Hot Chicks
Montana, USA – 2022
The VS model Josie Canseco is a regular muse for me in my wild west series; the camera loves her and she knows how I work. This photograph in the Crazy Mountain Ranch near Livingston, Montana was made by a late shaft of evening light giving Josie and the wolf a warm glow and allowing them both to pop out from the saloon behind.
Our shoot in the faux wild west frontier town would not have been possible without the support of Sam Byrne and his team at the Yellowstone Club. Under their ownership, the Crazy Mountain Ranch looks set to have an exciting future and I hope the series of photographs I took that day in February 2022 will find their way onto some walls in the wider Montana area.
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 56” x 81” in (142.24 cm x 205.74 cm)
- Framed Image: 71” x 96” in (180.34 cm x 243.84 cm)
STANDARD: Edition of 12
- Image Size: 37” x 53” in (93.98 cm x 134.62 cm)
- Framed Image: 52” x 68” in (132.08 cm x 172.72 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Sheriff's Daughter
Montana, USA – 2022
The intricate layout for this picture was preconceived before I went to bed the previous night. I knew that as soon as the sun rose above the buildings the light would be too harsh to work and that there could be no time for compositional pondering during the shoot. The camera angle needed flat light not aggressive shadows and the weather forecast suggested that we would need to be finished no later than 8.15 am.
So, it was cold conditions when the cast began assembling at 6.15am. Josie Canseco – a girl I often use in shoots – is tough and she showed it that morning. We know each other well and we can swear at each other without offence. It was minus 20 degrees on set and she wasn’t wearing much but that is how Josie rolls. I like familiarity; to call on new talent that I did not know for a shoot like this would have been commercial suicide.
We did indeed wrap by 8.10am, just before the sun started to dart around the set. This photograph is a keeper. I can look at it for a long time without losing interest and that is always my acid test. There was so much information to include in one still frame without losing Josie’s sovereignty and we all needed to work very quickly because I was racing against the rising sun. The whole team did a great job that day.
I do think Westerns have been too male dominated, almost to the point of parody, and in my anthology to the Wild West, there is much more of a balance. We have, however, been most selective with the women we have used. They have all been blockbuster women with presence, intelligence and attitude; no more so than the Sheriff’s daughter in this image.
But I am making no major point in this image; I am having fun and telling stories. There are no lofty ambitions other than to entertain and execute well.
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 44” x 103" in (111.76 cm x 261.62 cm)
- Framed Image: 59” x 118” in (149.86 cm x 299.72 cm)
STANDARD: Edition of 12
- Image Size: 30” x 69” in (76.2 cm x 175.26 cm)
- Framed Image: 45” x 84” in (114.3 cm x 213.36 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Residents
Montana, USA – 2022
I just can’t bring myself to drift from my default position of wanting wild west saloon images to be long of menace. I see no reason to introduce a mood of levity and laughter as these were bad ass days in loosely governed frontier towns marooned in the middle of nowhere. With alcohol and women came danger, perhaps it was always so. Of course, I am being postmodern and playful with the composed close ups; almost to the point of being cartoonish. But why dumb things down when we are simply telling stories.
On this set, high in the Crazy Mountains of Montana, we cast three of my favourite cowboys – Ty Mitchell and Ryan Marshall from West Texas and Mad Jack from Virginia City, Montana. Ty became an extra for Scorsese last year and I can see exactly why. The girls – Erica Lawrence from New York and Josie Canseco from LA – complemented them well.
But it is the big black wolf who steals the show and lifts the photograph. The light was negligible so there was no margin for error, but so long as I managed one sharp picture I knew the subdued lighting would add to the mood. This is a dangerous place where, during a storm induced lock in, anything could happen.
The weird thing is, everyone wants to go into that bar right now – what could possibly go wrong?
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image Size: 56” x 84” in (142.24 cm x 213.36 cm)
- Framed Image: 71” x 99” in (180.34 cm x 251.46 cm)
STANDARD: ALL EDITIONS ALLOCATED OR SOLD. Please contact us for more details.
