Cattle Drive

Cattle Drive

West Texas, Texas – 2024

Archival Pigment Print

“This photograph smells of West Texas and that was the intent. I think there normally needs to be a sense of place and a mood for the story within a still to stack up. It’s so dusty in this ranch just 25 miles from the Mexican border and the dust adds a character for free, provided the photographer is prepared to shoot towards the sun in the last hour of sunlight.

But there are logistical issues: firstly, the herd are coming right at my ladder and secondly, the wind direction needs to be right. If the wind is moving in roughly the same direction as the cattle and there is speed to that wind, then not only am I not going to get a picture, I would also be in danger as the cattle would not see me until it was too late.

So there is some amount of maths involved and I think that this is as close as I can responsibly get, even if the
wind is blowing left to right. This is not something to try without the help of good horsemen and the cowboys in Texas are the best equipped in the world to be a photographer’s accomplice.

It is a special place down here and we recognise it. I often refer to some of John Steinbeck’s quotes and I will unapologetically do so once again, as he nails it every time:

“For all its enormous range of space, climate, and physical appearance, and for all the internal squabbles, contentions, and strivings, Texas has a tight cohesiveness perhaps stronger than any other section of America. Rich, poor, Panhandle, Gulf, city, country, Texas is the obsession, the proper study, and the passionate possession of all Texans.” – DAVID YARROW

Available sizes

Large: Edition of 12 + 3 AP

  • Image Size: 52” x 103” in (132.1 cm x 261.6 cm)
  • Framed Image: 67” x 118” in (170.2 cm x 299.7 cm)

Standard: Edition of 12 + 3 AP

  • Image Size: 39” x 77” in (99.06 cm x 195.6 cm)
  • Framed Image: 54” x 92” in (137.2 cm x 233.7 cm)

We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


    Hook 'em Horns (Colour)

    Hook 'em Horns (Colour)

    Austin, Texas – 2024

    Archival Pigment Print

    “The University of Texas (UT) is integral to the lore and image of Texas and is beloved by its alumni. If Texas was a country, it would now rank 8th in world GDP and if UT was just an athletics institution, it would also rank high in the global performance charts. This is not a normal educational establishment.

    The flagship of the athletics department is, of course, the Texas Longhorns, whose fan base stretches way beyond the alumni. To be in Austin for a Saturday game day is a bucket list sporting occasion, attracting crowds of over 80,000 people, even if the result is a foregone conclusion long before the tailgating parties start.

    My plan was to take a tableau photograph celebrating this venerable institution, but there was much to plan to ensure my effort as an outsider would not end up being generic or hackneyed. I needed to push a few boundaries in my creative processing.

    Since 1916 a longhorn steer named Bevo has represented The University of Texas as its famed mascot. There have, of course, been a few Bevos over the years, with their orange and white colouring emblematic of the institution. There is no more revered live mascot in global sport and I recognised that without Bevo, any picture celebrating the Longhorns would be very lame.

    I want to thank Ben Barnes – the former Lieutenant Governor of Texas – for helping facilitate this shoot. My idea was to photograph Bevo in front of the UT tower which is the storied epicentre of the campus and Ben, who bizarrely knew my late father in the UK, made the necessary calls.

    The grass lawn between 21st Street and the Tower suited the steer, but my leaning was always to add both dynamism and symbolism by using the same smoke effects that accompany Bevo when he triumphantly enters the Darrell K Royal Memorial Stadium on game day. Smoke adds drama and focuses the eye. No wonder it is so often used in the creative entertainment industry.

    I want to thank Ricky Brown Ricky Breenes, and Craig Westemeier of The University of Texas Athletics, William Reid and, of course, Governor Barnes. It was a privilege and an honour to be allowed this level of access.

