Deuce
Palm Beach, Florida – 2025
Archival Pigment Print
“There is, of course, a tennis picture from the mid 1970s that adorned the walls of many a teenager’s home or a student’s frat house. Its popularity was not just its cheekiness, but also its simplicity. This was the era of Bjorn Borg and Chris Evert and the sport was very much on the rise in the public’s consciousness. It was the start of an era in which tennis landed an integral role within popular culture and the stars themselves often became sex symbols. Tennis was sexy.
When filming our Palm Beach series, I had been given access to a beautiful home on North Country Drive just north of The Breakers. The property faced the Atlantic and the vast verdant lawns stretching to the beach were of Wimbledon standard. Towering palm trees soared to the sky breaking the symmetry and offered a definite sense of place. This was very clearly the ocean front of Palm Beach; a stretch of land emphatically known for the good things in life. It was a property that offered a complete visual overload.
I saw an opportunity to borrow from that famous old tennis picture and then impose a Palm Beach narrative. The 1970s styling was quite straightforward, but the concept required some wind to lift the tennis player’s skirt in the manner I was hoping for. In time we had our chance and everything else just fell into place.”
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 81″ x 56″ in (206 x 142 cm)
- Framed Image: 96″ x 71″ in (244 x 180 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 54″ x 37″ in (137 x 94 cm)
- Framed Image: 69″ x 52″ in (175 x 132 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Deuce (Colour)
Palm Beach, Florida – 2025
Archival Pigment Print
“There is, of course, a tennis picture from the mid 1970s that adorned the walls of many a teenager’s home or a student’s frat house. Its popularity was not just its cheekiness, but also its simplicity. This was the era of Bjorn Borg and Chris Evert and the sport was very much on the rise in the public’s consciousness. It was the start of an era in which tennis landed an integral role within popular culture and the stars themselves often became sex symbols. Tennis was sexy.
When filming our Palm Beach series, I had been given access to a beautiful home on North Country Drive just north of The Breakers. The property faced the Atlantic and the vast verdant lawns stretching to the beach were of Wimbledon standard. Towering palm trees soared to the sky breaking the symmetry and offered a definite sense of place. This was very clearly the ocean front of Palm Beach; a stretch of land emphatically known for the good things in life. It was a property that offered a complete visual overload.
I saw an opportunity to borrow from that famous old tennis picture and then impose a Palm Beach narrative. The 1970s styling was quite straightforward, but the concept required some wind to lift the tennis player’s skirt in the manner I was hoping for. In time we had our chance and everything else just fell into place.”
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 81″ x 56″ in (206 x 142 cm)
- Framed Image: 96″ x 71″ in (244 x 180 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 54″ x 37″ in (137 x 94 cm)
- Framed Image: 69″ x 52″ in (175 x 132 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Rules of Golf
Palm Beach, Florida – 2025
Archival Pigment Print
“Over the years I have been fortunate enough to tell stories on famous golf courses, whether they be staged period shots at St Andrews, Scotland or the actual dramatic reality of the Masters at Augusta. The Ocean Course at The Breakers may not quite have the global fame of these championship courses, but then again, neither do any other courses in the world.
But the Ocean Course, which dates to 1897, is the oldest golf course in Florida and its attachment to the most storied hotel in Florida, means that it has provenance and currency. The backdrop of the Renaissance revival styled facade of the grand old place immediately locates the course and this is helpful to a storyteller. The Breakers and Palm Beach are tied at the hip.
We are grateful to the owners of the hotel for giving us permission to stage a shoot on the approach to the 18th green and even more grateful that they allowed us to tell a story that played homage to the hotel’s wider facilities. We did not want to be too purist in our creative vision, after all, The Breakers is a place of fun and levity, rather than a place on the PGA’s map of tournament golf.
My idea was simply to tell a tale of the day that the lines got muddied and that one bunker hosted an errant guest. Only in time would she discover that this patch of sand had other uses. Our European models that morning – Frida Aasen and Nadine Leopold – both played their roles immaculately.”
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 73″ x 56″ in (185 x 142 cm)
- Framed Image: 88″ x 71″ in (224 x 180 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 48″ x 37″ in (122 x 94 cm)
- Framed Image: 63″ x 52″ in (160 x 132 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Rules of Golf (Colour)
Palm Beach, Florida – 2025
Archival Pigment Print
“Over the years I have been fortunate enough to tell stories on famous golf courses, whether they be staged period shots at St Andrews, Scotland or the actual dramatic reality of the Masters at Augusta. The Ocean Course at The Breakers may not quite have the global fame of these championship courses, but then again, neither do any other courses in the world.
But the Ocean Course, which dates to 1897, is the oldest golf course in Florida and its attachment to the most storied hotel in Florida, means that it has provenance and currency. The backdrop of the Renaissance revival styled facade of the grand old place immediately locates the course and this is helpful to a storyteller. The Breakers and Palm Beach are tied at the hip.
