Daylight Robbery (Colour)

Bryson City, North Carolina – 2025
“A year ago, in October, we filmed in this same field in North Carolina with the same train and the end photograph worked well. There are inherent dangers in returning to the same location if the narrative has not evolved, but at least we had a good year to think about it. If we revisit somewhere, my goals tend to be loftier than before, as we never want to regress creatively.
The first alteration we made was to embrace the colors of the fall and this meant waiting for the first overnight frosts to golden the trees and give our backdrop some proper seasonal glory. So we planned our trip to the Smoky Mountains at the end of October, rather than the middle; we all know 10 days can make a huge difference in the colors of the fall.
It was wet, cold and a bit bleak but that is more appropriate weather for the scenes we were shooting than balmy sunshine. Flat light can be a photographer’s great friend in scenes like this, so long as the rain holds off.
The second addition was to bring in a horse and rider to run alongside the steam train. This is not a job for part time cowboys as the steam and the smoke from the train are uncertain variables for a horse. Ty Mitchell is an old hand at this kind of stuff; Martin Scorsese cast him as the bad guy in Killers of the Flower Moon and he is certainly a bad ass dude.
Ty is as good and game as they come, but even he fell off his horse shooting this sequence; the first time I have seen him do that in our six-year friendship. Huge respect to him for just getting up and giving it another go.
The result is a strong picture with enough layers to tell a full story. I had props at my disposal for the concept to have potential, but the execution here was a little harder than most. But all you need is one good cowboy and one good frame, and eventually we got it.”
-David Yarrow
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image Size: 56" x 103" in (142.24 cm × 261.62 cm)
- Framed Image: 71" x 118" in (180.34 cm × 299.72 cm)
STANDARD: Edition of 12 + 3 AP
- Image Size: 37" x 68" in (93.98 cm × 172.72 cm)
- Framed Image: 52" x 83" in (132.08 cm × 210.82 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Bills (Colour)

The Flying D Ranch, Montana – 2021
The concept of this photograph has been on my wish list for many years. A group of male bison charging through heavy snow, directly towards a camera is certainly a rare sight and it always seemed a bridge too far from almost every perspective. The question has always been where and how could this epic scene unfold in front of a camera?
Yellowstone National Park was never going to be the answer. This sort of collective behaviour does not tend to happen in the park and if it did, there would be zero chance of being in the right place at the right time to film it. It is difficult to break new ground in Yellowstone.
In 2020 an American artist, John Banovich, an exceptional talent and good friend, suggested that I approach Ted Turner to see if I could gain access to his stunning 180 square mile ranch – Flying D – saddling Yellowstone and neighbouring Big Sky. This remarkable place is nine times the size of Manhattan and showcases Montana at its most stunning best.
John’s wonderful painting of a group of running bison adorns the wall of the main reception of the exclusive Yellowstone Club and he took his inspiration from spending time at Ted Turner’s ranch. I recognised that this was a link worth pursuing. Flatteringly, a few months after my initial approach, the Turner team agreed to collaborate in the hope that we could raise money for Ted’s conservation initiatives.
Ted Turner is one of America’s biggest landowners and also one of its most acclaimed conservationists and he reintroduced both bison and wolves into Flying D, one of his three Montana ranches. In mid-winter, his team of ranchers will herd some of the 5,000-resident bison into areas where feeding is easier and this controlled activity creates an opportunity to work a situation. Just like cowboys herding their cattle in Texas, the skill sets of the Turner ranchers in deep snow are a privilege to watch.
The difficulty is that bison in this vast ranch are more skittish of humans on foot than their Yellowstone cousins, who see thousands of tourists every day. I therefore needed either to be camouflaged or out of sight as they made haste in my direction. Luckily the Flying D team knew of a group of rocks behind which I would be obscured from the bison’s line of sight.
After many a failure, and some adjustments to the approach, one gorgeous winter morning in February, we achieved what we set out to do. It was a real team effort and I want to thank John Banovich and the whole Turner Corporation team at the Flying D.”
– David Yarrow
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image Size: 37” x 100” in (93.98 cm × 254 cm)
- Framed Image: 52" x 115" in (132.08 cm × 292.1 cm)
STANDARD: Edition of 12 + 3 AP
- Image Size: 25” x 67” in (63.5 cm × 170.18 cm)
- Framed Image: 40” x 82” in (101.6 cm × 208.28 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Rockies

Aspen, Colorado – 2023
“Taken early one January morning, this is a view that all Aspenites know well. I wanted a mid-1970s vintage vibe, and Josie Canseco gave that to me. Ten minutes later, the light was too harsh to work with.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 84" (142 x 213 cm)
- Framed Size: 71" x 99" (180 x 251 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 56" (94 x 142 cm)
- Framed Size: 52" x 71" (132 x 180)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Code Red II

