Daylight Robbery (Colour) | David Yarrow

Daylight Robbery (Colour)

Bryson City, North Carolina – 2025

“A year ago, in October, we filmed in this same field in North Carolina with the same train and the end photograph worked well. There are inherent dangers in returning to the same location if the narrative has not evolved, but at least we had a good year to think about it. If we revisit somewhere, my goals tend to be loftier than before, as we never want to regress creatively.

The first alteration we made was to embrace the colors of the fall and this meant waiting for the first overnight frosts to golden the trees and give our backdrop some proper seasonal glory. So we planned our trip to the Smoky Mountains at the end of October, rather than the middle; we all know 10 days can make a huge difference in the colors of the fall.

It was wet, cold and a bit bleak but that is more appropriate weather for the scenes we were shooting than balmy sunshine. Flat light can be a photographer’s great friend in scenes like this, so long as the rain holds off.

The second addition was to bring in a horse and rider to run alongside the steam train. This is not a job for part time cowboys as the steam and the smoke from the train are uncertain variables for a horse. Ty Mitchell is an old hand at this kind of stuff; Martin Scorsese cast him as the bad guy in Killers of the Flower Moon and he is certainly a bad ass dude.

Ty is as good and game as they come, but even he fell off his horse shooting this sequence; the first time I have seen him do that in our six-year friendship. Huge respect to him for just getting up and giving it another go.

The result is a strong picture with enough layers to tell a full story. I had props at my disposal for the concept to have potential, but the execution here was a little harder than most. But all you need is one good cowboy and one good frame, and eventually we got it.”

-David Yarrow

AVAILABLE SIZES:

LARGE: Edition of 12 + 3 AP
  • Image Size: 56" x 103" in (142.24 cm × 261.62 cm)
  • Framed Image: 71" x 118" in (180.34 cm × 299.72 cm)
STANDARD: Edition of 12 + 3 AP
  • Image Size: 37" x 68" in (93.98 cm × 172.72 cm)
  • Framed Image: 52" x 83" in (132.08 cm × 210.82 cm)

We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


    The Road to Amalfi (Colour) | DAVID YARROW

    The Road to Amalfi (Colour)

    Atrani, Italy – 2024

    “A corollary of life on the road, is to build up a mental collection of favourite journeys. Most roads only offer a perfunctory way of getting from A to B, but then there are the gems where the journey itself becomes the main event. My home country, Scotland, has the A82 through Glencoe; America has the stretch through Monument Valley, Highway One and many more; Iceland has its entire ring road and then there is the Amalfi coastal road in southern Italy.

    It is almost incumbent on any movie director filming in the area, to emphatically locate the destination by celebrating the road. That is instructive as it suggests that to ignore the means of travel is to forget a prop.

    The road is terrifying and breathtaking as one: hugging the cliffs on one side and offering vistas of the Tyrrhenian Sea on the other. John Steinbeck wrote of the terror of winding through the Amalfi Coast on a road that “corkscrewed on the edge of nothing”, clutched in his wife’s arms who was “weeping hysterically”. Every hairpin bend is a prelude to a new visual feast, and none more so than the bend heading west before Atrani. I knew, at some stage, this bend would find itself in front of my camera.

    My leaning was to style a 1970s period shoot with a model capable of capturing the effortless grace and sexuality of Italian models of the time. She had to own the scene without impairing the visual feast behind her. American Supermodel, Brooks Nader, works with us regularly and knew exactly what I wanted from her. It all had to come together in the few moments when the police kindly closed the road; this was not a set for deliberating.”

