The Lady of the Lake

Eresfjord, Norway – 2025
“The grey frame of this 1948 Porsche 356 complements the snowy and misty backdrop of this winter’s day. There is a calm tonal balance to the photograph which would not have been possible if the sun had been out. There may not be 50 shades of grey, but there is a good dozen.
This is a coveted and highly valuable car and its shape is lauded by car enthusiasts. I knew that I had to capture it in profile on at least one shoot in Norway. This was the location in which to do so.
When we were planning this shoot, we had no idea that the west coast of Norway would be hit by a material early winter snowstorm. We considered this to be a fortunate break so long as we could get the car to the location, which was in an isolated fjord northeast of Molde.
Snow normally allows the photographer a little more light to play with and importantly it adds another layer to the story with no extra charge. We are big fans of working in the snow, especially in soft or low light. But it does also offer
logistical challenges in terms of access and consequently, in Norway, we work with seasoned professionals.
The Austrian model Nadine Leopold does an excellent job as the lady of the lake. There is a sovereignty to her pose and I think the cigarette adds a bad ass nonchalance to her character. She seems very much in control of the situation – whatever that situation might indeed be.
The Lady of The Lake was an influential narrative poem written by Sir Walter Scott in the early part of the 19th Century. Scott was from central Scotland ( just like myself) and hence I thought it as good a name for this photograph as any.“
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12, 3 AP, 1 EP
- Image Size: 35” x 69” in (89 cm × 175 cm)
- Framed Image: 50" x 84" in (127 cm × 213 cm)
Large: Edition of 12, 3 AP, 1 EP
- Image Size: 52” x 103” in (132 cm × 262 cm)
- Framed Image: 67" x 118" in (170 cm × 300 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The White Lady

Jackson Hole, Wyoming – 2025
“There is not much I would change with this photograph – it all came together in cold winter light looking out to the much-loved Mount Moran in Grand Teton National Park. I am not the first photographer to be drawn to the almost perfect symmetry and grandeur of this 12,000-foot-tall mountain and I won’t be the last.
The foreground had to have some punch and I think the combination of Josie Canseco and her travel companion in a 1953 Ferrari pushes a few boundaries. There is much to look at.
It was, however, the weather that made the shot. I needed fresh snow and a clear morning sky; without one or the other, there was no picture to be taken. The light becomes increasingly less kind on a sunny day and we knew that it would all be over by 8 am at the latest. The window of opportunity is less than 30 minutes.
During our week in Jackson, we had low sky and suboptimal light for 95% of the time. But we had one morning of clear sky and we took our chance. It was luck really, but I think we leveraged what we were given and that ultimately is the acid test. This image is now in the bag forever and that’s something to celebrate.
For those with a visual sensibility, The Tetons set a high bar; there is no mountain range in the Americas I would prefer as a backdrop and the Snake River Valley below offers so much opportunity to build stories. It is an amphitheater that demands a filmmaker’s A game – to be mundane or vanilla would be embarrassing.“
-David Yarrow
AVAILABLE SIZES:
Standard: Edition of 12, 3 AP, 1 EP
- Image Size: 37” x 45” in (94 cm × 114.5 cm)
- Framed Image: 52" x 60" in (132 cm × 152.5 cm)
Large: Edition of 12, 3 AP, 1 EP
- Image Size: 56” x 68” in (142 cm × 173 cm)
- Framed Image: 71" x 83" in (180.5 cm × 211 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Usual Suspects II

