Wall Street Stories (Colour)
Wall Street Stories (Colour)
Manhattan, New York – 2026
“I was on duty at the Sundance Film Festival in Utah, when forecasts of a massive cross-state winter storm started to hit TV channels. The storm would stretch North East all the way from Texas to Boston and what particularly interested me was the expectation of a foot of snow in one day in New York City.
I had always wanted to photograph Manhattan in an intense blizzard and the fortunate news was the storm was going to land on a Sunday when most public areas would be light of working people. Anyone sensible or anyone following the new Mayor’s advice would not be leaving home.
I am familiar with the area immediately outside the NYSE building, having filmed there before and recognised its visual potential in a white out. I had just enough time to organise our “wolf ” and his handlers to get up from California, but speaking engagements restricted me to flying in on the red eye on Saturday night and hoping to arrive before JFK shut.
As it was, I made it from Salt Lake City with a couple of hours to spare and then, as predicted, the city was hit with the biggest one-day snowfall since 1905. These are the opportunities we long for and thanks to quick thinking and good logistical back up from my team, I was exactly where I needed to be. This was about to be an historic day in the epicentre of the world.
By about 11am, snow was accumulating at 2 inches an hour and filming a subject further than 3 feet from the camera was challenging. However, the composition I was looking for would necessitate the wolf being very close and then working with my most extreme wide-angle lens. My preference was for the wolf ’s face to be caked in snow and the conditions guaranteed that.
A bonus was that the extreme cold served to amplify the steam escaping through one of the nearby maintenance holes. This added to the visual depth of a New York story and I knew I could use the steam to my advantage.
What a morning, and huge thanks to my friend – the Texan model Holly Graves – who entered this winter wonderland with all the energy and enthusiasm that I have come to expect from her. It was not a day for precious people; it was a day for those with a visceral commitment to their craft.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12
- Image Size: 37" x 44" (94 x 111.8 cm)
- Framed Image: 52" x 59" (132.1 x 149.9 cm)
Large: Edition of 12
- Image Size: 56" x 66" (142.2 x 139.7 cm)
- Framed Image: 71" x 81" (180.3 x 205.7 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Wall Street Stories (B&W)
Wall Street Stories (B&W)
Manhattan, New York – 2026
“I was on duty at the Sundance Film Festival in Utah, when forecasts of a massive cross-state winter storm started to hit TV channels. The storm would stretch North East all the way from Texas to Boston and what particularly interested me was the expectation of a foot of snow in one day in New York City.
I had always wanted to photograph Manhattan in an intense blizzard and the fortunate news was the storm was going to land on a Sunday when most public areas would be light of working people. Anyone sensible or anyone following the new Mayor’s advice would not be leaving home.
I am familiar with the area immediately outside the NYSE building, having filmed there before and recognised its visual potential in a white out. I had just enough time to organise our “wolf ” and his handlers to get up from California, but speaking engagements restricted me to flying in on the red eye on Saturday night and hoping to arrive before JFK shut.
As it was, I made it from Salt Lake City with a couple of hours to spare and then, as predicted, the city was hit with the biggest one-day snowfall since 1905. These are the opportunities we long for and thanks to quick thinking and good logistical back up from my team, I was exactly where I needed to be. This was about to be an historic day in the epicentre of the world.
By about 11am, snow was accumulating at 2 inches an hour and filming a subject further than 3 feet from the camera was challenging. However, the composition I was looking for would necessitate the wolf being very close and then working with my most extreme wide-angle lens. My preference was for the wolf ’s face to be caked in snow and the conditions guaranteed that.
A bonus was that the extreme cold served to amplify the steam escaping through one of the nearby maintenance holes. This added to the visual depth of a New York story and I knew I could use the steam to my advantage.
What a morning, and huge thanks to my friend – the Texan model Holly Graves – who entered this winter wonderland with all the energy and enthusiasm that I have come to expect from her. It was not a day for precious people; it was a day for those with a visceral commitment to their craft.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12
- Image Size: 37" x 44" (94 x 111.8 cm)
- Framed Image: 52" x 59" (132.1 x 149.9 cm)
Large: Edition of 12
- Image Size: 56" x 66" (142.2 x 139.7 cm)
- Framed Image: 71" x 81" (180.3 x 205.7 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Gunslinger (B&W)
The Gunslinger (B&W)
Durango, Colorado – 2026
“When Bryson De Chambeau won his second US Open at Pinehurst in 2024, he often found himself in some uncompromising terrain. He is a box office gunslinger and no round of golf is mundane. The strength of his short game that week offered a masterclass in escapology. It was pure theatre in the North Carolina sunshine.
