The Magnificent Seven

Marfa, Texas – 2020
The outdoor bar at The Lost Horse Saloon in Marfa, West Texas, is just how I hoped an outdoor bar, in traditional cowboy country, would look like – a mishmash of wood, corrugated iron, weaponry, stuffed animals and beer merchandise. My preference is that these bars should be cluttered and deeply individualistic – there are no formulas in West Texas other than in the Crystal Meth motorhomes. On our scouting, I was immediately drawn to the sign on the front of the bar which located the destination in the most authoritative of ways. Marfa may only have a modest population of 2,121, but almost everyone in Texas has heard of Marfa. It is the art outpost where “Burning Man” meets “No Country for Old Men”. Absolutely nothing about the place – which sits three hours from the nearest commercial airport – is in any way normal.
My creative prompts in using the facade of the bar were led by two dominating objectives – firstly, to make sure that everything and everyone in the picture earned their space and secondly, I wanted the lighting to remain fairly dim so that the character of the joint was retained. To flood the narrative with light would give me greater depth of focus, but it could turn the bar into a sitcom studio. We needed to hold back. The magnificent seven all earned their place and it was a thrill to work with the lovely Nathalie Emmanuel – the English actress that many will know from playing Missandei in Game of Thrones. She was much easier to instruct than the horse, but he is so used to being in that bar that we got there in the end. The white nose of the horse was a bonus.
Available size options with and without framing are below;
- Large: 67 x 93 inches framed
- Standard: 48 x 65 inches framed
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Living Without Borders

I took this photograph of the legendary West Texas cowboy – Ty Mitchell – on a sandbank on the Rio Grande. Ty stands 6ft 5” tall and my general assessment is that not much fazes this guy. Meanwhile, the location is about as good as it gets and is rather wonderfully named Contraband Creek.
I was standing in Mexico and 20 yards across the river was the US. Every time I walked knee deep across the river to change a lens or camera, I entered America and then on my return I re-entered Mexico. I think I actually entered America four times in a morning – all rather surreal with this talk of a wall.
I would like to thank the US Border Patrol in Texas for being so accommodating to our crew that day in Big Bend National Park. They – like me – must think “The Wall” is now a long way off because in 2020 the US has a real crisis on its hands.
Coronavirus does not discriminate and does not recognise fame, borders, passports, race or religion. It is the ultimate leveller and rams home our mortality and our fragility. There is little good news right now, but one eventual positive is that we should emerge from this as less selfish and less discriminating people.
Available size options with and without framing are below;
- Large: 67 x 74 inches
- Standard: 48 x 53 inches
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Lost Horse Saloon

Marfa, Texas – 2020
A great facade for an authentic Texas working bar with the two neon lights outside. But this frame was a technical challenge because these two lights offered insufficient ambient light to give any detail outside – even before contemplating capturing a rearing horse.
This meant using some LED lighting but we had to be careful not to kill the mood. The only card I had in my hand was that I could open up the lens and sacrifice depth of field, as all the detail I wanted would be within a narrow range from my camera. This gave me a chance.
The girls did a great job, as did the cowboy and the horse. The Heath Ledger type cowboy in the bar was a good addition and then it was just down to luck with the horse on a longish shutter speed. A year ago, we did a similar outdoor shot in Big Timber, Montana. Coyote Ugly – as we called it – was well received. The Lost Horse Saloon was much more of a challenge on so many levels. The two certainly complement each other very well. Maybe this is the start of something.
Available Sizes
LARGE: Edition of 12 + 3 AP
- Image Size: 56” x 71” in (142.24 cm x 180.34 cm)
- Framed Image: 71" x 86" in (180.34 cm x 218.44 cm)
STANDARD: Edition of 12 + 3 AP
- Image Size: 37" x 47" in (93.98 cm x 116.84 cm)
- Framed Image: 52” x 62” in (132.08 cm x 157.48 cm)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Amarillo By Morning

Wagons evoke childhood memories of watching John Wayne Westerns on the BBC on cold winter evenings. No mode of transport is more emblematic of the great push West and the attendant dangers. For a storyteller of life on the final frontier, props don’t get any better, but finding an authentic one and taking it to the pre-researched location in the wilderness of West Texas is a challenge and an expense.
Anyhow, those issues overcome, the biggest problem with photographing a wagon on the move is that it does not suit my style of photography which would tend to be to shoot towards the oncoming wagon. This is simply because the horses’ heads will be at least 10 feet in front of the people driving the wagon. One or other would be in focus, but never both. To have the foreground subject out of focus is a tension point in any photograph and to have the human characters out of focus would seem fairly suboptimal. I wrestled with this the night before the shot and finally it dawned on me what to do.
I think it works and I have always wanted to have a picture with this title. I am sure they made it to Amarillo by morning.The whole image smells of old Texas and that was the goal.
Available size options with and without framing are below;
- Large: 65 x 114 inches framed
- Standard: 48 x 80 inches framed
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Happy Hour

Texas – 2020
It’s “Happy Hour” and yet everyone in this photograph looks fairly short of happiness – but of course that was my instruction. The less levity, the more the sense of a foreign land. Marfa is foreign land to most of us.
The Lost Horse Saloon Bar in the town is well known – in no small part because the legendary Anthony Bourdain filmed here during his “Parts Unknown” series. He chose well – it has depth to it, both literally and metaphorically. The owner, Tye Mitchell, is also the real deal and often brings his horse to the bar. He is no Bianca Jagger and the Lost Horse Saloon is no Studio 54 – but this is Texas, not Manhattan and horses at bars don’t seem that incongruous. It almost goes with the territory.
When we photograph in bars in America, there tends to be a couple of commonly used tactics. Firstly, we tend to have an open bar and secondly, we also take control of that bar and ask anyone that is not right for the picture to sit behind the camera – albeit beer or whisky in hand. Everyone has to earn their right to be included.
This picture was taken around 11pm and the bar bill was already in excess of $2000 and asking politely for everyone to listen and be compliant was only going to become more and more of a challenge. That’s where Ty came in handy – he bosses his bar with some authority.
LARGE: Edition of 12
- Image Size: 45” x 97” in (114.3 cm x 246.38 cm)
- Framed Image: 60” x 112” in (152.4 cm x 284.48 cm)
STANDARD: ALL EDITIONS ALLOCATED OR SOLD. Please contact us for more details.
- Image Size: 30” x 65” in (76.2 cm x 165.1 cm)
- Framed Image: 45” x 80” in (114.3 cm x 203.2 cm)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.





