David_Yarrow_The_Statesman_II_Hilton_Asmus_Contemporary

The Statesman II

AVAILABLE SIZES:

LARGE: Edition of 12

  • Framed: 71 x 85"

STANDARD: Edition of 12

  • Framed: 52" x 61"

We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


    David_Yarrow_The_Statesman_Hilton_Asmus_Contemporary

    The Statesman

    Alaska, 2018

    We delayed releasing this image because I wasn’t really sure what to write – it was such a surreal few minutes and it took time for it all to sink in.
    I guess on the one hand it’s a fairly straightforward portrait of an adult male polar bear – there is nothing dramatic going on and no collapsing iceberg in the background.
    But on the other hand, there is fine detail in this study. He is totally comfortable with my presence and happy merely to observe and continue being who he is – the ultimate alpha mammal. His relaxed demeanor allowed me to inch closer and wait for head-on eye to eye contact. Only then can we stare into his unique world.
    What do I see in his eyes? Wisdom, security and governance. He is totally in control – a bit like a meeting with a therapist. He has all the answers to my none. It’s a fireside chat at the top of the world with a Statesman.
    I think he is telling me that he likes his tea white with no sugar. Then we can get on with the issues of the day.

    AVAILABLE SIZES:

    LARGE: Edition of 12

    • Image: 58" x 44" (148 cm x 112 cm)
    • Framed: 70" x 55" (178 cm x 140 cm)

    We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


      David_Yarrow_Out_of_Towner_Hilton_Asmus_Contemporary

      Out Of Towner

      Virginia City, Montana 2019

      Virginia City, high in the hills of Montana, is as good as a ghost town. In the winter, only about 60 people live in the community. It is a State Heritage site and many of the buildings from the boom years of gold mining remain intact. In the 1860s, during the first three seasons, an estimated $30 million worth of gold was removed, by 1863 over 15,000 people lived there.
      Over the last five years, I have photographed many times in the town and the neighbouring Nevada City, which is truly abandoned. It gets easier every time, as I know almost all of the remaining winter inhabitants and most are keen to collaborate in my storytelling. A strong partnership has developed between the locals and my team.
      Winter is always my preferred time to work in Montana. It is visceral and visually energising to complement final frontier canvases with snow. Furthermore, the tourist traffic in the depth of winter is minimal, whereas these destinations are overrun with visitors in the summer. There is no point filming up here in July and August.
      On our most recent visit the forecast was for snow and it gave me an idea. I have worked in the past with an old bear called Adam who lives in a sanctuary nearby and is something of a local celebrity with the mountain men. His owner occasionally exercises him in the area and I enquired if the high street of Virginia City would suffice for Adam’s morning workout.
      A plan was hatched and we then had to wait for the snow to fall. We had done our homework as to the preferred frame of the street, it was then just a case of working with Adam to get the shot. It was cold, but he seemed to enjoy his trip to town.

      AVAILABLE SIZES:

      LARGE: Edition of 12

      • Image: 56" x 90" (143 cm x 229 cm)
      • Framed: 67" x 101" (171 cm x 257 cm)

      STANDARD: Edition of 12

      • Image: 37" x 60" (94 cm x 153 cm)
      • Framed: 48" x 71" (122 cm x 181 cm)

      We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


        David_Yarrow_Chicago_Bear_Hilton_Asmus_Contemporary

        Chicago Bear

        Chicago, USA – 2019

        Archival Pigment Print

        Standard: Edition of 12 + 3 APs
        • Image Size: 37” x 41" in (93.98 × 104.14 cm)
        • Framed Size: 48” x 52” (121.9 × 132.1 cm)

         

        Large: Edition of 12 + 3 APs

        • Image Size: 56” x 63.5" in (142.2 × 161.3 cm)
        • Framed Size: 67” x 74.5" in (170.2 × 189.2 cm)

        We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


          Face Off

          Face Off

          Alaska – 2016

          This powerful portrait of a huge coastal brown bear in Funnel Creek, Katmai National Park, Alaska works because of the eye to eye face off. My eye is level or indeed marginally lower than his and that required getting very wet. There are few dry days in the field in Alaska and this was not one of them.