That tournament was not far from my mind when I took Bryson high up into the mountains of Colorado in January. I wanted to film him as a Final Frontier outlaw using the Durango to Silverton steam train as a prop. I know the track well and have often worked at one bend of the track in the early morning when the sun pops its head over the mountain to the east and backlights the whole amphitheatre. It’s almost too good a location to be real, rather like a Red Dead Redemption mood board.
If any golfer were to find his ball here on the cliff face and then get down in two, it probably would be Bryson. I am not sure which one of us was more concerned about the precipitous drop from where we were standing, but he certainly is game for most things. The result is an extraordinary picture full of vitality and depth. His personality is well suited to this narrative; he is full of good energy and then there is material substance behind it.
Bryson was so excited to see the result of our adventure and that made me happy; it is rare to work with someone that is so emotionally invested in the final product.
I may be a European and have some team loyalties, but what a guy.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 20
- Image Size: 37" x 64" (94 x 162.6 cm)
- Framed Size: 52" x 79" (132.1 x 200.7 cm)
Large: Edition of 20
- Image Size: 56" x 96" (142.2 x 243.8 cm)
- Framed Size: 71" x 111" (180.3 x 282 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Gunslinger (Colour)
The Gunslinger (Colour)
Durango, Colorado – 2026
“When Bryson De Chambeau won his second US Open at Pinehurst in 2024, he often found himself in some uncompromising terrain. He is a box office gunslinger and no round of golf is mundane. The strength of his short game that week offered a masterclass in escapology. It was pure theatre in the North Carolina sunshine.
That tournament was not far from my mind when I took Bryson high up into the mountains of Colorado in January. I wanted to film him as a Final Frontier outlaw using the Durango to Silverton steam train as a prop. I know the track well and have often worked at one bend of the track in the early morning when the sun pops its head over the mountain to the east and backlights the whole amphitheatre. It’s almost too good a location to be real, rather like a Red Dead Redemption mood board.
If any golfer were to find his ball here on the cliff face and then get down in two, it probably would be Bryson. I am not sure which one of us was more concerned about the precipitous drop from where we were standing, but he certainly is game for most things. The result is an extraordinary picture full of vitality and depth. His personality is well suited to this narrative; he is full of good energy and then there is material substance behind it.
Bryson was so excited to see the result of our adventure and that made me happy; it is rare to work with someone that is so emotionally invested in the final product.
I may be a European and have some team loyalties, but what a guy.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 20
- Image Size: 37" x 64" (94 x 162.6 cm)
- Framed Size: 52" x 79" (132.1 x 200.7 cm)
Large: Edition of 20
- Image Size: 56" x 96" (142.2 x 243.8 cm)
- Framed Size: 71" x 111" (180.3 x 282 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Just an American Boy (Colour)
Just an American Boy (Colour)
Durango, Colorado – 2026
“Bryson DeChambeau is the embodiment of a proud American. He carries his patriotism with the same passion he holds his golf clubs. He is also as comfortable in front of the camera as he is on the greens of Augusta.
I vividly remember those moments on the 17th green at Bethpage on the Sunday of the Ryder Cup. Things were finally looking up for the American team and Bryson was the talisman. The New Yorkers embraced this Californian born Texan as if he was one of their own. He is box office.
Outside of golf, I found out that Bryson has a fluency in the language of business, trade and economics that would humble many a Wall Street trader.
When I work with anyone whose time is as short as Bryson’s, we prefer to shoot on home ground and play the familiarity card. It is never the time to roll the dice and go into unchartered ground. The Durango & Silverton Railroad in Colorado is well known to us; we know the angles and the light and that meant we had Bryson exactly where we wanted him for the first few moments when the sun popped over the hill. It’s no more than a 5-minute window, but we were prepared.
We have worked with all sorts of people over the years, but few have brought such positive energy as Bryson did. It does make a difference and for all his success and fame, he has a very gentle and unassuming way with people.