Minturn, Colorado – 2024
“The railroad and mining community of Minturn – which dates to the 1880s – allows for some raw grit to saddle up to the shiny neighbouring resort town of Vail. The contrast between the two places is astonishingly stark, given that they are only three miles apart. Whilst Vail was styled by architects and designers on Alpine Bavaria, Minturn was styled by grizzly prospectors looking only as far as the next day.
Vail was built 80 years after Minturn and when the contractors finished a day’s shift, they would head west to the Minturn Saloon. It was the place to go and 60 years on, despite some remodeling and ownership changes, it remains exactly that. All those who know Vail, know the Minturn Saloon. Rather like the Woody Creek Tavern in Aspen, it has fostered a strong patronage over the years and when the doors open at 3pm, the bar fills at a speed to suggest that this is a special and loved destination. As always it is the people that make the places and this bar attracts a rich variety of clientele.
Part of the saloon’s appeal was that it was directly accessible by skis, by car, by foot and by horse and it therefore became something of a vortex at the end of the day. By the 1970s, the Minturn not only attracted cowboys, builders and miners, but the new bohemian hipster crowd from over the hill.
I am always drawn to the visual contrasts afforded to a filmmaker when a wild frontier destination is fused with glamour. This was the premise for this story. I saw a chance to play with the cold winter light that day and the result works pleasingly well in colour.
Alessandra Ambrosio is one of the leading models in the world and it was a pleasure to work with her. She certainly killed her look and showed why she is at the top of her game. We would also like to thank Austin Akers for the use of the beautiful 1956 Mercedes Benz 300 SL Gullwing.” – David Yarrow
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image Size: 56" x 70” in (142.2 cm x 177.8 cm)
- Framed Image: 71" x 85” in (180.3 cm x 215.9 cm)
STANDARD: Edition of 12 + 3 AP
- Image Size: 37” x 47” in (93.98 cm x 119.4 cm)
- Framed Image: 52” x 62” (132.1 cm x 157.5 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Come Fly With Me

Telluride, Colorado – 2023
“The most jaw dropping airports in the world also tend to host challenging runways, a bittersweet experience for both passengers and pilots. St Barts in the French Caribbean would be one example and then in the San Juan mountains of America, Telluride Airport proudly sits 9000 feet up in the sky. It must be one of the more outrageous places in which to build a commercial airport.
My idea was to build a story around this airport and the setting demanded some strong props, especially – of course – a plane.
We found access to a real beauty. Originally built for the US Army Air Corps as a C-47-DL and served in the US military during World War II in North Africa and in the eighth Air Force. It then went on to participate in the D-Day invasion. In 1946 her job was done and she was converted to what she is today – a Douglas, DC-3Ce.
The problem was always going to be getting the plane into Telluride and we needed a break in the winter weather. That break came 40 hours before the shoot schedule and we grabbed it. To be candid, I didn’t care about the difficulties of it leaving afterwards; that was someone else’s problem. We just had to make full use of its visual splendour during its short mini break at 9000ft.
I would not be the first to use the metallic splendour of aviation as a prop and then throw in the top models of the era. It’s a combination that worked so well for Norman Parkinson in Nairobi in 1951. The difficulty was making sure I glorified all three parts of the image: the girls, the plan and the unmistakable backdrop of Telluride. It was a challenging concept to execute, especially with temperatures at 20 degrees below zero.
My full respect to the girls: Josie Canseco, Daniela Braga, Brooks Nader and Erica Lawrence and, of course, my pilot Brandon Jewett.“
-David Yarrow
Available Sizes
Large - Edition of 12 + 3 AP
- Image Size: 33” x 103" in (84 cm x 262 cm)
- Framed Image: 48” x 118” in (122 cm x 300 cm)
Standard - Edition of 12 + 3 AP
- Image Size: 25” x 77” in (64 cm x 196 cm)
- Framed Image: 40” x 92” in (102 cm x 234 cm)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Wellington (Colour)

Wellington, Florida – 2025
“If polo is the sport of Kings, then Wellington in Florida is its Winter Palace. In these green pastures incongruously close to the Atlantic beaches, a few modest horse rings have evolved into the world’s largest and longest competitive equestrian festival. Lauded riders convene to compete at many disciplines and a vast temporary community congregates each January to celebrate their love of horses and, to a large extent, each other.
It is a social carnival but it would be wrong to dismiss Wellington as simply being an ancillary part of the Palm Beach society circuit; serious money is involved at every level of this food chain. This is where show jumpers earn their crust and where polo players make their reputations. If Detroit is the home of the American car industry, then Wellington is the home of its horse industry. And it is very much an industry. There is more work going on in Wellington than in Palm Beach but it is horse work.
In our travels, we have been fortunate to meet both the Hildenbrand family and the Ganzi family who are key cogs within the world of competitive polo. They were both very supportive of my plans to do an equestrian series in Wellington and offered the use of their stunning properties and polo fields.
I saw this is as a chance to directly use the community as extras – as I wanted to convey not only a sense of place, but also a sense of that exact community. Polo is not an obscure sport here; it is an integral part of the fabric of the place and attracts decent crowds to the big events.
It is a tribal sport to the extent that there is a way to dress and a way to behave and my instincts were that I needed to capture a sense of uniformity. Polo crowds are not like golf crowds or football crowds – they very much have their own identity.
I want to thank the Ganzi family and Michelle Marshall for their help that glorious spring evening in Wellington. Without their partnership, my camera would never have captured this moment in time.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 97" (142 x 246 cm)
- Framed Size: 71" x 112" (180 x 284 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 64" (94 x 163 cm)
- Framed Size: 52" x 79" (132 x 201)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Wellington