We are grateful to the owners of the hotel for giving us permission to stage a shoot on the approach to the 18th green and even more grateful that they allowed us to tell a story that played homage to the hotel’s wider facilities. We did not want to be too purist in our creative vision, after all, The Breakers is a place of fun and levity, rather than a place on the PGA’s map of tournament golf.
My idea was simply to tell a tale of the day that the lines got muddied and that one bunker hosted an errant guest. Only in time would she discover that this patch of sand had other uses. Our European models that morning – Frida Aasen and Nadine Leopold – both played their roles immaculately.”
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 73″ x 56″ in (185 x 142 cm)
- Framed Image: 88″ x 71″ in (224 x 180 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 48″ x 37″ in (122 x 94 cm)
- Framed Image: 63″ x 52″ in (160 x 132 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Eiger
Kleine Scheidegg, Switzerland – 2025
Archival Pigment Print
“Anthony Bourdain once said “It’s an irritating reality that many places and events defy description. For a while after, you fumble for words, trying vainly to assemble a private narrative, an explanation, a comfortable way to frame where you’ve been and what’s happened. In the end, you’re just happy you were there – with your eyes open – and lived to see it.”
In 1840, the Hotel Bellevue des Alpes opened its doors for business in the fabled Kleine Scheidegg pass in Switzerland. Sitting proudly at nearly 7,000 feet, with the notorious Eiger mountain towering above it, this grand old hotel has, for 185 years, offered unparalleled bedroom visuals. Its decor and design have an Agatha Christie vibe and its location a James Bond one. Anyone with a visual sensibility recognises immediately that there is nothing remotely normal about this place. Its existence is testimony to Swiss ambition and engineering prowess eight or nine generations ago.
I had pondered and iterated for some months as to how to do justice to the location. There were a few easy decisions such as filming in the winter and to position my camera far enough back from the right-hand wing of the hotel to give the structure room to breathe and, in so doing, convey a necessary sense of isolation and scale. I knew that the end frame demanded perfect compositional balance.
I sensed that an old European roulette table would not only play on risk taking well, but it would also double down on the James Bond vibe that the setting evokes. I wanted to reinforce the message that is not only a hotel where guests have literally and metaphorically lived on the edge, but also a destination that attracts those who live fast paced and glamorous lives.
The missing link in this layered story were the protagonists and I knew that they would be critical to the whole piece. If they fell short, the picture would fail. It was that simple. David Gandy is a bankable asset in any picture, that is why he has been the face of Dolce and Gabbana for so many years and, for a still camera, there is a very creditable 007 look. Meanwhile, our old Austrian friend Nadine Leopold – with her femininity, grace and intelligence – adds to any story.
My sense was always that this vignette needed to be taken as close to twilight as possible; the sense of impending darkness would add drama and certainly complement the styling.”
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 76″ x 56″ in (193 x 142 cm)
- Framed Image: 91″ x 71″ in (231 x 180 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 51″ x 37″ in (130 x 94 cm)
- Framed Image: 66″ x 52″ in (168 x 132 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Top Gear
Willow Springs, California – 2025
Archival Pigment Print
“In the old days I liked to be as close to the ground as possible when filming wildlife as it served to glorify the animal and, at the margin, it also allowed for a little more immersion for the viewer. It became very much my signature style in the field to offer the visual perspective of a small ant.
I don’t see why the approach should be that different when filming a 1957 Porsche Speedster. It has an aesthetic beauty that needs to be showcased and a ground up perspective also highlights the dust being kicked up from behind the car. Dust is always best captured using strong back light and this does present tonal range challenges to our printers. Luckily, we have the best craftsmen in our studio who can bring out the shadow detail without losing the detail in the highlights. It is a different craft to being a photographer.
The talent on this shot came from the very top drawer – Jimmie Johnson – the most decorated of NASCAR drivers, is behind the wheel of the Speedster, whilst supermodel Shanina Shaik is the lady theatrically acknowledging his victory. Both Jimmie and Shanina enjoyed themselves that morning at Willow Springs racetrack in California and I think it shows. From my own selfish perspective, Jimmie had to focus slightly on slowing down before he ran me over and I guess he could be forgiven for having his eyes elsewhere.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 92″ in (142 x 234 cm)
- Framed Image: 71″ x 107″ in (180 x 272 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 61″ in (94 x 155 cm)
- Framed Image: 52″ x 76″ in (132 x 193 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Top Gear (Colour)
Willow Springs, California – 2025
Archival Pigment Print
“In the old days I liked to be as close to the ground as possible when filming wildlife as it served to glorify the animal and, at the margin, it also allowed for a little more immersion for the viewer. It became very much my signature style in the field to offer the visual perspective of a small ant.