I am delighted that he loves this contextual portrait. He plays the role of the gunslinger just as you would expect him to.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 20
- Image Size: 38" x 37" (96.5 x 94 cm)
- Framed Size: 53" x 52" (134.4 x 132.1 cm)
Large: Edition of 20
- Image Size: 57" x 56" (144.8 x 142.2 cm)
- Framed Size: 72" x 71" (182.9 x 180.3 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Just an American Boy (B&W)
Just an American Boy (B&W)
Durango, Colorado – 2026
“Bryson DeChambeau is the embodiment of a proud American. He carries his patriotism with the same passion he holds his golf clubs. He is also as comfortable in front of the camera as he is on the greens of Augusta.
I vividly remember those moments on the 17th green at Bethpage on the Sunday of the Ryder Cup. Things were finally looking up for the American team and Bryson was the talisman. The New Yorkers embraced this Californian born Texan as if he was one of their own. He is box office.
Outside of golf, I found out that Bryson has a fluency in the language of business, trade and economics that would humble many a Wall Street trader.
When I work with anyone whose time is as short as Bryson’s, we prefer to shoot on home ground and play the familiarity card. It is never the time to roll the dice and go into unchartered ground. The Durango & Silverton Railroad in Colorado is well known to us; we know the angles and the light and that meant we had Bryson exactly where we wanted him for the first few moments when the sun popped over the hill. It’s no more than a 5-minute window, but we were prepared.
We have worked with all sorts of people over the years, but few have brought such positive energy as Bryson did. It does make a difference and for all his success and fame, he has a very gentle and unassuming way with people.
I am delighted that he loves this contextual portrait. He plays the role of the gunslinger just as you would expect him to.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 20
- Image Size: 38" x 37" (96.5 x 94 cm)
- Framed Size: 53" x 52" (134.4 x 132.1 cm)
Large: Edition of 20
- Image Size: 57" x 56" (144.8 x 142.2 cm)
- Framed Size: 72" x 71" (182.9 x 180.3 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Off the Rails (Colour)
Off the Rails (Colour)
Durango, Colorado – 2026
“There are no more useful additives to a mountain story than fresh snow on the ground coupled with a decent but not overwhelming amount of falling snow. Neither comes on demand like room service and our unlucky moments make the lucky ones so much better. Gratitude for the good days is probably a subconscious product of all the underwhelming weather conditions we will face over the next year.
This was the first snowfall on the celebrated Durango & Silverton Railroad in Colorado for over three weeks. When we booked the steam train, the cowboy and the fashion model Kelsey Merritt, we had no idea what weather conditions would prevail that January morning and the results can be consigned to a case study on the random walk of luck.
Kelsey shines in her role; there had to be a palpable sense of sovereignty and a hint of nonchalance. She had never puffed on a cigar before, but she did so as if she grew up with a bunch of wise guys in the south side of Chicago.
I am drawn toward cinematic imagery and this is a story made for the silver screen. My preconception was that a wide composition would allow for a broader story to be told. It really is as simple as that. The focal plane does not exclude the train or the cowboy; it simply celebrates Kelsey.
Women have been underrepresented in Westerns to the point of parody and the series we have just embarked on addresses that imbalance. There were girls on the final frontier and many of them had a casual relationship with the law. That all adds to the rich tapestry of the Wild West. There is something most alluring about women who do not play by the rules.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12 + 3 APs
- Image Size: 33" x 77" (83.8 x 195.6 cm)
- Framed Size: 48" x 92" (121.9 x 233.7 cm)
Large: Edition of 12 + 3 APs
- Image Size: 44" x 103" (111.8 x 261.6 cm)
- Framed Size: 59" x 118" (149.9 x 299.7 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Off the Rails (B&W)
Off the Rails (B&W)
Durango, Colorado – 2026
“There are no more useful additives to a mountain story than fresh snow on the ground coupled with a decent but not overwhelming amount of falling snow. Neither comes on demand like room service and our unlucky moments make the lucky ones so much better. Gratitude for the good days is probably a subconscious product of all the underwhelming weather conditions we will face over the next year.
This was the first snowfall on the celebrated Durango & Silverton Railroad in Colorado for over three weeks. When we booked the steam train, the cowboy and the fashion model Kelsey Merritt, we had no idea what weather conditions would prevail that January morning and the results can be consigned to a case study on the random walk of luck.
Kelsey shines in her role; there had to be a palpable sense of sovereignty and a hint of nonchalance. She had never puffed on a cigar before, but she did so as if she grew up with a bunch of wise guys in the south side of Chicago.
