The Silverback
Africa – 2017
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 77" (142 x 196 cm)
- Framed Size: 71" x 92" (180 x 234 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 51" (94 x 130 cm)
- Framed Size: 52" x 66" (132 x 168)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Thomas Crown Affair
Wellington, Florida – 2025
“Polo brings with it money, glamour and a whiff of naughtiness. There is something rather visceral and sexy about it all, a bit like being an art thief. Girls are drawn to Polo in a way they are not drawn to other big field sports such as cricket or baseball.
Meanwhile, luxury brands like Rolex and LVMH may show mild interest in the duels on the field but are more excited by the audiences in front of whom the game is played. The talent on the horses is matched by the talent off the horses; not something that is true perhaps of any other professional sports. It is a complete scene and offers an insight into the rarefied lives of a few. Ralph Lauren understood that it was a microcosm of what some may assume to be a better life. The whole affair, like Thomas Crown’s, is deeply aspirational.
This photograph works largely because of the flat light in Wellington, Florida that spring morning. It gives granularity not just to the 1950s Austin-Healey car and the girls, but the whole set. Sunlight always reduces depth and this story needed depth. There is an unmistakable sense of polo in Florida.
There are many people to thank for making this picture happen and I am reminded, yet again, that the easiest part of the job is pressing the shutter. I had an idea, but we then needed to execute it and that required the support of many busy people.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 103" (142 x 262 cm)
- Framed Size: 71" x 118" (180 x 300 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 68" (94 x 173 cm)
- Framed Size: 52" x 83" (132 x 211)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Winner Takes it All
Wellington, Florida – 2025
“In the winter months, Wellington, Florida becomes the showjumping capital of the world. It attracts the very best in the industry, from Olympic Gold medallists down to the most promising rookies on the circuit, and prize money at the flagship Rolex sponsored season finale now exceeds $750,000. It sometimes seems there are more horses than people in Wellington in March.
The other venues of the Grand Prix circuit in France, Sweden, Italy, Belgium and Ireland attract the same cavalcade of riders, horses and sponsors but they don’t have Palm Beach as their immediate neighbour. Undoubtedly, the proximity of one of the world’s most rarified and idyllic communities has given Wellington an edge on the glamour and prestige front. The palm trees that encircle many of the venues also add an extra visual spark to the whole affair.
We were lucky enough to be introduced to Emily Smith whose family are at the heart of Wellington’s showjumping community both socially and professionally. Emily not only fully embraced our plans to include these festivities in our Palm Beach series but also lent us her facilities and her son Spencer who is a successful and well-known show jumper.
In the UK, I grew up reading Jilly Cooper’s raunchy novels about love, lust and rivalry in the horse world. She told stories that suggested the competition was just as fierce in the bedroom as it was in the horse ring. It was a licentious world where the leading show jumpers had many female admirers and sometimes found temptation too much.
This vignette of Wellington plays to her narrative. But I know Spencer Smith – who is jumping the 7-foot fence in the photograph – to be a man of strong moral fibre and he would never allow his focus to be derailed in the same way as Jilly Cooper’s protagonists.”
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 91" (142 x 234 cm)
- Framed Size: 71" x 107" (180 x 272 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 61" (94 x 155 cm)
- Framed Size: 52" x 76" (132 x 193)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Winner Takes it All (Colour)
Wellington, Florida – 2025
“In the winter months, Wellington, Florida becomes the showjumping capital of the world. It attracts the very best in the industry, from Olympic Gold medallists down to the most promising rookies on the circuit, and prize money at the flagship Rolex sponsored season finale now exceeds $750,000. It sometimes seems there are more horses than people in Wellington in March.
The other venues of the Grand Prix circuit in France, Sweden, Italy, Belgium and Ireland attract the same cavalcade of riders, horses and sponsors but they don’t have Palm Beach as their immediate neighbour. Undoubtedly, the proximity of one of the world’s most rarified and idyllic communities has given Wellington an edge on the glamour and prestige front. The palm trees that encircle many of the venues also add an extra visual spark to the whole affair.
We were lucky enough to be introduced to Emily Smith whose family are at the heart of Wellington’s showjumping community both socially and professionally. Emily not only fully embraced our plans to include these festivities in our Palm Beach series but also lent us her facilities and her son Spencer who is a successful and well-known show jumper.
