Daylight Robbery (Colour) | David Yarrow

Daylight Robbery (Colour)

Bryson City, North Carolina – 2025

“A year ago, in October, we filmed in this same field in North Carolina with the same train and the end photograph worked well. There are inherent dangers in returning to the same location if the narrative has not evolved, but at least we had a good year to think about it. If we revisit somewhere, my goals tend to be loftier than before, as we never want to regress creatively.

The first alteration we made was to embrace the colors of the fall and this meant waiting for the first overnight frosts to golden the trees and give our backdrop some proper seasonal glory. So we planned our trip to the Smoky Mountains at the end of October, rather than the middle; we all know 10 days can make a huge difference in the colors of the fall.

It was wet, cold and a bit bleak but that is more appropriate weather for the scenes we were shooting than balmy sunshine. Flat light can be a photographer’s great friend in scenes like this, so long as the rain holds off.

The second addition was to bring in a horse and rider to run alongside the steam train. This is not a job for part time cowboys as the steam and the smoke from the train are uncertain variables for a horse. Ty Mitchell is an old hand at this kind of stuff; Martin Scorsese cast him as the bad guy in Killers of the Flower Moon and he is certainly a bad ass dude.

Ty is as good and game as they come, but even he fell off his horse shooting this sequence; the first time I have seen him do that in our six-year friendship. Huge respect to him for just getting up and giving it another go.

The result is a strong picture with enough layers to tell a full story. I had props at my disposal for the concept to have potential, but the execution here was a little harder than most. But all you need is one good cowboy and one good frame, and eventually we got it.”

-David Yarrow

AVAILABLE SIZES:

LARGE: Edition of 12 + 3 AP
  • Image Size: 56" x 103" in (142.24 cm × 261.62 cm)
  • Framed Image: 71" x 118" in (180.34 cm × 299.72 cm)
STANDARD: Edition of 12 + 3 AP
  • Image Size: 37" x 68" in (93.98 cm × 172.72 cm)
  • Framed Image: 52" x 83" in (132.08 cm × 210.82 cm)

We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


    The Road to Amalfi (Colour) | DAVID YARROW

    The Road to Amalfi (Colour)

    Atrani, Italy – 2024

    “A corollary of life on the road, is to build up a mental collection of favourite journeys. Most roads only offer a perfunctory way of getting from A to B, but then there are the gems where the journey itself becomes the main event. My home country, Scotland, has the A82 through Glencoe; America has the stretch through Monument Valley, Highway One and many more; Iceland has its entire ring road and then there is the Amalfi coastal road in southern Italy.

    It is almost incumbent on any movie director filming in the area, to emphatically locate the destination by celebrating the road. That is instructive as it suggests that to ignore the means of travel is to forget a prop.

    The road is terrifying and breathtaking as one: hugging the cliffs on one side and offering vistas of the Tyrrhenian Sea on the other. John Steinbeck wrote of the terror of winding through the Amalfi Coast on a road that “corkscrewed on the edge of nothing”, clutched in his wife’s arms who was “weeping hysterically”. Every hairpin bend is a prelude to a new visual feast, and none more so than the bend heading west before Atrani. I knew, at some stage, this bend would find itself in front of my camera.

    My leaning was to style a 1970s period shoot with a model capable of capturing the effortless grace and sexuality of Italian models of the time. She had to own the scene without impairing the visual feast behind her. American Supermodel, Brooks Nader, works with us regularly and knew exactly what I wanted from her. It all had to come together in the few moments when the police kindly closed the road; this was not a set for deliberating.”

    -David Yarrow

    AVAILABLE SIZES:

    LARGE: Edition of 12, 3 AP, 1 EP
    • Image Size: 56" x 76" in (132.08 cm × 236.22 cm)
    • Framed Image: 71" x 91" in (180.34 cm × 231.14 cm)
    STANDARD: Edition of 12, 3 AP, 1 EP
    • Image Size: 37" x 50" in (93.98 cm × 127 cm)
    • Framed Image: 52" x 65" in (132.08 cm × 165.1 cm)

    We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


      Bad Asses II | David Yarrow

      Bad Asses II (Colour)

      Kanaan Desert, Namibia – 2024

      “This photograph has been in my head for many years. We have taken our fair share of bad ass pictures of girls in cars in America, but I always wanted to extend my reach to Africa and introduce a Mad Max type narrative. Rather than working in the mountains with snow, as we often do, it was time to work in the desert with sand.