I am drawn toward cinematic imagery and this is a story made for the silver screen. My preconception was that a wide composition would allow for a broader story to be told. It really is as simple as that. The focal plane does not exclude the train or the cowboy; it simply celebrates Kelsey.
Women have been underrepresented in Westerns to the point of parody and the series we have just embarked on addresses that imbalance. There were girls on the final frontier and many of them had a casual relationship with the law. That all adds to the rich tapestry of the Wild West. There is something most alluring about women who do not play by the rules.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12 + 3 APs
- Image Size: 33" x 77" (83.8 x 195.6 cm)
- Framed Size: 48" x 92" (121.9 x 233.7 cm)
Large: Edition of 12 + 3 APs
- Image Size: 44" x 103" (111.8 x 261.6 cm)
- Framed Size: 59" x 118" (149.9 x 299.7 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Girl with the Cigar (Colour)
The Girl with the Cigar (Colour)
Durango, Colorado – 2026
“There are no more useful additives to a mountain story than fresh snow on the ground coupled with a decent but not overwhelming amount of falling snow. Neither comes on demand like room service and our unlucky moments make the lucky ones so much better. Gratitude for the good days is probably a subconscious product of all the underwhelming weather conditions we will face over the next year.
This was the first snowfall on the celebrated Durango & Silverton Railroad in Colorado for over three weeks. When we booked the steam train, the cowboy and the fashion model Kelsey Merritt, we had no idea what weather conditions would prevail that January morning and the results can be consigned to a case study on the random walk of luck.
Kelsey shines in her role; there had to be a palpable sense of sovereignty and a hint of nonchalance. She had never puffed on a cigar before, but she did so as if she grew up with a bunch of wise guys in the south side of Chicago.
I am drawn toward cinematic imagery and this is a story made for the silver screen. My preconception was that a wide composition would allow for a broader story to be told. It really is as simple as that. The focal plane does not exclude the train or the cowboy; it just celebrates Kelsey.
Women have been underrepresented in Westerns to the point of parody and the series we have just embarked on addresses that imbalance. There were girls on the final frontier and many of them had a casual relationship with the law. That all adds to the rich tapestry of the Wild West. There is something most alluring about women who do not play by the rules.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12 + 3 APs
- Image Size: 37" x 69" (94 x 175.3 cm)
- Framed Image: 52" x 84" (132.1 x 213.4 cm)
Large: Edition of 12 + 3 APs
- Image Size: 55" x 103" (139.7 x 261.6 cm)
- Framed Image: 70" x 118" (177.8 x 299.7 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Girl with the Cigar (B&W)
The Girl with the Cigar (B&W)
Durango, Colorado – 2026
“There are no more useful additives to a mountain story than fresh snow on the ground coupled with a decent but not overwhelming amount of falling snow. Neither comes on demand like room service and our unlucky moments make the lucky ones so much better. Gratitude for the good days is probably a subconscious product of all the underwhelming weather conditions we will face over the next year.
This was the first snowfall on the celebrated Durango & Silverton Railroad in Colorado for over three weeks. When we booked the steam train, the cowboy and the fashion model Kelsey Merritt, we had no idea what weather conditions would prevail that January morning and the results can be consigned to a case study on the random walk of luck.
Kelsey shines in her role; there had to be a palpable sense of sovereignty and a hint of nonchalance. She had never puffed on a cigar before, but she did so as if she grew up with a bunch of wise guys in the south side of Chicago.
I am drawn toward cinematic imagery and this is a story made for the silver screen. My preconception was that a wide composition would allow for a broader story to be told. It really is as simple as that. The focal plane does not exclude the train or the cowboy; it just celebrates Kelsey.
Women have been underrepresented in Westerns to the point of parody and the series we have just embarked on addresses that imbalance. There were girls on the final frontier and many of them had a casual relationship with the law. That all adds to the rich tapestry of the Wild West. There is something most alluring about women who do not play by the rules.”
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12 + 3 APs
- Image Size: 37" x 69" (94 x 175.3 cm)
- Framed Image: 52" x 84" (132.1 x 213.4 cm)
Large: Edition of 12 + 3 APs
- Image Size: 55" x 103" (139.7 x 261.6 cm)
- Framed Image: 70" x 118" (177.8 x 299.7 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.