          Over and above our matching line of vision, the simplicity of the image is helped by the absence of distractions – there is clearly nothing in the print that is not part of the bear itself. A corner of distant tundra or sky would disturb the sense of the complete and create an eye grabbing tension point. This effect is only really possible with a “head on” perspective and it shows the vastness of adult bears. This bear probably weighed 950 pounds – five times that of an average man.

          Encounters like this tend to be singular moments – with no other photographers nearby. In the salmon run seasons, great precision is required to know where the salmon are running on any particular week – with that comes clues as to where to find the bears. The greater the number of salmon in the river, the less a bear will worry about human presence; my trespass – once acknowledged – was accepted and life carried on. This bear was simply being a bear – he posed no threat.

          Available Sizes (Framed Size)

          • Large: 63" x 67" (160 cm x 170 cm)
          • Standard: 47" x 50" (119 cm x 127 cm)

          Available Editions

          • Large: Edition of 12
          • Standard: Edition of 12

          We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


            Catch

            Catch

            Brook Falls, USA 2012

            It is integral to my style of animal portraiture to obsess on the eye detail. If the eye is not sharp or if it is closed or obscured, the picture would have to have some transcending feature elsewhere to overcome this drawback. In this shot, the bear’s left eye is not just sharp – it is very clearly focused on me. There are many shots taken every year of brown bears fishing in Katmai, but this does have an intimacy afforded by the proximity and the eye contact.

            AVAILABLE SIZES:

            LARGE: Edition of 20

            • 71" x 79" (180 cm x 201 cm)

            STANDARD: Edition of 20

            •  52" x 57" (132 cm x 145 cm)

            We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


              Primeval

              Primeval

              Alaska 2017

              ​​I don’t tend to seek decisive moment images – I prefer serenity over intensity and a preconception based on action is difficult to linearly follow through to its conception. This is simply because action in the wild is a “crap shoot”. If it happens it happens, but it is not necessarily art in my book.
              But this image is perhaps slightly different. The detail of the kill is raw and timeless and this may subliminally elevate the visual impact. This is how I imagine the denouement of a salmon to a big bear in Moraine Creek 5,000 years ago or even five million years ago. The main players in this image have been a constant in a world of huge change – salmon ran up this creek not just before we could google “Alaska” but before Abraham Lincoln, Christopher Columbus, the Roman Empire and the dawn of man. And at the end of their run, huge 1000lb bears were there to eat the salmon – just as in 2017. What an extraordinary planet we live on. It is the wildlife that is the constant and it is this wildlife that we are treating with such shameful disrespect.
              Bears and humans are co-tenants of the planet – the bears have just shown their habitat greater respect. Any human that thinks he has sovereignty over a bear like this, did not see this guy in action that Friday in July. He could have killed any human in a heartbeat, except he chose not to. He was primeval.

              AVAILABLE SIZES:

              LARGE: Edition of 12

              • Image: 56" x 60" (143 cm x 153 cm)
              • Framed: 67" x 71" (171 cm x 181 cm)

              STANDARD: Edition of 12

              • Image: 37" x 50" (94 cm x 127 cm)
              • Framed: 48" x 61" (122 cm x 155 cm)

              We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


                Let's Catch the Last Train Out

                Let's Catch The Last Train Home

                Montana, USA 2018

                No one is remembered for playing it safe. On the surface, the idea of placing a couple of exceptional women in front of an abandoned train in a ghost town high up in the mountains of Montana, and styling them in a way that exposes their curves as well as their personalities, is a risky concept in 2018. There is every chance that this work could be seen as gratuitous objectification and not art. It will irk many but equally, their coats were positioned very carefully.
                But I will go with it and when I saw the print for the first time in large scale, I knew there was something and others have reinforced this belief. It just works and the more I review the intricacy of the train’s facade, I do think that there is a little magic – the icicles, the expression of the mountain lion, the textural beauty of the wood. The girls both rock and that was not easy for them – it was 15 degrees below zero that morning.
                But what I am trying to say? Nothing – nothing at all – I am just playing with visual double takes and remembering that the wild west was exactly that. Let’s just catch the last train home.