      I knew my girl for the shot – Cara Delevingne – and I knew that the hugely respected Naankuse Sanctuary in Namibia often work their cheetahs with film crews, and then I also knew the Kanaan desert well. But I needed a central prop to hold the whole idea together. I needed something of substance.

      I had long deliberated over building a bar marooned in the middle of the desert. Not just a two-dimensional facade of a bar, but an actual functioning bar, with lights, cooling machines and entertainment.

      I confess that there was quite a bit of talking to myself about the risk reward ratio and I became all to mindful of Walt Disney’s famous advice of “stop talking and start doing”. I like to have creative courage and be bold.

      So, I threw my fears away and we built our bar in the desert. It is so damn good that we are going to keep it there for tourists to visit and perhaps have a cold Namibian lager. It was not a small building job and six lorries full of wood and corrugated iron made the eight-hour trip south from Windhoek. I have never worked with a more willing bunch of people in my life than the Namibian production team and they had earned the right to be very proud of The Desert Inn.

      In a tableau photograph like this, I want to be greedy and broaden the story: the barman and the bushman on the far right are the little details that help. Cara looks sensational and, of course, that split second pose from the cheetah makes the photograph what it is.

      It is a bad ass shot for sure and it is also a bad ass bar.”

      -David Yarrow

      AVAILABLE SIZES:

      LARGE: Edition of 20, 3 AP, 1 EP
      • Image Size: 49" x 103" in (124.46 cm × 261.62 cm)
      • Framed Image: 64" x 118" in (162.56 cm × 299.72 cm)
      STANDARD: Edition of 20, 3 AP, 1 EP
      • Image Size: 37" x 78” in (93.98 cm × 198.12 cm)
      • Framed Image: 52" x 93" in (132.08 cm × 236.22 cm)

      We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


        The Bills (Colour) | David Yarrow

        The Bills (Colour)

        The Flying D Ranch, Montana – 2021

        The concept of this photograph has been on my wish list for many years. A group of male bison charging through heavy snow, directly towards a camera is certainly a rare sight and it always seemed a bridge too far from almost every perspective. The question has always been where and how could this epic scene unfold in front of a camera?

        Yellowstone National Park was never going to be the answer. This sort of collective behaviour does not tend to happen in the park and if it did, there would be zero chance of being in the right place at the right time to film it. It is difficult to break new ground in Yellowstone.

        In 2020 an American artist, John Banovich, an exceptional talent and good friend, suggested that I approach Ted Turner to see if I could gain access to his stunning 180 square mile ranch – Flying D – saddling Yellowstone and neighbouring Big Sky. This remarkable place is nine times the size of Manhattan and showcases Montana at its most stunning best.

        John’s wonderful painting of a group of running bison adorns the wall of the main reception of the exclusive Yellowstone Club and he took his inspiration from spending time at Ted Turner’s ranch. I recognised that this was a link worth pursuing. Flatteringly, a few months after my initial approach, the Turner team agreed to collaborate in the hope that we could raise money for Ted’s conservation initiatives.

        Ted Turner is one of America’s biggest landowners and also one of its most acclaimed conservationists and he reintroduced both bison and wolves into Flying D, one of his three Montana ranches. In mid-winter, his team of ranchers will herd some of the 5,000-resident bison into areas where feeding is easier and this controlled activity creates an opportunity to work a situation. Just like cowboys herding their cattle in Texas, the skill sets of the Turner ranchers in deep snow are a privilege to watch.

        The difficulty is that bison in this vast ranch are more skittish of humans on foot than their Yellowstone cousins, who see thousands of tourists every day. I therefore needed either to be camouflaged or out of sight as they made haste in my direction. Luckily the Flying D team knew of a group of rocks behind which I would be obscured from the bison’s line of sight.

        After many a failure, and some adjustments to the approach, one gorgeous winter morning in February, we achieved what we set out to do. It was a real team effort and I want to thank John Banovich and the whole Turner Corporation team at the Flying D.”

        – David Yarrow

        AVAILABLE SIZES:

        LARGE: Edition of 12 + 3 AP
        • Image Size: 37” x 100” in (93.98 cm × 254 cm)
        • Framed Image: 52" x 115" in (132.08 cm × 292.1 cm)
        STANDARD: Edition of 12 + 3 AP
        • Image Size: 25” x 67” in (63.5 cm × 170.18 cm)
        • Framed Image: 40” x 82” in (101.6 cm × 208.28 cm)

        We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


          The Rockies by David Yarrow – Josie Canseco Carrying Skis - Fine Art Photograph – Available at Hilton Contemporary Gallery Chicago

          The Rockies

          Aspen, Colorado – 2023

          “Taken early one January morning, this is a view that all Aspenites know well. I wanted a mid-1970s vintage vibe, and Josie Canseco gave that to me. Ten minutes later, the light was too harsh to work with.