    -David Yarrow

    AVAILABLE SIZES:

    LARGE: Edition of 12, 3 AP, 1 EP
    • Image Size: 56" x 76" in (132.08 cm × 236.22 cm)
    • Framed Image: 71" x 91" in (180.34 cm × 231.14 cm)
    STANDARD: Edition of 12, 3 AP, 1 EP
    • Image Size: 37" x 50" in (93.98 cm × 127 cm)
    • Framed Image: 52" x 65" in (132.08 cm × 165.1 cm)

    We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


      Bad Asses II | David Yarrow

      Bad Asses II (Colour)

      Kanaan Desert, Namibia – 2024

      “This photograph has been in my head for many years. We have taken our fair share of bad ass pictures of girls in cars in America, but I always wanted to extend my reach to Africa and introduce a Mad Max type narrative. Rather than working in the mountains with snow, as we often do, it was time to work in the desert with sand.

      I knew my girl for the shot – Cara Delevingne – and I knew that the hugely respected Naankuse Sanctuary in Namibia often work their cheetahs with film crews, and then I also knew the Kanaan desert well. But I needed a central prop to hold the whole idea together. I needed something of substance.

      I had long deliberated over building a bar marooned in the middle of the desert. Not just a two-dimensional facade of a bar, but an actual functioning bar, with lights, cooling machines and entertainment.

      I confess that there was quite a bit of talking to myself about the risk reward ratio and I became all to mindful of Walt Disney’s famous advice of “stop talking and start doing”. I like to have creative courage and be bold.

      So, I threw my fears away and we built our bar in the desert. It is so damn good that we are going to keep it there for tourists to visit and perhaps have a cold Namibian lager. It was not a small building job and six lorries full of wood and corrugated iron made the eight-hour trip south from Windhoek. I have never worked with a more willing bunch of people in my life than the Namibian production team and they had earned the right to be very proud of The Desert Inn.

      In a tableau photograph like this, I want to be greedy and broaden the story: the barman and the bushman on the far right are the little details that help. Cara looks sensational and, of course, that split second pose from the cheetah makes the photograph what it is.

      It is a bad ass shot for sure and it is also a bad ass bar.”

      -David Yarrow

      AVAILABLE SIZES:

      LARGE: Edition of 20, 3 AP, 1 EP
      • Image Size: 49" x 103" in (124.46 cm × 261.62 cm)
      • Framed Image: 64" x 118" in (162.56 cm × 299.72 cm)
      STANDARD: Edition of 20, 3 AP, 1 EP
      • Image Size: 37" x 78” in (93.98 cm × 198.12 cm)
      • Framed Image: 52" x 93" in (132.08 cm × 236.22 cm)

      We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


        The Rockies by David Yarrow – Josie Canseco Carrying Skis - Fine Art Photograph – Available at Hilton Contemporary Gallery Chicago

        The Rockies

        Aspen, Colorado – 2023

        “Taken early one January morning, this is a view that all Aspenites know well. I wanted a mid-1970s vintage vibe, and Josie Canseco gave that to me. Ten minutes later, the light was too harsh to work with.

        -David Yarrow

        Available Sizes:

        Large - Edition of 12 + 3 AP

        • Unframed Size: 56" x 84" (142 x 213 cm)
        • Framed Size: 71" x 99" (180 x 251 cm)

        Standard - Edition of 12 + 3 AP

        • Unframed Size: 37" x 56" (94 x 142 cm)
        • Framed Size: 52" x 71" (132 x 180)

        We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


          Code Red II by David Yarrow - Fine Art Limited Edition Print for Sale - Available at Hilton Contemporary Gallery

          Code Red II

          Minturn, Colorado – 2024

          “The railroad and mining community of Minturn – which dates to the 1880s – allows for some raw grit to saddle up to the shiny neighbouring resort town of Vail. The contrast between the two places is astonishingly stark, given that they are only three miles apart. Whilst Vail was styled by architects and designers on Alpine Bavaria, Minturn was styled by grizzly prospectors looking only as far as the next day.

          Vail was built 80 years after Minturn and when the contractors finished a day’s shift, they would head west to the Minturn Saloon. It was the place to go and 60 years on, despite some remodeling and ownership changes, it remains exactly that. All those who know Vail, know the Minturn Saloon. Rather like the Woody Creek Tavern in Aspen, it has fostered a strong patronage over the years and when the doors open at 3pm, the bar fills at a speed to suggest that this is a special and loved destination. As always it is the people that make the places and this bar attracts a rich variety of clientele.