Montana – 2024
Archival Pigment Print
“The first time that I set foot in Montana, I knew I was in a very special place. It was not just the majesty of the scenery, it was the characters that lived there. I have long had a visceral attraction to the Wild West and no state embodies the final frontier of America more than Montana. In the hills in the winter, there is a sense of timelessness. The clock seemingly broke about 100 years ago.
Over the last few years we have been fairly relentless networking up in a village in the mountains. I have been there 7 times and we have invested emotionally as well as financially in order to be able to tell stories with the camera. This week – on Robbie Burns night – appropriately enough – we had our reward. There was no point attempting this without a solid base of locals that genuinely wanted to help.
I know this bar in the mountains inside out and the locals know me. Everyone wanted a role in the shoot, but we had to be selective. I wanted ex-convicts, wolf wranglers, wannabe Davey Crocketts and crazy old mountain men that are drunk by 11 am. But it needed more – the barmaid had to have the right look – as she would be pivotal to the image – as would the chosen mountain man. It would be a key juxtaposition. I found the girl – Roxanna Redfoot (what a name) – from Dallas and she was brilliant.
The wolf I could rely on – I have worked with him before and so long as he doesn’t tire I had a chance. But there is no light in the bar – so it as all seat-of-the-pants stuff technically – there was no margin for error in focus. A flash gun would destroy the emotion and sense of place.
As I expected, most of the photographs were not sharp or someone messed up (including me). The composition was always however bang on. I just needed one stroke of luck – 1 / 125th of a second that would capture Montana. I think we nailed it!
“The Usual Suspects”…indeed.”
-David Yarrow
Available sizes
Large: Edition of 12, 3 AP, 1 EP
- Image Size: 56″ x 99″ in (142.24 cm × 251.46 cm)
- Framed Image: 71″ x 114″ in (180.34 cm × 289.56 cm)
Standard: Edition of 12, 3 AP, 1 EP
- Image Size: 37″ x 66″ in (93.98 cm × 167.64 cm)
- Framed Image: 52″ x 81″ in (132.08 cm × 205.74 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Road to Amalfi (Colour)

Atrani, Italy – 2024
“A corollary of life on the road, is to build up a mental collection of favourite journeys. Most roads only offer a perfunctory way of getting from A to B, but then there are the gems where the journey itself becomes the main event. My home country, Scotland, has the A82 through Glencoe; America has the stretch through Monument Valley, Highway One and many more; Iceland has its entire ring road and then there is the Amalfi coastal road in southern Italy.
It is almost incumbent on any movie director filming in the area, to emphatically locate the destination by celebrating the road. That is instructive as it suggests that to ignore the means of travel is to forget a prop.
The road is terrifying and breathtaking as one: hugging the cliffs on one side and offering vistas of the Tyrrhenian Sea on the other. John Steinbeck wrote of the terror of winding through the Amalfi Coast on a road that “corkscrewed on the edge of nothing”, clutched in his wife’s arms who was “weeping hysterically”. Every hairpin bend is a prelude to a new visual feast, and none more so than the bend heading west before Atrani. I knew, at some stage, this bend would find itself in front of my camera.
My leaning was to style a 1970s period shoot with a model capable of capturing the effortless grace and sexuality of Italian models of the time. She had to own the scene without impairing the visual feast behind her. American Supermodel, Brooks Nader, works with us regularly and knew exactly what I wanted from her. It all had to come together in the few moments when the police kindly closed the road; this was not a set for deliberating.”
-David Yarrow
AVAILABLE SIZES:
LARGE: Edition of 12, 3 AP, 1 EP
- Image Size: 56" x 76" in (132.08 cm × 236.22 cm)
- Framed Image: 71" x 91" in (180.34 cm × 231.14 cm)
STANDARD: Edition of 12, 3 AP, 1 EP
- Image Size: 37" x 50" in (93.98 cm × 127 cm)
- Framed Image: 52" x 65" in (132.08 cm × 165.1 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
The Rockies

Aspen, Colorado – 2023
“Taken early one January morning, this is a view that all Aspenites know well. I wanted a mid-1970s vintage vibe, and Josie Canseco gave that to me. Ten minutes later, the light was too harsh to work with.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 84" (142 x 213 cm)
- Framed Size: 71" x 99" (180 x 251 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 56" (94 x 142 cm)
- Framed Size: 52" x 71" (132 x 180)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
Code Red II