          -David Yarrow

          Available Sizes:

          Large - Edition of 12 + 3 AP

          • Unframed Size: 56" x 84" (142 x 213 cm)
          • Framed Size: 71" x 99" (180 x 251 cm)

          Standard - Edition of 12 + 3 AP

          • Unframed Size: 37" x 56" (94 x 142 cm)
          • Framed Size: 52" x 71" (132 x 180)

          We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


            Code Red II by David Yarrow - Fine Art Limited Edition Print for Sale - Available at Hilton Contemporary Gallery

            Code Red II

            Minturn, Colorado – 2024

            “The railroad and mining community of Minturn – which dates to the 1880s – allows for some raw grit to saddle up to the shiny neighbouring resort town of Vail. The contrast between the two places is astonishingly stark, given that they are only three miles apart. Whilst Vail was styled by architects and designers on Alpine Bavaria, Minturn was styled by grizzly prospectors looking only as far as the next day.

            Vail was built 80 years after Minturn and when the contractors finished a day’s shift, they would head west to the Minturn Saloon. It was the place to go and 60 years on, despite some remodeling and ownership changes, it remains exactly that. All those who know Vail, know the Minturn Saloon. Rather like the Woody Creek Tavern in Aspen, it has fostered a strong patronage over the years and when the doors open at 3pm, the bar fills at a speed to suggest that this is a special and loved destination. As always it is the people that make the places and this bar attracts a rich variety of clientele.

            Part of the saloon’s appeal was that it was directly accessible by skis, by car, by foot and by horse and it therefore became something of a vortex at the end of the day. By the 1970s, the Minturn not only attracted cowboys, builders and miners, but the new bohemian hipster crowd from over the hill.

            I am always drawn to the visual contrasts afforded to a filmmaker when a wild frontier destination is fused with glamour. This was the premise for this story. I saw a chance to play with the cold winter light that day and the result works pleasingly well in colour.

            Alessandra Ambrosio is one of the leading models in the world and it was a pleasure to work with her. She certainly killed her look and showed why she is at the top of her game. We would also like to thank Austin Akers for the use of the beautiful 1956 Mercedes Benz 300 SL Gullwing.” – David Yarrow

            AVAILABLE SIZES:

            LARGE: Edition of 12 + 3 AP
            • Image Size: 56" x 70” in (142.2 cm x 177.8 cm)
            • Framed Image: 71" x 85” in (180.3 cm x 215.9 cm)
            STANDARD: Edition of 12 + 3 AP
            • Image Size: 37” x 47” in (93.98 cm x 119.4 cm)
            • Framed Image: 52” x 62” (132.1 cm x 157.5 cm)

            We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


              Come Fly With Me

              Telluride, Colorado – 2023

              “The most jaw dropping airports in the world also tend to host challenging runways, a bittersweet experience for both passengers and pilots. St Barts in the French Caribbean would be one example and then in the San Juan mountains of America, Telluride Airport proudly sits 9000 feet up in the sky. It must be one of the more outrageous places in which to build a commercial airport.

              My idea was to build a story around this airport and the setting demanded some strong props, especially – of course – a plane.

              We found access to a real beauty. Originally built for the US Army Air Corps as a C-47-DL and served in the US military during World War II in North Africa and in the eighth Air Force. It then went on to participate in the D-Day invasion. In 1946 her job was done and she was converted to what she is today – a Douglas, DC-3Ce.

              The problem was always going to be getting the plane into Telluride and we needed a break in the winter weather. That break came 40 hours before the shoot schedule and we grabbed it. To be candid, I didn’t care about the difficulties of it leaving afterwards; that was someone else’s problem. We just had to make full use of its visual splendour during its short mini break at 9000ft.

              I would not be the first to use the metallic splendour of aviation as a prop and then throw in the top models of the era. It’s a combination that worked so well for Norman Parkinson in Nairobi in 1951. The difficulty was making sure I glorified all three parts of the image: the girls, the plan and the unmistakable backdrop of Telluride. It was a challenging concept to execute, especially with temperatures at 20 degrees below zero.

              My full respect to the girls: Josie Canseco, Daniela Braga, Brooks Nader and Erica Lawrence and, of course, my pilot Brandon Jewett.

