The Gunslinger (B&W)
The Gunslinger (B&W)
Durango, Colorado – 2026
“When Bryson De Chambeau won his second US Open at Pinehurst in 2024, he often found himself in some uncompromising terrain. He is a box office gunslinger and no round of golf is mundane. The strength of his short game that week offered a masterclass in escapology. It was pure theatre in the North Carolina sunshine.
That tournament was not far from my mind when I took Bryson high up into the mountains of Colorado in January. I wanted to film him as a Final Frontier outlaw using the Durango to Silverton steam train as a prop. I know the track well and have often worked at one bend of the track in the early morning when the sun pops its head over the mountain to the east and backlights the whole amphitheatre. It’s almost too good a location to be real, rather like a Red Dead Redemption mood board.
If any golfer were to find his ball here on the cliff face and then get down in two, it probably would be Bryson. I am not sure which one of us was more concerned about the precipitous drop from where we were standing, but he certainly is game for most things. The result is an extraordinary picture full of vitality and depth. His personality is well suited to this narrative; he is full of good energy and then there is material substance behind it.
Bryson was so excited to see the result of our adventure and that made me happy; it is rare to work with someone that is so emotionally invested in the final product.
I may be a European and have some team loyalties, but what a guy.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 20
- Image Size: 37" x 64" (94 x 162.6 cm)
- Framed Size: 52" x 79" (132.1 x 200.7 cm)
Large: Edition of 20
- Image Size: 56" x 96" (142.2 x 243.8 cm)
- Framed Size: 71" x 111" (180.3 x 282 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Gunslinger (Colour)
The Gunslinger (Colour)
Durango, Colorado – 2026
“When Bryson De Chambeau won his second US Open at Pinehurst in 2024, he often found himself in some uncompromising terrain. He is a box office gunslinger and no round of golf is mundane. The strength of his short game that week offered a masterclass in escapology. It was pure theatre in the North Carolina sunshine.
That tournament was not far from my mind when I took Bryson high up into the mountains of Colorado in January. I wanted to film him as a Final Frontier outlaw using the Durango to Silverton steam train as a prop. I know the track well and have often worked at one bend of the track in the early morning when the sun pops its head over the mountain to the east and backlights the whole amphitheatre. It’s almost too good a location to be real, rather like a Red Dead Redemption mood board.
If any golfer were to find his ball here on the cliff face and then get down in two, it probably would be Bryson. I am not sure which one of us was more concerned about the precipitous drop from where we were standing, but he certainly is game for most things. The result is an extraordinary picture full of vitality and depth. His personality is well suited to this narrative; he is full of good energy and then there is material substance behind it.
Bryson was so excited to see the result of our adventure and that made me happy; it is rare to work with someone that is so emotionally invested in the final product.
I may be a European and have some team loyalties, but what a guy.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 20
- Image Size: 37" x 64" (94 x 162.6 cm)
- Framed Size: 52" x 79" (132.1 x 200.7 cm)
Large: Edition of 20
- Image Size: 56" x 96" (142.2 x 243.8 cm)
- Framed Size: 71" x 111" (180.3 x 282 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Just an American Boy (Colour)
Just an American Boy (Colour)
Durango, Colorado – 2026
“Bryson DeChambeau is the embodiment of a proud American. He carries his patriotism with the same passion he holds his golf clubs. He is also as comfortable in front of the camera as he is on the greens of Augusta.
I vividly remember those moments on the 17th green at Bethpage on the Sunday of the Ryder Cup. Things were finally looking up for the American team and Bryson was the talisman. The New Yorkers embraced this Californian born Texan as if he was one of their own. He is box office.
Outside of golf, I found out that Bryson has a fluency in the language of business, trade and economics that would humble many a Wall Street trader.
When I work with anyone whose time is as short as Bryson’s, we prefer to shoot on home ground and play the familiarity card. It is never the time to roll the dice and go into unchartered ground. The Durango & Silverton Railroad in Colorado is well known to us; we know the angles and the light and that meant we had Bryson exactly where we wanted him for the first few moments when the sun popped over the hill. It’s no more than a 5-minute window, but we were prepared.
We have worked with all sorts of people over the years, but few have brought such positive energy as Bryson did. It does make a difference and for all his success and fame, he has a very gentle and unassuming way with people.
I am delighted that he loves this contextual portrait. He plays the role of the gunslinger just as you would expect him to.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 20
- Image Size: 38" x 37" (96.5 x 94 cm)
- Framed Size: 53" x 52" (134.4 x 132.1 cm)
Large: Edition of 20
- Image Size: 57" x 56" (144.8 x 142.2 cm)
- Framed Size: 72" x 71" (182.9 x 180.3 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Just an American Boy (B&W)
Just an American Boy (B&W)
Durango, Colorado – 2026
“Bryson DeChambeau is the embodiment of a proud American. He carries his patriotism with the same passion he holds his golf clubs. He is also as comfortable in front of the camera as he is on the greens of Augusta.