    This was an agreed partnership with UT, who will benefit from any sales of the commemorative photograph.” – David Yarrow

    Available sizes

    Large: Edition of 12 + 3 AP

    • Image Size: 56” x 77” in (142.2 cm x 195.98 cm)
    • Framed Image: 71” x 92” in (180.3 cm x 233.68 cm)

    Standard: Edition of 12 + 3 AP

    • Image Size: 37” x 51” in (93.98 cm x 129.54 cm)
    • Framed Image: 52” x 66” in (132.1 cm x 167.64 cm)

    We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


      Hook 'em Horns

      Hook 'em Horns (B&W)

      Austin, Texas – 2024

      Archival Pigment Print

      “The University of Texas (UT) is integral to the lore and image of Texas and is beloved by its alumni. If Texas was a country, it would now rank 8th in world GDP and if UT was just an athletics institution, it would also rank high in the global performance charts. This is not a normal educational establishment.

      The flagship of the athletics department is, of course, the Texas Longhorns, whose fan base stretches way beyond the alumni. To be in Austin for a Saturday game day is a bucket list sporting occasion, attracting crowds of over 80,000 people, even if the result is a foregone conclusion long before the tailgating parties start.

      My plan was to take a tableau photograph celebrating this venerable institution, but there was much to plan to ensure my effort as an outsider would not end up being generic or hackneyed. I needed to push a few boundaries in my creative processing.

      Since 1916 a longhorn steer named Bevo has represented The University of Texas as its famed mascot. There have, of course, been a few Bevos over the years, with their orange and white colouring emblematic of the institution. There is no more revered live mascot in global sport and I recognised that without Bevo, any picture celebrating the Longhorns would be very lame.

      I want to thank Ben Barnes – the former Lieutenant Governor of Texas – for helping facilitate this shoot. My idea was to photograph Bevo in front of the UT tower which is the storied epicentre of the campus and Ben, who bizarrely knew my late father in the UK, made the necessary calls.

      The grass lawn between 21st Street and the Tower suited the steer, but my leaning was always to add both dynamism and symbolism by using the same smoke effects that accompany Bevo when he triumphantly enters the Darrell K Royal Memorial Stadium on game day. Smoke adds drama and focuses the eye. No wonder it is so often used in the creative entertainment industry.

      I want to thank Ricky Brown Ricky Breenes, and Craig Westemeier of The University of Texas Athletics, William Reid and, of course, Governor Barnes. It was a privilege and an honour to be allowed this level of access.

      This was an agreed partnership with UT, who will benefit from any sales of the commemorative photograph.” – David Yarrow

      Available sizes

      Large: Edition of 12 + 3 AP

      • Image Size: 56” x 77” in (142.2 cm x 195.98 cm)
      • Framed Image: 71” x 92” in (180.3 cm x 233.68 cm)

      Standard: Edition of 12 + 3 AP

      • Image Size: 37” x 51” in (93.98 cm x 129.54 cm)
      • Framed Image: 52” x 66” in (132.1 cm x 167.64 cm)

      We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


        The Border

        The Border

        Big Bend National Park, Texas – 2023

        Big Bend National Park on the Texas/Mexican border is one of America’s least visited National Parks whilst also being one of its most spectacular. The issue is that it’s just not that easy to get to, even for Texans who consider a three-hour drive as a work commute. There is no commercial airport within a four-hour drive of Big Bend and those living near the entrance either appear to be in a cunning witness protection programme or auditioning for Breaking Bad. It’s all a bit sketchy down on the border.

        To my eye, the most visually dramatic part of the park is the Santa Elena Canyon where the Rio Grande has shaped towering cliff faces worthy of such a storied and relevant National border line. There is no need for a wall when the canyon runs 1000 feet deep.

        The problem with filming here and many, including the Oscar winner Tommy Lee Jones have tried, is that it has to be an early start to get into the canyon pre-dawn and pre-tourists. I think we left our motel at 3 am.