                AVAILABLE SIZES:

                LARGE: Edition of 12

                • Image: 79" x 56" (201 cm x 143 cm)
                • Framed: 90" x 67" (229 cm x 171 cm)

                STANDARD: Edition of 12

                • Image: 52" x 37" (132 cm x 94 cm)
                • Framed: 63" x 48" (160 cm x 122 cm)

                We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


                  David_Yarrow_The_Wild_West_II_Hilton_Asmus_Contemporary

                  The Wild West II

                  Montana, USA 2015

                  There are many times in this digital age, that a photographer on checking what he or she has on the LCD screen at the back of the camera body, succumbs to an adrenaline rush. Indeed there should be times like this, otherwise perhaps the photographer is not investing enough passion in their art. The joy of photography surely comes as much with the retrospection as it does with the preparation. The bit between is too short – a picture takes 1000/1 second – that is not enough time for accompanying emotion. When I saw this shot and its sharp focus on the back of my Nikon D4s, I gasped.

                  This staged image was great fun to put together. The gold rush saloon was very much as it was left – next to the brothel and in a fenced off “final frontier” street. We spent the afternoon opening up the bar, lighting candles and waiting for the light to go down so as to bring out those candles. The facade was as good as it could possibly be and then all that was needed was for the captive mountain lion to cooperate. These extraordinarily beautiful animals have enormous energy and when he was released from deep inside the saloon, he leapt magnificently out of the doorway. Luckily this was exactly what I was told to anticipate and I was ready. We nailed it as a team.

                  Before its general release , I showed this image to a number of people and the only negative comment I was given was that it was simply too good to be true. The mountain lion is positioned perfectly for the interior candles and the light snow flakes, as well as floating so majestically in the air. I can understand why some might then think that I computer engineered this image and simply pasted the lion into the doorway. That would ruin my career.

                  As I drove to the Montana airport with my cameras packed away, I knew what I had to do – I had to also release the images in the sequence either side of the shot. There is no way I could make this sequence up. Pixar maybe could , but there is no animation here – it is very real. I have this shot in my home – I think it is very special.

                  Available size options with and without framing are below;

                  • Large: 92 x 71 inches framed
                  • Standard: 52 x 66 inches framed

                  We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


                    David_Yarrow_The_Focused_Wolf_Hilton_Asmus_Contemporary

                    The Focused Wolf

                    Montana, USA 2015

                    Jim Brandenburg’s iconic shot of half a wolf’s head peering out from behind a tree, arguably marked the moment that wildlife photography became art. All those that ply Jim’s trade have much to thank him for – after all that single image – which can never be repeated – elevated the business of taking top tier wildlife imagery to an art form that was collectable.

                    I often ask myself to articulate what was so special about his photograph. I tend to home in on the simplicity of the image as well as its menace and the rule breaking incompleteness. It nails the character of the animal and the behavior that defines it.

                    Wolves may indeed have menace , but they are also unquestionably beautiful. I can’t compete with the Brandenburg shot and nor when I went to Montana, did I want to even try. There is no mileage on borrowing ideas, but I recognised the power of simplicity.

                    There are two aspects of my picture that make it quite special. Firstly, the limited depth of field brings every human eye to the wolves eyes – this was mathematically necessary as the low early morning light required opening up the lens aperture, but it was also the way to play the idea. A nice coincidence.

                    The other aspect to me is that the wolf is such a smart and focused animal and therefore I wanted to be sure that he was portrayed with crystal clear focus too. There is no room for lack of sharpness – that would not do this alpha animal justice.

                    It was very cold , but I guess that is conveyed.

                    AVAILABLE SIZES:

                    Available Sizes (Framed Size)

                    • Large: 71" x 95" (180 cm x 241 cm)
                    • Standard: 52" x 68" (132 cm x 173 cm)

                    Available Editions

                    • Large: Edition of 12
                    • Standard: Edition of 12

                    We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


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