I vividly remember those moments on the 17th green at Bethpage on the Sunday of the Ryder Cup. Things were finally looking up for the American team and Bryson was the talisman. The New Yorkers embraced this Californian born Texan as if he was one of their own. He is box office.
Outside of golf, I found out that Bryson has a fluency in the language of business, trade and economics that would humble many a Wall Street trader.
When I work with anyone whose time is as short as Bryson’s, we prefer to shoot on home ground and play the familiarity card. It is never the time to roll the dice and go into unchartered ground. The Durango & Silverton Railroad in Colorado is well known to us; we know the angles and the light and that meant we had Bryson exactly where we wanted him for the first few moments when the sun popped over the hill. It’s no more than a 5-minute window, but we were prepared.
We have worked with all sorts of people over the years, but few have brought such positive energy as Bryson did. It does make a difference and for all his success and fame, he has a very gentle and unassuming way with people.
I am delighted that he loves this contextual portrait. He plays the role of the gunslinger just as you would expect him to.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 20
- Image Size: 38" x 37" (96.5 x 94 cm)
- Framed Size: 53" x 52" (134.4 x 132.1 cm)
Large: Edition of 20
- Image Size: 57" x 56" (144.8 x 142.2 cm)
- Framed Size: 72" x 71" (182.9 x 180.3 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Off the Rails (Colour)
Off the Rails (Colour)
Durango, Colorado – 2026
“There are no more useful additives to a mountain story than fresh snow on the ground coupled with a decent but not overwhelming amount of falling snow. Neither comes on demand like room service and our unlucky moments make the lucky ones so much better. Gratitude for the good days is probably a subconscious product of all the underwhelming weather conditions we will face over the next year.
This was the first snowfall on the celebrated Durango & Silverton Railroad in Colorado for over three weeks. When we booked the steam train, the cowboy and the fashion model Kelsey Merritt, we had no idea what weather conditions would prevail that January morning and the results can be consigned to a case study on the random walk of luck.
Kelsey shines in her role; there had to be a palpable sense of sovereignty and a hint of nonchalance. She had never puffed on a cigar before, but she did so as if she grew up with a bunch of wise guys in the south side of Chicago.
I am drawn toward cinematic imagery and this is a story made for the silver screen. My preconception was that a wide composition would allow for a broader story to be told. It really is as simple as that. The focal plane does not exclude the train or the cowboy; it simply celebrates Kelsey.
Women have been underrepresented in Westerns to the point of parody and the series we have just embarked on addresses that imbalance. There were girls on the final frontier and many of them had a casual relationship with the law. That all adds to the rich tapestry of the Wild West. There is something most alluring about women who do not play by the rules.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12 + 3 APs
- Image Size: 33" x 77" (83.8 x 195.6 cm)
- Framed Size: 48" x 92" (121.9 x 233.7 cm)
Large: Edition of 12 + 3 APs
- Image Size: 44" x 103" (111.8 x 261.6 cm)
- Framed Size: 59" x 118" (149.9 x 299.7 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Off the Rails (B&W)
Off the Rails (B&W)
Durango, Colorado – 2026
“There are no more useful additives to a mountain story than fresh snow on the ground coupled with a decent but not overwhelming amount of falling snow. Neither comes on demand like room service and our unlucky moments make the lucky ones so much better. Gratitude for the good days is probably a subconscious product of all the underwhelming weather conditions we will face over the next year.
This was the first snowfall on the celebrated Durango & Silverton Railroad in Colorado for over three weeks. When we booked the steam train, the cowboy and the fashion model Kelsey Merritt, we had no idea what weather conditions would prevail that January morning and the results can be consigned to a case study on the random walk of luck.
Kelsey shines in her role; there had to be a palpable sense of sovereignty and a hint of nonchalance. She had never puffed on a cigar before, but she did so as if she grew up with a bunch of wise guys in the south side of Chicago.
I am drawn toward cinematic imagery and this is a story made for the silver screen. My preconception was that a wide composition would allow for a broader story to be told. It really is as simple as that. The focal plane does not exclude the train or the cowboy; it simply celebrates Kelsey.
Women have been underrepresented in Westerns to the point of parody and the series we have just embarked on addresses that imbalance. There were girls on the final frontier and many of them had a casual relationship with the law. That all adds to the rich tapestry of the Wild West. There is something most alluring about women who do not play by the rules.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12 + 3 APs
- Image Size: 33" x 77" (83.8 x 195.6 cm)
- Framed Size: 48" x 92" (121.9 x 233.7 cm)
Large: Edition of 12 + 3 APs
- Image Size: 44" x 103" (111.8 x 261.6 cm)
- Framed Size: 59" x 118" (149.9 x 299.7 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Girl with the Cigar (B&W)
The Girl with the Cigar (B&W)
Durango, Colorado – 2026
“There are no more useful additives to a mountain story than fresh snow on the ground coupled with a decent but not overwhelming amount of falling snow. Neither comes on demand like room service and our unlucky moments make the lucky ones so much better. Gratitude for the good days is probably a subconscious product of all the underwhelming weather conditions we will face over the next year.