          Part of the saloon’s appeal was that it was directly accessible by skis, by car, by foot and by horse and it therefore became something of a vortex at the end of the day. By the 1970s, the Minturn not only attracted cowboys, builders and miners, but the new bohemian hipster crowd from over the hill.

          I am always drawn to the visual contrasts afforded to a filmmaker when a wild frontier destination is fused with glamour. This was the premise for this story. I saw a chance to play with the cold winter light that day and the result works pleasingly well in colour.

          Alessandra Ambrosio is one of the leading models in the world and it was a pleasure to work with her. She certainly killed her look and showed why she is at the top of her game. We would also like to thank Austin Akers for the use of the beautiful 1956 Mercedes Benz 300 SL Gullwing.” – David Yarrow

          AVAILABLE SIZES:

          LARGE: Edition of 12 + 3 AP
          • Image Size: 56" x 70” in (142.2 cm x 177.8 cm)
          • Framed Image: 71" x 85” in (180.3 cm x 215.9 cm)
          STANDARD: Edition of 12 + 3 AP
          • Image Size: 37” x 47” in (93.98 cm x 119.4 cm)
          • Framed Image: 52” x 62” (132.1 cm x 157.5 cm)

          We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


            Wellington by David Yarrow – Equestrian Fine Art Color Photograph – Available at Hilton Contemporary Gallery Chicago

            Wellington (Colour)

            Wellington, Florida – 2025

            “If polo is the sport of Kings, then Wellington in Florida is its Winter Palace. In these green pastures incongruously close to the Atlantic beaches, a few modest horse rings have evolved into the world’s largest and longest competitive equestrian festival. Lauded riders convene to compete at many disciplines and a vast temporary community congregates each January to celebrate their love of horses and, to a large extent, each other.

            It is a social carnival but it would be wrong to dismiss Wellington as simply being an ancillary part of the Palm Beach society circuit; serious money is involved at every level of this food chain. This is where show jumpers earn their crust and where polo players make their reputations. If Detroit is the home of the American car industry, then Wellington is the home of its horse industry. And it is very much an industry. There is more work going on in Wellington than in Palm Beach but it is horse work.

            In our travels, we have been fortunate to meet both the Hildenbrand family and the Ganzi family who are key cogs within the world of competitive polo. They were both very supportive of my plans to do an equestrian series in Wellington and offered the use of their stunning properties and polo fields.

            I saw this is as a chance to directly use the community as extras – as I wanted to convey not only a sense of place, but also a sense of that exact community. Polo is not an obscure sport here; it is an integral part of the fabric of the place and attracts decent crowds to the big events.

            It is a tribal sport to the extent that there is a way to dress and a way to behave and my instincts were that I needed to capture a sense of uniformity. Polo crowds are not like golf crowds or football crowds – they very much have their own identity.

            I want to thank the Ganzi family and Michelle Marshall for their help that glorious spring evening in Wellington. Without their partnership, my camera would never have captured this moment in time.

            -David Yarrow

            Available Sizes:

            Large - Edition of 12 + 3 AP

            • Unframed Size: 56" x 97" (142 x 246 cm)
            • Framed Size: 71" x 112" (180 x 284 cm)

            Standard - Edition of 12 + 3 AP

            • Unframed Size: 37" x 64" (94 x 163 cm)
            • Framed Size: 52" x 79" (132 x 201)

            We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


              Wellington by David Yarrow – Equestrian Fine Art Photograph – Available at Hilton Contemporary Gallery Chicago

              Wellington

              Wellington, Florida – 2025

              “If polo is the sport of Kings, then Wellington in Florida is its Winter Palace. In these green pastures incongruously close to the Atlantic beaches, a few modest horse rings have evolved into the world’s largest and longest competitive equestrian festival. Lauded riders convene to compete at many disciplines and a vast temporary community congregates each January to celebrate their love of horses and, to a large extent, each other.