I don’t see why the approach should be that different when filming a 1957 Porsche Speedster. It has an aesthetic beauty that needs to be showcased and a ground up perspective also highlights the dust being kicked up from behind the car. Dust is always best captured using strong back light and this does present tonal range challenges to our printers. Luckily, we have the best craftsmen in our studio who can bring out the shadow detail without losing the detail in the highlights. It is a different craft to being a photographer.
The talent on this shot came from the very top drawer – Jimmie Johnson – the most decorated of NASCAR drivers, is behind the wheel of the Speedster, whilst supermodel Shanina Shaik is the lady theatrically acknowledging his victory. Both Jimmie and Shanina enjoyed themselves that morning at Willow Springs racetrack in California and I think it shows. From my own selfish perspective, Jimmie had to focus slightly on slowing down before he ran me over and I guess he could be forgiven for having his eyes elsewhere.
-David Yarrow
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 92″ in (142 x 234 cm)
- Framed Image: 71″ x 107″ in (180 x 272 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 61″ in (94 x 155 cm)
- Framed Image: 52″ x 76″ in (132 x 193 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Ferrari Kids (Colour)
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 93″ in (142 x 236 cm)
- Framed Image: 71″ x 108″ in (180 x 274 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 61″ in (94 x 155 cm)
- Framed Image: 52″ x 76″ in (132 x 193 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Willow Springs, California – 2025
Archival Pigment Print
“The compositional structure and mood of this tableaux reminds me of the album covers of British rock bands in the 1980s. Everyone is acting all serious and tough but in reality, they are having a complete blast in the spring sunshine.
The assembled cast took my directive well. I simply told them that motor racing was a competitive bad ass business and there was no room for jocularity when speed and precision were required to transcend and when one mistake could be life threatening. It pays to be serious and look serious.
We certainly had an A list of props that late afternoon in Willow Springs, California. For starters we had the unmodernised track that featured in some of the sets from Ford v Ferrari and then in the Ferrari hot seat, we had managed to source a driver who looks the spitting image of Christian Bale’s character in the movie. We then threw in two top models from LA as Ferrari pit girls and then, of course, a stunning vintage Ferrari from the 1950s. Some college kids from USC and appropriately dressed friends from West Hollywood then added flavour to the background narrative.
I want to thank Sam Byrne and his team at CrossHarbor Capital for believing in our creative processing and making this project possible.”
The Ferrari Kids (B&W)
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 93″ in (142 x 236 cm)
- Framed Image: 71″ x 108″ in (180 x 274 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 61″ in (94 x 155 cm)
- Framed Image: 52″ x 76″ in (132 x 193 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Willow Springs, California – 2025
Archival Pigment Print
“The compositional structure and mood of this tableaux reminds me of the album covers of British rock bands in the 1980s. Everyone is acting all serious and tough but in reality, they are having a complete blast in the spring sunshine.
The assembled cast took my directive well. I simply told them that motor racing was a competitive bad ass business and there was no room for jocularity when speed and precision were required to transcend and when one mistake could be life threatening. It pays to be serious and look serious.
We certainly had an A list of props that late afternoon in Willow Springs, California. For starters we had the unmodernised track that featured in some of the sets from Ford v Ferrari and then in the Ferrari hot seat, we had managed to source a driver who looks the spitting image of Christian Bale’s character in the movie. We then threw in two top models from LA as Ferrari pit girls and then, of course, a stunning vintage Ferrari from the 1950s. Some college kids from USC and appropriately dressed friends from West Hollywood then added flavour to the background narrative.
I want to thank Sam Byrne and his team at CrossHarbor Capital for believing in our creative processing and making this project possible.”
Midnight Express
Durango, Colorado – 2025
Archival Pigment Print
“Shooting a late 19th century steam engine at night, in a dimly lit Colorado depot, was a fresh challenge, but our default strategy is to be wary of comfort zones. We often fail in new ideas, but better that than never to try.
Camera capability in low light has evolved constantly since the beginning of my career but employing slow shutter speeds when filming moving subjects is still as bad a combination as it has always been. The maths has not changed and it remains a low percentage gig.
The bonus of shooting at night in a location like this is that the stark lighting not only adds drama, it allows for unwelcome distractions to be too dark for the eye to see. The rich blacks suit train stations and many of the great movie sets in such locations have been filmed at night, no more so than with Humphrey Bogart in Casablanca.
The cowboy and the iron horse were unlikely bedfellows in the push west and most of the time they enabled each other and collaborated. But in the loosely governed final frontier, there were no certainties and danger lurked at every stopping point. I wanted to evoke not only the sense of journey but also the implicit danger. To travel in this era was to engage with the random walk of luck.”
Available sizes
Large: Edition of 12 + 3 AP
- Image Size: 56″ x 72″ in (142 x 183 cm)
- Framed Image: 71″ x 87″ in (180 x 221 cm)
Standard: Edition of 12 + 3 AP
- Image Size: 37″ x 48″ in (94 x 122 cm)
- Framed Image: 52″ x 63″ in (132 x 160 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.