- Image Size: 37” x 56” in (93.98 cm x 142.24 cm)
- Framed Image: 52” x 71” in (132.08 cm x 180.34 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Quick and the Dead
Montana, USA – 2022
In my experience, the most visually pleasing single street wild west towns in America are found in the states of California, New Mexico, Colorado, Arizona and Montana. There are no real secrets here, which is why film studios tend to focus on five or six specific locations.
There is a skew in my work towards shooting in Montana for two reasons: firstly, I have a far more established network of contacts and friends in Western Montana than in the states further south who can all help me find extras or indeed sometimes jump onto set themselves; secondly our Montana locations are exposed to the highest snowfalls and I like to work in the snow, it simply adds another layer of narrative, especially in monochrome images.
This photograph, shot near the Crazy Mountain at the old Marlboro Ranch in Montana, incorporates the greatest number of extras I have had on set during a shoot – about 120 all in. The logistics in the cold are challenging and then the execution of the idea requires precision as I want to see as many faces as possible and I want those faces to have a collective attitude. It seemed necessary to have women and children in the scene as if the whole town was watching the shoot out – this would not be a male dominated western vignette.
In order for the concept to have symmetry, I needed to incorporate the buildings on both sides of the street and this is where – at the margin – this location is the best I know because the street is narrow enough for a wide panoramic.
I always say to the cast ahead of workdays involving many people, that all it takes is one person to be looking the wrong way or behaving oddly for the photograph to be ruined. They are all being paid to focus and concentrate for no more than five minutes during the day, but those are a big five minutes. The cast that day from old to young were brilliant and that is why this photograph works.
There is a lot going on in this work – which is why I love seeing it in as large a format as possible.
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image size: 52” x 102” in (132.08 cm x 259.08 cm)
- Framed Image size: 67” x 117” in (170.18 cm x 297.18 cm)
STANDARD: Edition of 12 + 3 AP
- Image size: 37” x 72” in (93.98 cm x 182.88 cm)
- Framed Image size: 52” x 87" in (132.08 cm x 220.98 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Cloud Nine
Aspen, Colorado, USA – 2022
Sitting proudly at 11,000 ft up in the sky, Cloud 9 is the infamous Aspen mountain bar/restaurant that hosts riotous parties during the winter season. The ski run down the hill is often complicated by the amount of alcohol consumed before revelers are reunited with their skis.
Aspen is Shangri-La to both seasoned visitors and residents and Cloud 9, with its dramatic location and reputation for glamour and excess, is a part of the jigsaw making Aspen the most famous Ski resort in the world.
My plan was to film up at Cloud 9 and style it in 1970s clothing as a nod to a period when Aspen really established its reputation as a bohemian paradise for the chic and the celebrated.
I booked two great girls – Brooks Nader – a high energy, live-wire who has worked with me over the last couple of years and then the wonderful Brazilian – Alessandra Ambrosio – the queen of fashion shows and modelling for the last 15 years. She is a joy to work with and has a fun and unassuming disposition despite her fame. There are few models working today that are as loved and respected as Alessandra.
The only problem was that we needed to shoot early in the day before the slopes opened and the day was fixed. We woke up to a blizzard and freezing temperatures.
I think adaptation and flexibility are core to what we do. Perhaps my middle name should be changed to “PLAN B”. I saw the snow as an opportunity not a threat and worked the conditions into the narrative. It was the right call.
All those familiar with Cloud 9 will, I think, smile when they see this photograph. Alessandra was magnificent, as I knew she would be.
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 56” x 96” in (142.24 cm x 243.84 cm)
- Framed Image: 71” x 111” in (180.34 cm x 281.94 cm)
STANDARD: Edition of 12
- Image Size: 37” x 64” in (93.98 cm x 162.56 cm)
- Framed Image: 52” x 79” in (132.08 cm x 200.66 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Aspen, Baby
Aspen, Colorado, USA – 2022
Sometimes, when working with a global star such as Alessandra Ambrosio, my inclination is to lean on simplicity and not worry about being too expansive in the wider narrative. She is the main event, not the snapper behind the lens, and the photograph should look out, not in. There are moments to show deep deference to those with whom you have the fortune to work and those are often my favourite moments.
