Red Dead

Durango, Colorado – 2023
In the mountains of America, my experience is that the really cold conditions tend to be on cloudless days first thing in the morning, particularly at sunrise when the temperature briefly dips. Operating when it is frigid is a real examination, not just of one’s hunger to get the shot but one’s fluency with the camera. Hand warmers are such a wonderful invention.
This morning, up on the Durango & Silverton narrow gauge railroad, was one such occasion. The storm had cleared and was replaced
by a cloudless sky and frigid temperatures. At sunrise we were down to around -15°F or -26°C and these conditions offered so much potential for the filmmaker as everything froze – from human beards and human breath to horse breath.
I am always nervous of boring people and anything in a picture that defies gravity tends to work for me as it adds energy and dynamism. The props I had that morning gave every chance to fully embrace this modus operandi – especially if my camera was pointed directly either side of the rising sun.
My cowboy – who is a dead ringer for Rip from the Yellowstone Series – is a charming Texan called Cole Nallion rather than Cole Hauser who plays Rip Wheeler. Cole worked as a cowboy extra and handler in another Taylor Sheridan series – 1883 – and it is easy to see why he and Sam Elliott got along.
This one split second image caught my notice straight away as there is an anonymity to his face. We don’t need to see his eyes, because this is not a story about him per se, it is a story about the loosely governed wild west, where cowboys like him often made a living from doing shady things. He is playing to a genre before he is playing himself.
The photograph has a Red Dead Redemption feel to it and the bigger it is printed the more powerful the emotion it elicits. It’s a bad ass moment.
Available sizes
LARGE: Edition of 12 + 3 AP
- Image size: 63" x 56" in (160 cm x 142.2 cm)
- Framed Image: 78" x 71" in (198.1 cm x 180.3 cm)
STANDARD: Edition of 12 + 3 AP
- Image size: 42" x 37" in (106.7 cm x 93.98 cm)
- Framed Image: 57" x 52" in (144.8 cm x 190.5 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Reservoir Dogs

Durango, Colorado – 2023
I am not ashamed of the fact that I often have an audience in my mind when I take a shot. In this case in the Diamond Belle Saloon in Durango, Colorado, my instincts were that it would appeal more if the frame was busy because my experience with this famous old wild west bar is that it is always something of a gathering place for all those who like a drink. It is how bars should be and is celebrated as such. I want the audience to say; “I wish I was in that bar that night” or even “we need more interesting people in our bar”. This frame sweats and that was always my intent.
Anyone close to my camera had to be characters out of a story book and play to the lore of the wild west. I want to exaggerate not dumb things down as that helps the storyteller. In a staged image such as this, there is no need to ask permission to be creative; in fact, it is a necessary precondition.
Cara Delevingne’s face is so strong and powerful that I knew there was no room for another girl on her same focal plane, but there would be room for a black wolf and then a menacing poker player. The background could then look after itself, but I wanted to pay homage to the saloon girls who are synonymous with the bar.
Cara loves this image – which always matters to me. She is a gift for a photographer and not to fully capitalize on her eyes and her vibe would be a rookie error.
Available sizes
LARGE: Edition of 20 + 3 AP
- Image size: 56" x 91" in (142.2 cm x 231.1 cm)
- Framed Image: 71" x 106" in (180.3 cm x 269.2 cm)
STANDARD: Edition of 20 + 3 AP
- Image size: 37" x 60" in (93.98 cm x 152.4 cm)
- Framed Image: 52" x 75" in (132.1 cm x 190.5 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Manifest Destiny