        There is something rather special about filming on the Rio Grande. We could cross back and forth into Mexico by wading out a few steps from the bank. I sense the proximity to the border makes for tough folk in this part of Texas and it certainly adds to a sense of belonging. As John Steinbeck said “Texas is a state of mind. Texas is an obsession. Above all else, Texas is a nation in every sense of the word.

        AVAILABLE SIZES:

        LARGE: Edition of 12 + 3 AP
        • Image Size: 56” x 66” in (93.98 x 167.6 cm)
        • Framed Image: 71” x 81” in (180.3 cm x 205.7 cm)
        STANDARD: Edition of 12 + 3 AP
        • Image Size: 37” x 44” in (93.98 x 111.8 cm)
        • Framed Image: 52” x 59” in (132.1 cm x 149.9 cm)

        We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


          The Golden Age of Oil

          The Golden Age of Oil

          Marathon, Texas – 2023

          This photograph, taken against the setting sun in West Texas, has such a broad range of colours that we decided it was best to print it that way. I am a believer in the reductive virtues of monochrome, but to calm down the orange glow in this image would be seen as an artistic error.

          There is a great deal going on in this vignette and we are proud of its creation. The four hoofs emphatically off the ground, the dust created by the hoofs, the back lit gusher and the oil worker all coalesce with a fortunate ease. With so much going on, there was always the possibility of a tension point somewhere, but we got away with it. I think there is also a palpable sense of place, reinforced by the cactus plants. This is Texas.

          We can all only imagine what drilling was like 10 years ago, but old imagery informs how tough the work was. This was an industry dominated by tough men conditioned to long shifts with little comfort. They played a material role in the history of America.

          Move forward a century and there are many eco warriors who frown on the oil industry. Their hearts might be in the right place, but they should not and cannot airbrush history. The discovery of oil in America so long ago played an integral role in both World Wars and the evolution of the free world.

          Texas would not be Texas were it not for oil and cowboys and that has been true for five generations. I think this photograph is a visual celebration of a unique way of life and one that locals can rightly be very proud of.

          AVAILABLE SIZES:

          LARGE: Edition of 12
          • Image Size: 60" x 56” in (152.4 cm x 142.2 cm)
          • Framed Image: 75" x 71” in (190.5 cm x 180.34 cm)
          STANDARD: Edition of 12
          • Image Size: 40” x 37” in (101.6 cm x 93.98 cm)
          • Framed Image: 55” x 52” (139.7 cm x 132.08 cm)

          We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


            1905

            1905

            Marathon, Texas – 2023

            In our research for the oil set we were building in West Texas, we tried to find prompts from old monochrome pictures of early oil derricks. This type of computer work appeals to me, whether wearing the hat of an amateur historian or indeed a photographer. Historical black and white images from the Wild West of 120 years ago or more have long had a pull on my visual sensibilities and I am proud to own two original Edward Curtis portraits.

            Cameras 120 year ago were operationally limited at every level, and no more so than when trying to freeze action. It dawned on me that if we were to build a set based on our understanding of wildcatting in the early years of the 20th century, we could then use that set to take the actions shots that were simply impossible to capture in the era to which we were playing homage.

            My leaning was to be as immersive as possible and have action across the frame. I just hadn’t seen this concept played out in a still image and that encouraged me. Of course, we took hints from Paul Anderson’s Oscar winning movie There will be Blood and in particular the scene when oil was struck for the first time. My sense was that there would be a degree of panic in the crew amidst all the excitement and that panic must be conveyed.

            The irony with this photograph, is that despite everything that is going on, and our current anxieties about drilling for oil, there is beauty and romance. The story is a good story and that will always be so. Without oil, where would we be now?