In the UK, I grew up reading Jilly Cooper’s raunchy novels about love, lust and rivalry in the horse world. She told stories that suggested the competition was just as fierce in the bedroom as it was in the horse ring. It was a licentious world where the leading show jumpers had many female admirers and sometimes found temptation too much.
This vignette of Wellington plays to her narrative. But I know Spencer Smith – who is jumping the 7-foot fence in the photograph – to be a man of strong moral fibre and he would never allow his focus to be derailed in the same way as Jilly Cooper’s protagonists.”
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 91" (142 x 234 cm)
- Framed Size: 71" x 107" (180 x 272 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 61" (94 x 155 cm)
- Framed Size: 52" x 76" (132 x 193)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Wolves of Wall Street II (Colour)
Los Angeles, California – 2019
“The concept of this photograph has been bouncing around in my head for over a year. We prepared for many months as it was clear to me that if we were to pay homage to The Wolf of Wall Street, we had to do it well. There was no point in doing it in a casual way – after all, Martin Scorsese is one of my heroes and his framing is so exceptional that we had to be at the top of our game not to materially underachieve in any recreation. It was the biggest production of my career.
The location of the abandoned office in Simi Valley outside Los Angeles was ideal for most of the cast – including Jordan Belfort – the real Wolf of Wall Street, but not so ideal for the wolves, as there was no working air conditioning inside. This meant importing huge AC units to keep the animals cool. The green room on the side of the dealing floor was transformed into a giant fridge for the day.
The final image is one of the most satisfying of my career. I wanted as many references to the film as possible – Cameron Dallas eating the goldfish, Jordan with his pen, the marching band, the dollar notes and the glitter. Both models – Kate Bock and Daniela Braga – smashed it in their roles, not easy with so much going on and a wolf charging down the table. Both Kate and Dany are at the top of their game and pivotal to this photograph.
Someone once said that the best pictures can be looked at for a very long time. On that level, this image wins. However, the key for me was to find out what the world’s most celebrated actor thought of this one snap shot in time. Without his approval, this photograph would lose some of its relevance. I was proud when he told me that it captured the very essence of Belfort.
We did it and I feel that we left nothing in the bucket in the conception and the execution. It is as good as I can do.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 103" (142 x 262 cm)
- Framed Size: 71" x 118" (180 x 300 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 68" (94 x 173 cm)
- Framed Size: 52" x 83" (132 x 211)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Wolves of Wall Street II
Los Angeles, California – 2019
“The concept of this photograph has been bouncing around in my head for over a year. We prepared for many months as it was clear to me that if we were to pay homage to The Wolf of Wall Street, we had to do it well. There was no point in doing it in a casual way – after all, Martin Scorsese is one of my heroes and his framing is so exceptional that we had to be at the top of our game not to materially underachieve in any recreation. It was the biggest production of my career.
The location of the abandoned office in Simi Valley outside Los Angeles was ideal for most of the cast – including Jordan Belfort – the real Wolf of Wall Street, but not so ideal for the wolves, as there was no working air conditioning inside. This meant importing huge AC units to keep the animals cool. The green room on the side of the dealing floor was transformed into a giant fridge for the day.
The final image is one of the most satisfying of my career. I wanted as many references to the film as possible – Cameron Dallas eating the goldfish, Jordan with his pen, the marching band, the dollar notes and the glitter. Both models – Kate Bock and Daniela Braga – smashed it in their roles, not easy with so much going on and a wolf charging down the table. Both Kate and Dany are at the top of their game and pivotal to this photograph.
Someone once said that the best pictures can be looked at for a very long time. On that level, this image wins. However, the key for me was to find out what the world’s most celebrated actor thought of this one snap shot in time. Without his approval, this photograph would lose some of its relevance. I was proud when he told me that it captured the very essence of Belfort.