Minturn, Colorado – 2024
“The railroad and mining community of Minturn – which dates to the 1880s – allows for some raw grit to saddle up to the shiny neighbouring resort town of Vail. The contrast between the two places is astonishingly stark, given that they are only three miles apart. Whilst Vail was styled by architects and designers on Alpine Bavaria, Minturn was styled by grizzly prospectors looking only as far as the next day.
Vail was built 80 years after Minturn and when the contractors finished a day’s shift, they would head west to the Minturn Saloon. It was the place to go and 60 years on, despite some remodeling and ownership changes, it remains exactly that. All those who know Vail, know the Minturn Saloon. Rather like the Woody Creek Tavern in Aspen, it has fostered a strong patronage over the years and when the doors open at 3pm, the bar fills at a speed to suggest that this is a special and loved destination. As always it is the people that make the places and this bar attracts a rich variety of clientele.
Part of the saloon’s appeal was that it was directly accessible by skis, by car, by foot and by horse and it therefore became something of a vortex at the end of the day. By the 1970s, the Minturn not only attracted cowboys, builders and miners, but the new bohemian hipster crowd from over the hill.
I am always drawn to the visual contrasts afforded to a filmmaker when a wild frontier destination is fused with glamour. This was the premise for this story. I saw a chance to play with the cold winter light that day and the result works pleasingly well in colour.
Alessandra Ambrosio is one of the leading models in the world and it was a pleasure to work with her. She certainly killed her look and showed why she is at the top of her game. We would also like to thank Austin Akers for the use of the beautiful 1956 Mercedes Benz 300 SL Gullwing.” – David Yarrow
AVAILABLE SIZES:
LARGE: Edition of 12 + 3 AP
- Image Size: 56" x 70” in (142.2 cm x 177.8 cm)
- Framed Image: 71" x 85” in (180.3 cm x 215.9 cm)
STANDARD: Edition of 12 + 3 AP
- Image Size: 37” x 47” in (93.98 cm x 119.4 cm)
- Framed Image: 52” x 62” (132.1 cm x 157.5 cm)
We ship worldwide and use a multitude of providers to safely deliver your masterpiece. Domestic delivery and installation may also be available via Hilton Asmus Contemporary’s private art shuttle. Please inquire.
Come Fly With Me

Telluride, Colorado – 2023
“The most jaw dropping airports in the world also tend to host challenging runways, a bittersweet experience for both passengers and pilots. St Barts in the French Caribbean would be one example and then in the San Juan mountains of America, Telluride Airport proudly sits 9000 feet up in the sky. It must be one of the more outrageous places in which to build a commercial airport.
My idea was to build a story around this airport and the setting demanded some strong props, especially – of course – a plane.
We found access to a real beauty. Originally built for the US Army Air Corps as a C-47-DL and served in the US military during World War II in North Africa and in the eighth Air Force. It then went on to participate in the D-Day invasion. In 1946 her job was done and she was converted to what she is today – a Douglas, DC-3Ce.
The problem was always going to be getting the plane into Telluride and we needed a break in the winter weather. That break came 40 hours before the shoot schedule and we grabbed it. To be candid, I didn’t care about the difficulties of it leaving afterwards; that was someone else’s problem. We just had to make full use of its visual splendour during its short mini break at 9000ft.
I would not be the first to use the metallic splendour of aviation as a prop and then throw in the top models of the era. It’s a combination that worked so well for Norman Parkinson in Nairobi in 1951. The difficulty was making sure I glorified all three parts of the image: the girls, the plan and the unmistakable backdrop of Telluride. It was a challenging concept to execute, especially with temperatures at 20 degrees below zero.
My full respect to the girls: Josie Canseco, Daniela Braga, Brooks Nader and Erica Lawrence and, of course, my pilot Brandon Jewett.“
-David Yarrow
Available Sizes
Large - Edition of 12 + 3 AP
- Image Size: 33” x 103" in (84 cm x 262 cm)
- Framed Image: 48” x 118” in (122 cm x 300 cm)
Standard - Edition of 12 + 3 AP
- Image Size: 25” x 77” in (64 cm x 196 cm)
- Framed Image: 40” x 92” in (102 cm x 234 cm)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Thomas Crown Affair

Wellington, Florida – 2025
“Polo brings with it money, glamour and a whiff of naughtiness. There is something rather visceral and sexy about it all, a bit like being an art thief. Girls are drawn to Polo in a way they are not drawn to other big field sports such as cricket or baseball.
Meanwhile, luxury brands like Rolex and LVMH may show mild interest in the duels on the field but are more excited by the audiences in front of whom the game is played. The talent on the horses is matched by the talent off the horses; not something that is true perhaps of any other professional sports. It is a complete scene and offers an insight into the rarefied lives of a few. Ralph Lauren understood that it was a microcosm of what some may assume to be a better life. The whole affair, like Thomas Crown’s, is deeply aspirational.
This photograph works largely because of the flat light in Wellington, Florida that spring morning. It gives granularity not just to the 1950s Austin-Healey car and the girls, but the whole set. Sunlight always reduces depth and this story needed depth. There is an unmistakable sense of polo in Florida.
There are many people to thank for making this picture happen and I am reminded, yet again, that the easiest part of the job is pressing the shutter. I had an idea, but we then needed to execute it and that required the support of many busy people.“
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 103" (142 x 262 cm)
- Framed Size: 71" x 118" (180 x 300 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 68" (94 x 173 cm)
- Framed Size: 52" x 83" (132 x 211)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Winner Takes it All