This was the first snowfall on the celebrated Durango & Silverton Railroad in Colorado for over three weeks. When we booked the steam train, the cowboy and the fashion model Kelsey Merritt, we had no idea what weather conditions would prevail that January morning and the results can be consigned to a case study on the random walk of luck.
Kelsey shines in her role; there had to be a palpable sense of sovereignty and a hint of nonchalance. She had never puffed on a cigar before, but she did so as if she grew up with a bunch of wise guys in the south side of Chicago.
I am drawn toward cinematic imagery and this is a story made for the silver screen. My preconception was that a wide composition would allow for a broader story to be told. It really is as simple as that. The focal plane does not exclude the train or the cowboy; it just celebrates Kelsey.
Women have been underrepresented in Westerns to the point of parody and the series we have just embarked on addresses that imbalance. There were girls on the final frontier and many of them had a casual relationship with the law. That all adds to the rich tapestry of the Wild West. There is something most alluring about women who do not play by the rules.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12 + 3 APs
- Image Size: 37" x 69" (94 x 175.3 cm)
- Framed Image: 52" x 84" (132.1 x 213.4 cm)
Large: Edition of 12 + 3 APs
- Image Size: 55" x 103" (139.7 x 261.6 cm)
- Framed Image: 70" x 118" (177.8 x 299.7 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Daylight Robbery (B&W)
Bryson City, North Carolina – 2025
“A year ago, in October, we filmed in this same field in North Carolina with the same train and the end photograph worked well. There are inherent dangers in returning to the same location if the narrative has not evolved, but at least we had a good year to think about it. If we revisit somewhere, my goals tend to be loftier than before, as we never want to regress creatively.
The first alteration we made was to embrace the colors of the fall and this meant waiting for the first overnight frosts to golden the trees and give our backdrop some proper seasonal glory. So we planned our trip to the Smoky Mountains at the end of October, rather than the middle; we all know 10 days can make a huge difference in the colors of the fall.
It was wet, cold and a bit bleak but that is more appropriate weather for the scenes we were shooting than balmy sunshine. Flat light can be a photographer’s great friend in scenes like this, so long as the rain holds off.
The second addition was to bring in a horse and rider to run alongside the steam train. This is not a job for part time cowboys as the steam and the smoke from the train are uncertain variables for a horse. Ty Mitchell is an old hand at this kind of stuff; Martin Scorsese cast him as the bad guy in Killers of the Flower Moon and he is certainly a bad ass dude.
Ty is as good and game as they come, but even he fell off his horse shooting this sequence; the first time I have seen him do that in our six-year friendship. Huge respect to him for just getting up and giving it another go.
The result is a strong picture with enough layers to tell a full story. I had props at my disposal for the concept to have potential, but the execution here was a little harder than most. But all you need is one good cowboy and one good frame, and eventually we got it.”
-David Yarrow
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image Size: 56" x 103" in (142.24 cm × 261.62 cm)
- Framed Image: 71" x 118" in (180.34 cm × 299.72 cm)
STANDARD: Edition of 12 + 3 AP
- Image Size: 37" x 68" in (93.98 cm × 172.72 cm)
- Framed Image: 52" x 83" in (132.08 cm × 210.82 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Daylight Robbery (Colour)
Bryson City, North Carolina – 2025
“A year ago, in October, we filmed in this same field in North Carolina with the same train and the end photograph worked well. There are inherent dangers in returning to the same location if the narrative has not evolved, but at least we had a good year to think about it. If we revisit somewhere, my goals tend to be loftier than before, as we never want to regress creatively.
The first alteration we made was to embrace the colors of the fall and this meant waiting for the first overnight frosts to golden the trees and give our backdrop some proper seasonal glory. So we planned our trip to the Smoky Mountains at the end of October, rather than the middle; we all know 10 days can make a huge difference in the colors of the fall.
It was wet, cold and a bit bleak but that is more appropriate weather for the scenes we were shooting than balmy sunshine. Flat light can be a photographer’s great friend in scenes like this, so long as the rain holds off.
The second addition was to bring in a horse and rider to run alongside the steam train. This is not a job for part time cowboys as the steam and the smoke from the train are uncertain variables for a horse. Ty Mitchell is an old hand at this kind of stuff; Martin Scorsese cast him as the bad guy in Killers of the Flower Moon and he is certainly a bad ass dude.
Ty is as good and game as they come, but even he fell off his horse shooting this sequence; the first time I have seen him do that in our six-year friendship. Huge respect to him for just getting up and giving it another go.
The result is a strong picture with enough layers to tell a full story. I had props at my disposal for the concept to have potential, but the execution here was a little harder than most. But all you need is one good cowboy and one good frame, and eventually we got it.”
-David Yarrow
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image Size: 56" x 103" in (142.24 cm × 261.62 cm)
- Framed Image: 71" x 118" in (180.34 cm × 299.72 cm)
STANDARD: Edition of 12 + 3 AP
- Image Size: 37" x 68" in (93.98 cm × 172.72 cm)
- Framed Image: 52" x 83" in (132.08 cm × 210.82 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