            AVAILABLE SIZES:

            LARGE: Edition of 12
            • Image Size: 56” x 81” in (93.98 x 205.7 cm)
            • Framed Image: 71” x 96” in (180.3 cm x 243.8 cm)
            STANDARD: Edition of 12
            • Image Size: 37” x 53” in (93.98 x 134.6 cm)
            • Framed Image: 52” x 68” in (132.1 cm x 172.7 cm)

            We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


              I'm an Oil Man

              I’M AN OIL MAN

              Marathon, Texas – 2023

              Despite our acute awareness of the environmental harm of carbon omissions, there is something incongruously appealing about the early days of the oil industry. It is difficult to articulate the reason for the appeal, but perhaps it’s because we warm to pioneers and people who risk it all to follow their dream. Daniel Yergin’s 1992 Pulitzer winning book – The Prize – told the story of the petroleum industry from 1850 to 1990 and became so acclaimed that it was translated into 14 languages. In the 900-page classic there was enough insight to satisfy the scholar. But it was his narratives on the colourful personalities in the history of oil that captured the interest of the public. The further back in time, the more these protagonists played to the lore of early prospectors. The early days of oil were a treasure trove for storytellers.

              Film makers such as Paul Anderson with There will be Blood and now Martin Scorsese with the highly anticipated Killers of the Flower Moon homed in on the nascent US oil production industry in the years before and after the First World War. Both films focus on the dangers of avarice and the merciless pursuit of wealth in thinly governed frontier towns.

              Scorsese used my old Texas buddy – Ty Mitchell – as a most convincing bad guy in Killers of the Flower Moon and I knew I wanted him on this set – despite the fact his day rate has moved north now that he is known to work with Marty.

              My plan was to use the base of the derrick in West Texas as a platform on which to play a parody of those early dirty days of wildcatting and I knew Ty would kill his look. He is as authentic as they get and we like authenticity. Meanwhile, I asked Texas local Roxanna Redfoot – who we regularly cast – if she minded getting soaked in oil, partly because I knew she would say “bring it on” . I needed the vignette to be elevated by the characters and not be just an action oil shot.

              Sometimes a creative idea just comes together and works better than ever imagined. This is very much one and huge credit goes to those four Texans for what they went through for a photograph. It certainly has the wow factor.

              AVAILABLE SIZES:

              LARGE: Edition of 12
              • Image Size: 56” x 86” in (93.98 x 218.4 cm)
              • Framed Image: 71” x 101” in (180.3 cm x 256.5 cm)
              STANDARD: Edition of 12
              • Image Size: 37” x 57” in (93.98 x 144.8 cm)
              • Framed Image: 52” x 72” in (132.1 cm x 182.9 cm)

              We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


                TEXAS

                TEXAS

                Marathon, Texas – 2023

                There are no landmarks in this image, no famous references and no famous people. Instead, there are just a couple of prompts and those prompts all emphatically shout Texas. That was my goal; to stage a playful vignette that incorporated a strong sense of place without going over the top. This would be a hard challenge in most US States, but in Texas there are cards to play with.

                The set in West Texas was designed with meticulous care and I thank all involved. It was the perfect canvas to tell stories and, true to the era it portrays, the nearest community of note was 45 minutes away. The sense of remoteness was most genuine.

                We have traveled across this vast state with a frequency that suggests we have developed a deep affection and that would be true. John Steinbeck got there first and summed it up far better than I could ever do.

                “I have said that Texas is a state of mind, but I think it is more than that. It is a mystique closely approximating a religion. And this is true to the extent that people either passionately love Texas or passionately hate it and, as in other religions, few people dare to inspect it for fear of losing their bearings in mystery or paradox. But I think there will be little quarrel with my feeling that Texas is one thing. For all its enormous range of space, climate, and physical appearance, and for all the internal squabbles, contentions, and strivings,

                Texas has a tight cohesiveness perhaps stronger than any other section of America. Rich, poor, Panhandle, Gulf, city, country, Texas is the obsession, the proper study, and the passionate possession of all Texans.” John Steinbeck, Travels with Charley: In Search of America.