That morning, high up at 11,000 feet at Aspen’s legendary Cloud Nine, we had to deal with an 8am blizzard. But from 5 am wake up call, I saw the falling snow as an opportunity not a threat. Meanwhile, Alessandra had been brilliantly styled in 1970s ski clothing and looked sensational although I knew she would be feeling the cold. This was not her natural habitat, but she is very smart and able to play to a prescribed role even though Cloud Nine in the winter is a long way from her home beaches in Brazil.
The simple portrait is of a beautiful girl. She happens to be at a famous place high in the Rockies in a snowstorm. Her clothing is a nod to Aspen’s coming of age in the 1970s. I don’t think we need anything more to grab and hold attention; there is a clear vibe. Aspen baby.
AVAILABLE SIZES:
LARGE: Edition of 12
- Image Size: 61” x 56” in (154.94 cm x 142.24 cm)
- Framed Image: 76” x 71” in (193.04 cm x 180.34 cm)
STANDARD: Edition of 12
- Image Size: 40” x 37” in (101.6 cm x 93.98 cm)
- Framed Image: 55” x 52" in (139.7 cm x 132.08 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Bandera
Texas, USA – 2022
I wanted this carefully composed Honky Tonk vignette to have real sense of place; that place being Texas. There are a few hints in the photograph: the Lone Star pool table lighting; the ten working cowboys; the neon guitar on the left and even the air conditioning unit (less common in more northerly cowboy states). Throw in a tall, bad ass women in the foreground and we know we are in Texas.
It is the lighting that makes the photograph and that is down to the big barn doors at Arkey’s that are open during the day. It was this ambient light on the far-left corner that allowed me to work with minimal artificial light and that made all the difference.
There is also a little bit of a ‘Red Dead Redemption” vibe as I am shooting with a wide-angle lens close to the lead, as often seems to be the perspective in the successful video game series. This allows the depth of Arkey Blue’s Silver Dollar saloon to be exploited rather than compressed. I avoid distance compression if at all possible, as a sense of space is often as critical as a sense of place.
Bandera, in the Hill Country of Texas, is quintessential cowboy territory and a country music stronghold. Behind my shooting position there is a stage that has been graced by Willie Nelson and Hank Williams and throughout the bar there are historical treasures celebrating one of the most authentic bars we know in the whole of America. There are locations that demand to be worked in and this is a gem for sure. I am very fortunate to have had the chance to create my interpretation of a classic Texan dive and I thank the eponymous owner – Arkey – for his accommodation.
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image Size: 56” x 91” in (142.24 cm x 231.14 cm)
- Framed Image: 71” x 106” in (180.34 cm x 269.24 cm)
STANDARD: Edition of 12 + 3 AP
- Image Size: 37” x 60” in (93.98 cm x 152.4 cm)
- Framed Image: 52” x 75” in (132.08 cm x 190.5 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Beer Run
Texas, USA – 2022
Not long after the end of prohibition, Devil’s Backbone in Texas’s Hill Country started to sell beer and became something of a one stop shop destination as drivers could also refuel and buy provisions. The landmark destination, as well as claiming to be the oldest dive bar in Texas, also claims to be the inspiration behind the Garth Brooks’ country music classic “Beer Run”.
There are opportunities to tell stories at the Backbone; I just needed to find a different angle. My plan was to use longhorn steer that are, of course, heavily associated with this part of the world. Austin’s University of Texas is less than an hour’s drive away and even in the UK we know about the Longhorns.
It struck me that there was a chance to bring two stories together as one and see if we could raise the bar in the narrative. If this Honky-Tonk really was the inspiration for the song “Beer Run”, well maybe the steer could be the one responsible for the pick-up. In this most Texan of bars, we could cast the most Texan of ani- mals.
Some ideas are a waste of time because there is absolutely no chance of executing them and this concept did seem a little ambitious. A longhorn steer can weigh up to 1300 pounds and whilst the one we chose was domesticated, this is not the most spacious of bars.