Wellington, Florida – 2025
“In the winter months, Wellington, Florida becomes the showjumping capital of the world. It attracts the very best in the industry, from Olympic Gold medallists down to the most promising rookies on the circuit, and prize money at the flagship Rolex sponsored season finale now exceeds $750,000. It sometimes seems there are more horses than people in Wellington in March.
The other venues of the Grand Prix circuit in France, Sweden, Italy, Belgium and Ireland attract the same cavalcade of riders, horses and sponsors but they don’t have Palm Beach as their immediate neighbour. Undoubtedly, the proximity of one of the world’s most rarified and idyllic communities has given Wellington an edge on the glamour and prestige front. The palm trees that encircle many of the venues also add an extra visual spark to the whole affair.
We were lucky enough to be introduced to Emily Smith whose family are at the heart of Wellington’s showjumping community both socially and professionally. Emily not only fully embraced our plans to include these festivities in our Palm Beach series but also lent us her facilities and her son Spencer who is a successful and well-known show jumper.
In the UK, I grew up reading Jilly Cooper’s raunchy novels about love, lust and rivalry in the horse world. She told stories that suggested the competition was just as fierce in the bedroom as it was in the horse ring. It was a licentious world where the leading show jumpers had many female admirers and sometimes found temptation too much.
This vignette of Wellington plays to her narrative. But I know Spencer Smith – who is jumping the 7-foot fence in the photograph – to be a man of strong moral fibre and he would never allow his focus to be derailed in the same way as Jilly Cooper’s protagonists.”
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 91" (142 x 234 cm)
- Framed Size: 71" x 107" (180 x 272 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 61" (94 x 155 cm)
- Framed Size: 52" x 76" (132 x 193)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.
The Winner Takes it All (Colour)

Wellington, Florida – 2025
“In the winter months, Wellington, Florida becomes the showjumping capital of the world. It attracts the very best in the industry, from Olympic Gold medallists down to the most promising rookies on the circuit, and prize money at the flagship Rolex sponsored season finale now exceeds $750,000. It sometimes seems there are more horses than people in Wellington in March.
The other venues of the Grand Prix circuit in France, Sweden, Italy, Belgium and Ireland attract the same cavalcade of riders, horses and sponsors but they don’t have Palm Beach as their immediate neighbour. Undoubtedly, the proximity of one of the world’s most rarified and idyllic communities has given Wellington an edge on the glamour and prestige front. The palm trees that encircle many of the venues also add an extra visual spark to the whole affair.
We were lucky enough to be introduced to Emily Smith whose family are at the heart of Wellington’s showjumping community both socially and professionally. Emily not only fully embraced our plans to include these festivities in our Palm Beach series but also lent us her facilities and her son Spencer who is a successful and well-known show jumper.
In the UK, I grew up reading Jilly Cooper’s raunchy novels about love, lust and rivalry in the horse world. She told stories that suggested the competition was just as fierce in the bedroom as it was in the horse ring. It was a licentious world where the leading show jumpers had many female admirers and sometimes found temptation too much.
This vignette of Wellington plays to her narrative. But I know Spencer Smith – who is jumping the 7-foot fence in the photograph – to be a man of strong moral fibre and he would never allow his focus to be derailed in the same way as Jilly Cooper’s protagonists.”
-David Yarrow
Available Sizes:
Large - Edition of 12 + 3 AP
- Unframed Size: 56" x 91" (142 x 234 cm)
- Framed Size: 71" x 107" (180 x 272 cm)
Standard - Edition of 12 + 3 AP
- Unframed Size: 37" x 61" (94 x 155 cm)
- Framed Size: 52" x 76" (132 x 193)
We ship worldwide and use a multitude of providers to safely deliver your artwork. Domestic delivery and installation may also be available via Hilton Contemporary’s private art shuttle. Please inquire.










