by cattle. Native Americans faced an existential crisis.

                    Some tribes, of course, fought, whilst others negotiated. There was heavy loss of life on both sides and there is irony now that this period of nation building is deeply uncomfortable for many current day Americans. What created the wealthiest country in the world is not something to celebrate.

                    Railroads were an integral part of the Manifest Destiny and undermined the sovereignty of Native nations. Their construction threatened to destroy indigenous communities and their cultures as the railroad expanded into territories inhabited by Native Americans.

                    But for all that, encounters between steam trains and Native Americans were not necessarily as Hollywood has depicted. There was not much conflict and indigenous people mostly watched the railroad construction with a degree of fascination. Indeed, some found themselves drawn into a closer relationship with settlers because of the commercial opportunities that came with railroad construction. There was collaboration and often Native Americans offered protection from bandits.

                    19th century artists often depicted Native Americans as passive contextual narrative in railroad images; they are present but only to frame the story, not make the story. They simply establish the scene. This was my intent one cold February morning at Horseshoe Bend on the famous Durango & Silverton Railroad high in the San Jose Mountains. The Native American is not on the bend to attack, he is there simply to proudly show his presence. It is for the viewer to imagine how the next five minutes unfolded.

                    A great deal of logistical teamwork enabled this opportunity that cold sunny morning and the result is a strong photograph. As always it is a big team effort to create work like this.

                    Available sizes

                    LARGE: Edition of 12 + 3 AP
                    • Image size: 56" x 60" in (142.2 cm x 152.4 cm)
                    • Framed Image: 71" x 75" in (180.3 cm x 190.5 cm)
                    STANDARD: Edition of 12 + 3 AP
                    • Image size: 37" x 40" in (93.98 cm x 101.6 cm)
                    • Framed Image: 52" x 55" in (132.1 cm x 139.7 cm)

                    We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


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