We did it and I feel that we left nothing in the bucket in the conception and the execution. It is as good as I can do.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 103" (142 x 262 cm)
- Framed Size: 71" x 118" (180 x 300 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 68" (94 x 173 cm)
- Framed Size: 52" x 83" (132 x 211)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Top Gun
Los Angeles, Callifornia – 2023
“The original Top Gun movie from 1986 is now part of cinema folklore. Directed by Tony Scott, it cost just $15 million to make and has now grossed over $350m. As a result of the movie, the US Navy’s elite fighter pilots were lauded more than sports stars and no fancy dress party was complete without a Maverick or Goose in their naval uniform. Top Gun became a metaphor as much as a movie.
The most played clip from the movie is the sequence when Tom Cruise poorly serenades Kelly McGillis to The Righteous Brothers 1965 hit “You’ve lost that lovin’ feeling”. The bar was a sea of white testosterone. It was the soundtrack of Top Gun at the time that won over the critics and earned the movie its Oscar.
My idea at The Wolves bar in downtown Los Angeles was to play on that scene and have a room full of fighter pilots all in their crisp naval whites. The name of the bar legitimised bringing our wolf into the bar and offering another layer to the story. I also sensed that if Maverick, Goose and Iceman had spirit animals, they would surely be wolves, as they are athletic, good-looking and brimming with self-confidence.
Focus is everything when telling a single image story, as it can deliberately include or deliberately exclude. I knew in the low light of The Wolves bar, I would have the pilots out of focus, but there is enough detail to make out Kelly McGillis centre stage on the right. Josie Canseco was 100% styled on the prompt from the movie – right down to the shoulder clinging cardigan.
The Wolves is a hidden gem of a bar and the ornamental ceiling and lamp adds character to the shot. I like the tight compositional balance of it all.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 101" (142 x 257 cm)
- Framed Size: 71" x 116" (180 x 295 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 67" (94 x 170 cm)
- Framed Size: 52" x 82" (132 x 208)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Vikings
Gudvangen, Norway – 2023
“The village of Gudvangen, in western Norway, offers the filmmaker every opportunity to tell Viking stories. It is trapped at the end of an almighty fjord whose steep mountains bully the small hamlet below. My creative leaning was to make a photograph with enough layers for a full narrative and the narrowness of the fjord was a helpful start.
The lead character needed to have a formidable look and jump from the pages of a Viking saga, otherwise the intended menacing vibe of the shot would be lost. My sense was that 10th century seafaring warriors would have cut uncompromising figures, much in the same way that the defensive line of the Minnesota Vikings do not look like the most inviting of ensembles.
In storytelling, there seems little merit in downplaying the central characteristics of the protagonists. If anything, they should be exaggerated. We are told that Vikings were tough so far better to play to that lore rather than challenging it.
The weather that day in Gudvangen was bleak and angry and that was welcome to the overall mood of the shot. This was never going to be a “blue sky” storyboard“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 68" (142 x 173 cm)
- Framed Size: 71" x 83" (180 x 211 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 45" (94 x 114 cm)
- Framed Size: 52" x 60" (132 x 152)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Where the Buffalo Roam
Silverton, Colorado – 2021
“I have no sense of what the brothels in the American “Wild West” looked like, but some claim that the foyer in the historic Imperial Hotel in Silverton, Colorado is not a bad starting place to let the imagination and the creative juices flow.
They were right, the Imperial is indeed an historic treasure trove, allegedly haunted and virtually untouched for over 100 years. If the wallpaper could talk, it would have many stories to tell. I had never seen 19th century wallpaper until I arrived in Silverton.
And so it was that I brought seven girls and their Madam to the Imperial, all in period wardrobe and all eager to act out their roles. The window light in the foyer was generous, perhaps not surprising given the history and that allowed me some opportunity.
But we needed something more in the narrative, we needed humour. This was always going to be a parody shot, not an earnest reconstruction of an 1880 “Whore House”, that would be a little odd. When we found a local tame bison, fully licensed to work with people and on film sets, my mind started to work out a plan.
I want to thank Josie Canseco, Kate Bock, Daniela Braga, Aleska Genesis, Roxanna Redfoot, Katie Kearney, Lara Leito and Deve Sanford for all entering into the spirit and having a blast.
A bison walks into a whore house…….“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 86" (142 x 218 cm)
- Framed Size: 71" x 101" (180 x 257 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 47" (94 x 119 cm)
- Framed Size: 52" x 72" (132 x 183)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.











