A graduate of Parsons School of Design in NYC, David Drebin is a multidisciplinary artist working in various art forms producing limited edition works including Photographs, Lightboxes, Neon Light Installations, Diamond Dust works and more.

Following his first solo exhibition at Camera Work in Berlin in 2005 and the release of his first comprehensive illustrated book “Love and Other Stories” in 2007, Drebin experienced a stream of representation by some of the most prestigious galleries around the globe.

Drebin’s artworks also known as “Drebins” are unique and instantly recognizable as his own. His artistic style is often described as epic, dramatic and, above all, cinematic. Drebin has released eight books with teNeues publishing including “The Morning After”, “Beautiful Disasters”, “Chasing Paradise”, “Dreamscapes”, “Love and Lights”, “Before They Were Famous”, “Collectors Edition” an oversized limited edition monograph and the most recently released “Flirting With Danger”. Drebin’s books are distributed through the finest bookstores around the world.

His work combines voyeuristic and psychological viewpoints in a unique manner, offering the viewer a dramatic insight into emotions and experiences which many of us have doubtlessly felt at some point in our lives.

“In Olympos, the mountains of southern Anatolia are reimagined as vast fields of abstraction — where the physical dissolves into the spiritual, and the ancient breath of the landscape becomes visible through color. Stripped of literal detail, these forms exist between photography and painting, solidity and mist. The horizon lines, sometimes interrupted by muted ochre, rust, or maroon, suggest the pulse of a hidden sun — a quiet remembrance of light’s endless return.

The work is less a depiction of place than a meditation on permanence and change. Through simplified planes of midnight blue, misty ultramarine, olive green, and soft slate, the mountains become a living geometry — the rhythm of earth folding into sky. The atmosphere, dense with stillness, speaks of time measured not in minutes but in millennia.

In reducing the world to its elemental contours, I seek the silence beneath its surfaces — a stillness that resists narrative and invites contemplation. Olympos continues my search for equilibrium between realism and abstraction, emotion and restraint. It is nature as memory: serene, enduring, and infinite in its quiet.”

-Bahar Kural