              -David Yarrow

              Available Sizes

              Large - Edition of 12 + 3 AP
              • Image Size: 33” x 103" in (84 cm x 262 cm)
              • Framed Image: 48” x 118” in (122 cm x 300 cm)
              Standard - Edition of 12 + 3 AP
              • Image Size: 25” x 77” in (64 cm x 196 cm)
              • Framed Image: 40” x 92” in (102 cm x 234 cm)

              We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


                Wellington by David Yarrow – Equestrian Fine Art Color Photograph – Available at Hilton Contemporary Gallery Chicago

                Wellington (Colour)

                Wellington, Florida – 2025

                “If polo is the sport of Kings, then Wellington in Florida is its Winter Palace. In these green pastures incongruously close to the Atlantic beaches, a few modest horse rings have evolved into the world’s largest and longest competitive equestrian festival. Lauded riders convene to compete at many disciplines and a vast temporary community congregates each January to celebrate their love of horses and, to a large extent, each other.

                It is a social carnival but it would be wrong to dismiss Wellington as simply being an ancillary part of the Palm Beach society circuit; serious money is involved at every level of this food chain. This is where show jumpers earn their crust and where polo players make their reputations. If Detroit is the home of the American car industry, then Wellington is the home of its horse industry. And it is very much an industry. There is more work going on in Wellington than in Palm Beach but it is horse work.

                In our travels, we have been fortunate to meet both the Hildenbrand family and the Ganzi family who are key cogs within the world of competitive polo. They were both very supportive of my plans to do an equestrian series in Wellington and offered the use of their stunning properties and polo fields.

                I saw this is as a chance to directly use the community as extras – as I wanted to convey not only a sense of place, but also a sense of that exact community. Polo is not an obscure sport here; it is an integral part of the fabric of the place and attracts decent crowds to the big events.

                It is a tribal sport to the extent that there is a way to dress and a way to behave and my instincts were that I needed to capture a sense of uniformity. Polo crowds are not like golf crowds or football crowds – they very much have their own identity.

                I want to thank the Ganzi family and Michelle Marshall for their help that glorious spring evening in Wellington. Without their partnership, my camera would never have captured this moment in time.

                -David Yarrow

                Available Sizes:

                Large - Edition of 12 + 3 AP

                • Unframed Size: 56" x 97" (142 x 246 cm)
                • Framed Size: 71" x 112" (180 x 284 cm)

                Standard - Edition of 12 + 3 AP

                • Unframed Size: 37" x 64" (94 x 163 cm)
                • Framed Size: 52" x 79" (132 x 201)

                We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


                  Wellington by David Yarrow – Equestrian Fine Art Photograph – Available at Hilton Contemporary Gallery Chicago

                  Wellington

                  Wellington, Florida – 2025

                  “If polo is the sport of Kings, then Wellington in Florida is its Winter Palace. In these green pastures incongruously close to the Atlantic beaches, a few modest horse rings have evolved into the world’s largest and longest competitive equestrian festival. Lauded riders convene to compete at many disciplines and a vast temporary community congregates each January to celebrate their love of horses and, to a large extent, each other.

                  It is a social carnival but it would be wrong to dismiss Wellington as simply being an ancillary part of the Palm Beach society circuit; serious money is involved at every level of this food chain. This is where show jumpers earn their crust and where polo players make their reputations. If Detroit is the home of the American car industry, then Wellington is the home of its horse industry. And it is very much an industry. There is more work going on in Wellington than in Palm Beach but it is horse work.

                  In our travels, we have been fortunate to meet both the Hildenbrand family and the Ganzi family who are key cogs within the world of competitive polo. They were both very supportive of my plans to do an equestrian series in Wellington and offered the use of their stunning properties and polo fields.

                  I saw this is as a chance to directly use the community as extras – as I wanted to convey not only a sense of place, but also a sense of that exact community. Polo is not an obscure sport here; it is an integral part of the fabric of the place and attracts decent crowds to the big events.

                  It is a tribal sport to the extent that there is a way to dress and a way to behave and my instincts were that I needed to capture a sense of uniformity. Polo crowds are not like golf crowds or football crowds – they very much have their own identity.

                  I want to thank the Ganzi family and Michelle Marshall for their help that glorious spring evening in Wellington. Without their partnership, my camera would never have captured this moment in time.

                  -David Yarrow

                  Available Sizes:

                  Large - Edition of 12 + 3 AP

                  • Unframed Size: 56" x 97" (142 x 246 cm)
                  • Framed Size: 71" x 112" (180 x 284 cm)

                  Standard - Edition of 12 + 3 AP

                  • Unframed Size: 37" x 64" (94 x 163 cm)
                  • Framed Size: 52" x 79" (132 x 201)

                  We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


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