Wellington, Florida – 2025
“If polo is the sport of Kings, then Wellington in Florida is its Winter Palace. In these green pastures incongruously close to the Atlantic beaches, a few modest horse rings have evolved into the world’s largest and longest competitive equestrian festival. Lauded riders convene to compete at many disciplines and a vast temporary community congregates each January to celebrate their love of horses and, to a large extent, each other.
It is a social carnival but it would be wrong to dismiss Wellington as simply being an ancillary part of the Palm Beach society circuit; serious money is involved at every level of this food chain. This is where show jumpers earn their crust and where polo players make their reputations. If Detroit is the home of the American car industry, then Wellington is the home of its horse industry. And it is very much an industry. There is more work going on in Wellington than in Palm Beach but it is horse work.
In our travels, we have been fortunate to meet both the Hildenbrand family and the Ganzi family who are key cogs within the world of competitive polo. They were both very supportive of my plans to do an equestrian series in Wellington and offered the use of their stunning properties and polo fields.
I saw this is as a chance to directly use the community as extras – as I wanted to convey not only a sense of place, but also a sense of that exact community. Polo is not an obscure sport here; it is an integral part of the fabric of the place and attracts decent crowds to the big events.
It is a tribal sport to the extent that there is a way to dress and a way to behave and my instincts were that I needed to capture a sense of uniformity. Polo crowds are not like golf crowds or football crowds – they very much have their own identity.
I want to thank the Ganzi family and Michelle Marshall for their help that glorious spring evening in Wellington. Without their partnership, my camera would never have captured this moment in time.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 97" (142 x 246 cm)
- Framed Size: 71" x 112" (180 x 284 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 64" (94 x 163 cm)
- Framed Size: 52" x 79" (132 x 201)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Thomas Crown Affair

Wellington, Florida – 2025
“Polo brings with it money, glamour and a whiff of naughtiness. There is something rather visceral and sexy about it all, a bit like being an art thief. Girls are drawn to Polo in a way they are not drawn to other big field sports such as cricket or baseball.
Meanwhile, luxury brands like Rolex and LVMH may show mild interest in the duels on the field but are more excited by the audiences in front of whom the game is played. The talent on the horses is matched by the talent off the horses; not something that is true perhaps of any other professional sports. It is a complete scene and offers an insight into the rarefied lives of a few. Ralph Lauren understood that it was a microcosm of what some may assume to be a better life. The whole affair, like Thomas Crown’s, is deeply aspirational.
This photograph works largely because of the flat light in Wellington, Florida that spring morning. It gives granularity not just to the 1950s Austin-Healey car and the girls, but the whole set. Sunlight always reduces depth and this story needed depth. There is an unmistakable sense of polo in Florida.
There are many people to thank for making this picture happen and I am reminded, yet again, that the easiest part of the job is pressing the shutter. I had an idea, but we then needed to execute it and that required the support of many busy people.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 103" (142 x 262 cm)
- Framed Size: 71" x 118" (180 x 300 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 68" (94 x 173 cm)
- Framed Size: 52" x 83" (132 x 211)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Winner Takes it All

Wellington, Florida – 2025
“In the winter months, Wellington, Florida becomes the showjumping capital of the world. It attracts the very best in the industry, from Olympic Gold medallists down to the most promising rookies on the circuit, and prize money at the flagship Rolex sponsored season finale now exceeds $750,000. It sometimes seems there are more horses than people in Wellington in March.
The other venues of the Grand Prix circuit in France, Sweden, Italy, Belgium and Ireland attract the same cavalcade of riders, horses and sponsors but they don’t have Palm Beach as their immediate neighbour. Undoubtedly, the proximity of one of the world’s most rarified and idyllic communities has given Wellington an edge on the glamour and prestige front. The palm trees that encircle many of the venues also add an extra visual spark to the whole affair.
We were lucky enough to be introduced to Emily Smith whose family are at the heart of Wellington’s showjumping community both socially and professionally. Emily not only fully embraced our plans to include these festivities in our Palm Beach series but also lent us her facilities and her son Spencer who is a successful and well-known show jumper.
In the UK, I grew up reading Jilly Cooper’s raunchy novels about love, lust and rivalry in the horse world. She told stories that suggested the competition was just as fierce in the bedroom as it was in the horse ring. It was a licentious world where the leading show jumpers had many female admirers and sometimes found temptation too much.
This vignette of Wellington plays to her narrative. But I know Spencer Smith – who is jumping the 7-foot fence in the photograph – to be a man of strong moral fibre and he would never allow his focus to be derailed in the same way as Jilly Cooper’s protagonists.”
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 91" (142 x 234 cm)
- Framed Size: 71" x 107" (180 x 272 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 61" (94 x 155 cm)
- Framed Size: 52" x 76" (132 x 193)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.