We had to work quickly and compose precisely and I think we pulled it off. I wanted the cowboys to act with total indifference as if this was the most usual of events in Texas, but I instructed the girl on the piano to play up a little. Perhaps she was not a regular.
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image Size: 56” x 84” in (142.24 cm x 213.36 cm)
- Framed Image: 71” x 99” in (180.34 cm x 251.46 cm)
STANDARD: Edition of 12 + 3 AP
- Image Size: 37” x 56” in (93.98 cm x 142.24 cm)
- Framed Image: 52” x 71" in (132.08 cm x 180.34 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Honky-Tonk Woman
Texas, USA – 2022
Bandera, Texas is the self-appointed home of the cowboy and a visitor is left in no doubt that this is the beating heart of Marlboro country and Marlboro men. This small town in the Hill Country also boasts a bar – Arkey Blue’s Silver Dollar – that is as good a honky-tonk bar to film in that I know of. It is also a firm fixture in the country music scene which is core to the culture of this part of the great state. Willie Nelson has sung here, as has Hank Williams, and of course, the owner himself, Arkey Blue.
Three requirements must be met for the saloon to work for me. I need a decent amount of ambient light from a door or a window; I need the décor to have a quintessential dive bar look to it and I need a well-positioned old pool table around which to build the narrative. We did our research in the area and Arkey Blues looked the most promising and the reality when we arrived was even better.
The cowboys had an important role to play in this image, but it wasn’t their toughest day at work. Many had just returned from being wranglers on the set of 1883, which allegedly involved 16-hour days. In contrast, all they had to do in this shoot was be themselves, have a beer and just be a little infatuated with our lead – Roxanna. All quite easy stuff.
I have had this photo in my mind for as long as I started to immerse myself in the cowboy culture of Texas. For those who think this timeless culture may hold the state back, it is worth perhaps remembering that in 2023, Texas will be the 9th biggest economy in the world.
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image Size: 56” x 96” in (142.24 cm x 243.84 cm)
- Framed Image: 71” x 111” in (180.34 cm x 281.94 cm)
STANDARD: Edition of 12 + 3 AP
- Image Size: 37” x 63” in (93.98 cm x 160.02 cm)
- Framed Image: 52” x 78” in (132.08 cm x 198.12 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Devil's Backbone
Texas, USA – 2022
Devil’s Backbone makes claim to be “The oldest Dive Bar” in Texas. Situated on an earthquake fault, the historic venue offers spectacular views of the surrounding Texas Hill Country. The history dates back to the late 1890’s, when the first stone room was built for a blacksmith’s shop and a stagecoach stop at the base of a treach- erous trail. After Prohibition, the sale of alcoholic beverages, particularly beer, became licensed in early 1936 and the tavern was built a year later.
In the 1950’s, a service station and package store building was added and shortly after, the dancehall was constructed. The venue became a one stop shop for all that Hill Country cowboys needed including a cold-beer, a tire change and a dance.
I knew there must be an opportunity here for a photograph that could pay homage to the working cowboy and the Backbone’s long history of serving a cold beer. The decor behind the bar and on the ceiling are classic honky-tonk and they demanded some involvement in a vignette.
The cowboy – the most enduring symbol of America, not just Texas – is identifiable by his hat and individual faces in a collective group matter less. Nothing is lost from anonymity if the narrative is true.
That understanding gave me the idea of building a story around the bartender and we had just the right girl with us – Roxanna Redfoot from Dallas, Texas. She is our go to bar girl whether we film with cowboys in Montana or Texas.
The image works; it is Texas through and through and I know the owners and staff of Devil’s Backbone are delighted to be a part it. That makes me happy as they were as good to work with as anyone we have met on our travels.
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image Size: 56” x 92” in (142.24 cm x 233.68 cm)
- Framed Image: 71” x 107” (180.34 cm x 271.78 cm)
STANDARD: Edition of 12 + 3 AP
- Image Size: 37” x 61” in (93.98 cm x 154.94 cm)
- Framed Image: 52” x 76” in (132.08 cm x 193.04 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.