Durango, Colorado – 2023
“Other nations have tried to check the fulfillment of our manifest destiny to overspread the continent allotted by providence for the free development of our yearly multiplying millions.
It was in 1845 that John Louis O’Sullivan, a popular columnist, articulated the long-standing American belief in the God-given mission of the United States to expand across North America all the way to the Pacific Ocean. In so doing he coined the term “Manifest Destiny”.
There was a sense of unbridled purpose. Nothing would get in their way: forests would be cut; mountains carved and railroads built. 60 million bison were culled and replaced by cattle. Native Americans faced an existential crisis.
Some tribes, of course, fought, whilst others negotiated. There was heavy loss of life on both sides and there is irony now that this period of nation building is deeply uncomfortable for many current day Americans. What created the wealthiest country in the world is not something to celebrate.
Railroads were an integral part of the Manifest Destiny and undermined the sovereignty of Native nations. Their construction threatened to destroy indigenous communities and their cultures as the railroad expanded into territories inhabited by Native Americans.
But for all that, encounters between steam trains and Native Americans were not necessarily as Hollywood has depicted. There was not much conflict and indigenous people mostly watched the railroad construction with a degree of fascination. Indeed, some found themselves drawn into a closer relationship with settlers because of the commercial opportunities that came with railroad construction. There was collaboration and often Native Americans offered protection from bandits.
19th century artists often depicted Native Americans as passive contextual narrative in railroad images; they are present but only to frame the story, not make the story. They simply establish the scene. This was my intent one cold February morning at Horseshoe Bend on the famous Durango & Silverton Railroad high in the San Jose Mountains. The Native American is not on the bend to attack, he is there simply to proudly show his presence. It is for the viewer to imagine how the next five minutes unfolded.
A great deal of logistical teamwork enabled this opportunity that cold sunny morning and the result is a strong photograph. As always it is a big team effort to create work like this.
Available sizes
LARGE: Edition of 12 + 3 AP
- Image size: 56" x 60" in (142.2 cm x 152.4 cm)
- Framed Image: 71" x 75" in (180.3 cm x 190.5 cm)
STANDARD: Edition of 12 + 3 AP
- Image size: 37" x 40" in (93.98 cm x 101.6 cm)
- Framed Image: 52" x 55" in (132.1 cm x 139.7 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Kemo Sabe

Aspen, Colorado – 2023
“There are only a few boutique stores globally that can lay claim to the cache and celebrity draw of Kemo Sabe in Aspen. It is as integral to the fabric of the world’s most celebrated ski resort as the leading hotels and restaurants and it attracts hundreds of adoring visitors every day. Kemo Sabe has a cult following which must give every small shop owner both hope and inspiration. It is a destination in itself.
There is a unique vibe to the place, created by the energy and warmth of the staff, the smell of the leather, the country music and the human traffic moving excitedly back and forth from the bar upstairs. It is more of a Soho House in the mountains than it is a hat and belt retailer.
There is an intoxicating glamour to Kemo Sabe and it felt appropriate to film two well-known North American models – Josie Canseco and Kate Bock – at the front of the store one snowy Saturday morning. Both Josie and Kate are established customers of the shop anyway, so nothing felt contrived.”
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image Size: 54” x 103” in (137.2 cm x 261.6 cm)
- Framed Image: 69” x 118” in (175.3 cm x 299.7 cm)
STANDARD: Edition of 12 + 3 AP
- Image Size: 37” x 70” in (93.98 cm x 177.8 cm)
- Framed Image: 52” x 85” in (132.1 cm x 215.9 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Xanadu

Aspen, Colorado – 2023
There is no doubt that Aspen is the most notorious, scandal ridden ski resort in the world. Its mere name evokes imagery of heavy partying, glamour and celebrities, which is a little unfair on all those that go up the hill from Glenwood Springs simply to ski. Good things have happened in the town, but so have many bad things, which makes it delicious material for the Storyteller.
70 years after the silver market burst at the turn of the century, Aspen boomed bigger and louder than it ever had before. It was a freewheeling bohemian paradise with rock and roll as important to its very essence as skiing itself. The question was not as much which area to ski, but whether to hang with The Eagles, John Denver or Jimmy Buffett.
By the early 70s The J Bar at the storied Jerome Hotel was firmly established as a drinking venue and I have heard stories of bartenders turning a blind eye to high profile figures brazenly doing lines of coke off the counter in broad daylight. It was in keeping with the vibe of the era that Hunter Thompson ran for sheriff and was taken seriously. The rich and famous ran amok in Aspen.
I desperately wanted to take a photograph in a prominent place in Aspen that looked as if it had been taken in the hipster days of the early 70s. The car was sourced by connected locals and Nicole Allowitz’s styling of Kate Bock and Josie Canseco was – as always – on point. But I needed a little more and the heavy snowfall give me the chance to make the background timeless.
This could be 1973 and what a time everyone must have had, if only they could remember.
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 56” x 73” in (142.2 cm x 185.4 cm)
- Framed Image: 71” x 88” in (180.3 cm x 223.5 cm)
STANDARD: Edition of 12
- Image Size: 37” x 48” in (93.98 cm x 121.9 cm)
- Framed Image: 52” x 63” in (132.1 cm x 160 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
GONDOLA