                AVAILABLE SIZES:

                LARGE: Edition of 12
                • Image Size: 56” x 78” in (93.98 x 198.1 cm)
                • Framed Image: 71” x 93” in (180.3 cm x 236.2 cm)
                STANDARD: Edition of 12
                • Image Size: 37” x 51” in (93.98 x 129.5 cm)
                • Framed Image: 52” x 66” in (132.1 cm x 167.6 cm)

                We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


                  There will be Oil

                  THERE WILL BE OIL

                  Marathon, Texas – 2023

                  West Texas is the hub of the American Petroleum industry – so much so that West Texas Intermediate ( WTI) is a benchmark crude oil futures contract traded on the New York Mercantile Exchange (NYMEX).

                  Oil was first discovered in West Texas at the turn of the 19th century and the reserves in the Permian basin are so big that the region still produces 4m barrels a day – a third of US oil production.

                  With oil came a story book of characters. My sense was that drilling sites in West Texas in 1915 were loosely governed and uncompromising places, where avarice and sin lurked around most corners. Wildcatting in the wild west came with little cultural refinement and probably a cavalier abuse of unchecked power.

                  To incorporate all this in one vignette required using the space on our set efficiently. There were many thoughts in my mind that morning near Marathon, Texas, but the overarching one was to offer a sense of place. It is not such a challenge in West Texas, which is why so many acclaimed movies, such as Paul Anderson’s Oscar winning There will be Blood, were shot in the area. We return here regularly to tell stories and each time our ambitions have broadened. It is a place that has traditionally not rewarded modesty.

                  As a photographer, I try and resist the urge to both “show and tell”. I prefer to just “show” and then it is up to the audience to interpret.

                  I am not sure of the relationship between the woman and the oil man, or indeed any of the drillers, or what she was doing in town. But at this very moment in time, the crew had more important matters to deal with and whatever her game, it was going to have to wait.

                  AVAILABLE SIZES:

                  LARGE: Edition of 12
                  • Image Size: 56” x 79” in (93.98 x 200.7 cm)
                  • Framed Image: 71” x 94” in (180.3 cm x 238.8 cm)
                  STANDARD: Edition of 12
                  • Image Size: 37” x 52” in (93.98 x 132.1 cm)
                  • Framed Image: 52” x 67” in (132.1 cm x 170.2 cm)

                  We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


                    Black Gold

                    Black Gold

                    Marathon, Texas – 2023

                    It may seem totally incongruous in 2023, but horses and oil derricks were necessary bedfellows in the nascent days of the US oil industry.

                    This was true everywhere, but presumably in cowboy states, it was the most natural of combinations. Long after the invention of the motor vehicle, horses would be a mainstream feature of drilling locations in West Texas.

                    My goal was to tell a story around this unlikely combination and my instincts were for it to be simmering with energy. Like so many, I found Paul Anderson’s There will be Blood totally mesmerizing and no more so than the moment they struck oil.

                    The narrative was one of chaos and people running in many directions and that was what I wanted to borrow from.

                    We had built our set not far from where There will be Blood was filmed in West Texas. There were many reasons for doing this, no more so than our friendship with many local cowboys who we have worked with over the years. There is also a “can do” attitude towards getting things done which we really admire. The horsemanship in this part of the world is also without equal and my lead here – Ryan Marshall – is as good as they get.

                    My preference is always to shoot against the light as it adds drama to features that are defying gravity, which in this case was both oil and dust. I haven’t seen this story being told before, which always gives me a little thrill. Like Texans, we think big too.

                    AVAILABLE SIZES:

                    LARGE: Edition of 12
                    • Image Size: 65” x 56” in (109.2 x 93.98 cm)
                    • Framed Image: 80” x 71” in (203.2 cm x 180.3 cm)
                    STANDARD: Edition of 12
                    • Image Size: 43” x 37” in (109.2 x 93.98 cm)
                    • Framed Image:58” x 52” in (147.3 cm x 132.1 cm)

                    We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.


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