              It is a social carnival but it would be wrong to dismiss Wellington as simply being an ancillary part of the Palm Beach society circuit; serious money is involved at every level of this food chain. This is where show jumpers earn their crust and where polo players make their reputations. If Detroit is the home of the American car industry, then Wellington is the home of its horse industry. And it is very much an industry. There is more work going on in Wellington than in Palm Beach but it is horse work.

              In our travels, we have been fortunate to meet both the Hildenbrand family and the Ganzi family who are key cogs within the world of competitive polo. They were both very supportive of my plans to do an equestrian series in Wellington and offered the use of their stunning properties and polo fields.

              I saw this is as a chance to directly use the community as extras – as I wanted to convey not only a sense of place, but also a sense of that exact community. Polo is not an obscure sport here; it is an integral part of the fabric of the place and attracts decent crowds to the big events.

              It is a tribal sport to the extent that there is a way to dress and a way to behave and my instincts were that I needed to capture a sense of uniformity. Polo crowds are not like golf crowds or football crowds – they very much have their own identity.

              I want to thank the Ganzi family and Michelle Marshall for their help that glorious spring evening in Wellington. Without their partnership, my camera would never have captured this moment in time.

              -David Yarrow

              Available Sizes:

              Large - Edition of 12 + 3 AP

              • Unframed Size: 56" x 97" (142 x 246 cm)
              • Framed Size: 71" x 112" (180 x 284 cm)

              Standard - Edition of 12 + 3 AP

              • Unframed Size: 37" x 64" (94 x 163 cm)
              • Framed Size: 52" x 79" (132 x 201)

              We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


                The Thomas Crown Affair by David Yarrow – Supermodels and Equestrian with Vintage Aston Martin Fine Art Photograph – Available at Hilton Contemporary Gallery Chicago

                The Thomas Crown Affair

                Wellington, Florida – 2025

                “Polo brings with it money, glamour and a whiff of naughtiness. There is something rather visceral and sexy about it all, a bit like being an art thief. Girls are drawn to Polo in a way they are not drawn to other big field sports such as cricket or baseball.

                Meanwhile, luxury brands like Rolex and LVMH may show mild interest in the duels on the field but are more excited by the audiences in front of whom the game is played. The talent on the horses is matched by the talent off the horses; not something that is true perhaps of any other professional sports. It is a complete scene and offers an insight into the rarefied lives of a few. Ralph Lauren understood that it was a microcosm of what some may assume to be a better life. The whole affair, like Thomas Crown’s, is deeply aspirational.

                This photograph works largely because of the flat light in Wellington, Florida that spring morning. It gives granularity not just to the 1950s Austin-Healey car and the girls, but the whole set. Sunlight always reduces depth and this story needed depth. There is an unmistakable sense of polo in Florida.

                There are many people to thank for making this picture happen and I am reminded, yet again, that the easiest part of the job is pressing the shutter. I had an idea, but we then needed to execute it and that required the support of many busy people.

                -David Yarrow

                Available Sizes:

                Large - Edition of 12 + 3 AP

                • Unframed Size: 56" x 103" (142 x 262 cm)
                • Framed Size: 71" x 118" (180 x 300 cm)

                Standard - Edition of 12 + 3 AP

                • Unframed Size: 37" x 68" (94 x 173 cm)
                • Framed Size: 52" x 83" (132 x 211)

                We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


                  The Winner Takes It All by David Yarrow – Supermodels in front of a Vintage Car and Equestrian - Available at Hilton Contemporary Gallery Chicago

                  The Winner Takes it All

                  Wellington, Florida – 2025

                  “In the winter months, Wellington, Florida becomes the showjumping capital of the world. It attracts the very best in the industry, from Olympic Gold medallists down to the most promising rookies on the circuit, and prize money at the flagship Rolex sponsored season finale now exceeds $750,000. It sometimes seems there are more horses than people in Wellington in March.