Aspen, Colorado – 2023
The 15-minute gondola ride up from heart of Aspen to the Sundeck restaurant at the peak of Aspen Mountain offers many an opportunity to look back down at the celebrated old mining town below. We had Victoria’s Secret model Josie Canseco in town for a shoot and we wondered whether we could work a picture from inside one of the gondola cars. It was always going to be tight, but we had some decent wide-angle lenses with us.
My plan was to be playful and the ski goggled service dog was a useful extra. (Only service dogs are allowed up the mountain in the winter). I knew most of the images would not work but we were only really looking for one with the model and dog in unity and the signage on the gondolas going down the mountain pinpointing our exact location.
Josie is a mainstay for us as we travel across America. She is up for most ideas and importantly gets on well with all our crew. The camera, of course, also loves her, as shown by this photograph at 11,000 ft up above the most famous ski resort in the world.
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 56” x 95” in (142.2 cm x 241.3 cm)
- Framed Image: 71” x 110” in (180.3 cm x 279.4 cm)
STANDARD: Edition of 12
- Image Size: 37” x 63” in (93.98 cm x 160 cm)
- Framed Image: 52” x 78” in (132.1 cm x 198.1 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Aspen - 1973

Aspen, Colorado – 2023
This is not just any ski resort; this is the unmistakable playground of Aspen – the most famous ski resort in the world and one where the slopes and the old silver mining town fuse as one. They look like they have co-existed seamlessly for centuries in much the same way as the golf course at St Andrews sits in harmony with the town that it made famous. The reality is, of course, that this photograph celebrates a far newer relationship than the marriage in Scotland, but both unions will continue in perpetuity, passed down from generation to generation. Aspen is a vortex of pleasure and misadventure few can escape from and this spectacular vista is part of its unique appeal.
Whatever lies ahead for Aspen, no generation will probably have more fun than the free loving hipsters of the 1970s who made the town a Bohemian hot spot. The once silver mining town, nestling at 9000 feet, became an unlikely Rock and Roll town drawing established and aspiring creatives from every corner of the United States. It may have been a growing haven for the Hollywood elite, but it welcomed talent and bad behaviour more than it did wealth. I have a sense that in the 1970s Aspen was as loosely governed as it was back in 1880 when it was a frontier mining town, that would be quite an achievement.
The model – Kate Bock – reminds me a little of Heather Graham in Austin Powers in this throwback shot, taken late one winter afternoon from Hunter Creek Road. She plays a confident hippy, flying solo with ease and was made for this kind of shot. Meanwhile, the yellow of the Porsche works well against the flat winter light. We knew this story was best told in colour.
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 52” x 85” in (132.1 cm x 215.9 cm)
- Framed Image: 67” x 100” in (170.2 cm x 254 cm)
STANDARD: Edition of 12
- Image Size: 37” x 61” in (93.98 cm x 154.9 cm)
- Framed Image: 52” x 76” in (132.1 cm x 193 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
1895

Paradise Valley, Montana – 2023
“I am drawn to historic pictures of the American West; indeed, I have been far too indulgent in building my own collection of Edward Curtis images. He was such a tough and resourceful operator and his body of work is humbling for all those who now work in the same field.
Photographs of frontier or gold rush towns from the late 19th century have had a particular draw on me. There is so much information to take in, despite cameras being in their infancy. They offer a much-needed insight into daily life of nation building.
For some time, I have aspired to take a cinematic revisionist still of a wild west town and when we found this location in Western Montana, I was like a dog with a bone; I could not let go. My goal was not just to photograph the town and its people, but to convey a sense of the final frontier. This required an elevated position to offer contextuality and enable me to tell a story of a community on the edge.
The “push west” is a good hunting ground for storytellers because of the topography that hosted it and the characters that lived it. They add layers to any narrative as do the winter conditions that often dressed the stage. I knew that I wanted to make this picture when there was snow everywhere – there was no other way.
There are many people to thank for helping me pull this off – all the extras, the costume houses and my production team. Photography like this is not a singular trade, it is a big team effort and those around me made my job relatively easy.
I can look at this picture for a long time and that was always the intent.”
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 50” x 100” in (127 cm x 254 cm)
- Framed Image: 65” x 115” in (165.1 cm x 292.1 cm)
STANDARD: Edition of 12
- Image Size: 37” x 74” in (93.98 cm x 188 cm)
- Framed Image: 52” x 89” (132.08 cm x 226.1 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Buffalo Joe's

Big Timber, Montana – 2023
“This is one hell of a saloon. Nicolas Cage recently held court here in a scene from the 2023 movie The Old Way. I was visually drawn to the two-tiered structure and the staircase connecting one to the other and I knew it could offer another layer in which to tell a story of life in a wild west bar.
I don’t think I am saying anything original when I say that focus is the key word in the vernacular of photography. Focus should deliberately include or it should deliberately exclude . When working in minimal light conditions like this old saloon, the starting premise is to know that 90% of the frame will be out of focus and to be excited rather than worried about it. It is an advantage not a disadvantage.
I think this photograph is made by the very limited depth of field not hampered by it. The cowboys in the back are pivotal to the story, but they can have anonymity as they are contextual. Meanwhile the girls and the wolf must be sharp as they lead the story. That was the hard bit, as the wolf has a spring in his step.
The two saloon girls were directed to have a look of menace and that’s exactly what they gave me. It’s difficult to play that look and keep your femininity and hats off to Brooks Nader and Holly Graves. All 20 people in the saloon did great and that’s what makes the frame sweat.”
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 56” x 85” in (142.2 cm x 215.9 cm)
- Framed Image: 71” x 100” in (180.3 cm x 254 cm)
STANDARD: Edition of 12
- Image Size: 37” x 56” in (93.98 cm x 142.2 cm)
- Framed Image: 52” x 71” (132.1 cm x 180.3 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Deadwood

Big Timber, Montana – 2023
“As we continue our journey across the length and breadth of America, there is one place that we keep returning to with a frequency that hints at a very strong bond. That place is Montana. For film makers it offers so many canvases on which to tell stories; from majestic “Big Sky” scenery to marooned saloons where the walls talk of the olden days.
Over the years we have established deep friendships in the state with locals who can help either as extras or in logistics. I feel we have the full tool kit here and it shows in our work.
I am not alone in feeling a visceral sense of belonging when I step outside Bozeman airport. As the great American writer John Steinbeck wrote of Montana:
“For other states I have admiration, respect, recognition, even some affection, but with Montana it is love, and it’s difficult to analyse love when you’re in it.”
This photograph, taken with American model Brooks Nader, makes me smile. It’s The Crazy Mountains in the background and as all those who know Brooks will testify, she operates just outside sanity. But she is smart, adorable and the camera loves her.”
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 48” x 102” in (121.9 cm x 259.1 cm)
- Framed Image: 63” x 117” in (160 cm x 297.2 cm)
STANDARD: Edition of 12
- Image Size: 37” x 79” in (93.98 cm x 200.7 cm)
- Framed Image: 52” x 94” (132.1 cm x 238.8 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.