                  The other venues of the Grand Prix circuit in France, Sweden, Italy, Belgium and Ireland attract the same cavalcade of riders, horses and sponsors but they don’t have Palm Beach as their immediate neighbour. Undoubtedly, the proximity of one of the world’s most rarified and idyllic communities has given Wellington an edge on the glamour and prestige front. The palm trees that encircle many of the venues also add an extra visual spark to the whole affair.

                  We were lucky enough to be introduced to Emily Smith whose family are at the heart of Wellington’s showjumping community both socially and professionally. Emily not only fully embraced our plans to include these festivities in our Palm Beach series but also lent us her facilities and her son Spencer who is a successful and well-known show jumper.

                  In the UK, I grew up reading Jilly Cooper’s raunchy novels about love, lust and rivalry in the horse world. She told stories that suggested the competition was just as fierce in the bedroom as it was in the horse ring. It was a licentious world where the leading show jumpers had many female admirers and sometimes found temptation too much.

                  This vignette of Wellington plays to her narrative. But I know Spencer Smith – who is jumping the 7-foot fence in the photograph – to be a man of strong moral fibre and he would never allow his focus to be derailed in the same way as Jilly Cooper’s protagonists.”

                  -David Yarrow

                  Available Sizes:

                  Large - Edition of 12 + 3 AP

                  • Unframed Size: 56" x 91" (142 x 234 cm)
                  • Framed Size: 71" x 107" (180 x 272 cm)

                  Standard - Edition of 12 + 3 AP

                  • Unframed Size: 37" x 61" (94 x 155 cm)
                  • Framed Size: 52" x 76" (132 x 193)

                  We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


                    The Winner Takes It All by David Yarrow – Supermodels in front of a Vintage Car and Equestrian - In Color - Available at Hilton Contemporary Gallery Chicago

                    The Winner Takes it All (Colour)

                    Wellington, Florida – 2025

                    “In the winter months, Wellington, Florida becomes the showjumping capital of the world. It attracts the very best in the industry, from Olympic Gold medallists down to the most promising rookies on the circuit, and prize money at the flagship Rolex sponsored season finale now exceeds $750,000. It sometimes seems there are more horses than people in Wellington in March.

                    The other venues of the Grand Prix circuit in France, Sweden, Italy, Belgium and Ireland attract the same cavalcade of riders, horses and sponsors but they don’t have Palm Beach as their immediate neighbour. Undoubtedly, the proximity of one of the world’s most rarified and idyllic communities has given Wellington an edge on the glamour and prestige front. The palm trees that encircle many of the venues also add an extra visual spark to the whole affair.

                    We were lucky enough to be introduced to Emily Smith whose family are at the heart of Wellington’s showjumping community both socially and professionally. Emily not only fully embraced our plans to include these festivities in our Palm Beach series but also lent us her facilities and her son Spencer who is a successful and well-known show jumper.

                    In the UK, I grew up reading Jilly Cooper’s raunchy novels about love, lust and rivalry in the horse world. She told stories that suggested the competition was just as fierce in the bedroom as it was in the horse ring. It was a licentious world where the leading show jumpers had many female admirers and sometimes found temptation too much.

                    This vignette of Wellington plays to her narrative. But I know Spencer Smith – who is jumping the 7-foot fence in the photograph – to be a man of strong moral fibre and he would never allow his focus to be derailed in the same way as Jilly Cooper’s protagonists.”

                    -David Yarrow

                    Available Sizes:

                    Large - Edition of 12 + 3 AP

                    • Unframed Size: 56" x 91" (142 x 234 cm)
                    • Framed Size: 71" x 107" (180 x 272 cm)

                    Standard - Edition of 12 + 3 AP

                    • Unframed Size: 37" x 61" (94 x 155 cm)
                    • Framed Size: 52" x 76" (132 x 193)

                    We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.


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